Category Archives: Mysteries

From Child Prodigy to Self-Publishing Expert: A.G. Billig’s Amazing Literary Journey

(EDITOR’S NOTE: This is the first in a two-part series on author/entrepreneur A.G. Billig, and how she is bringing her vast media, publishing branding experience to thousands of authors through SelfPublishingMastery.com. Here, she discusses her professional background, writing experiences, and her vision for the world’s most diverse self-publishing online platform.)

She wrote her first short story as a child. At age 13, the Romanian media dubbed her a child prodigy. Three years later, she was writing professionally for a popular national newspaper on teen issues. Then, at 17, she became a radio host — which led to producing a TV show for an independent Romanian network. Finally, when A.G. Billig entered her twenties, she became editor-in-chief for a variety of teen magazines.

Author, self-publishing and branding expert A.G. Billig

How’s that for the start of a writing career? A career seemingly predestined at birth? What happens if you add to that a Master’s Degree in public relations and communication and a sharp, incisive entrepreneurial mind?

Now, this captivating, multi-talented author, and international media and branding expert has established herself in the U.S., imparting her knowledge and insight to benefit thousands of authors. She is the creator of SelfPublishingMastery.com, a multi-channel platform that brings writing and business tips, consulting, books, writing and editing services, resources, online summits, professional referrals, the best writing instructors, a publishing imprint and much more. In 2017, it was named one of the Top 100 self-publishing blogs online. It’s only going to grow.

In an announcement I’m very proud to make, the editorial services wing of my company, Word Journeys, is shifting to SPM in a new partnership agreement.

As a writer, A.G.’s work is extensive in the journalism world, and growing in books. Her two books, Four Doors and Other Stories and I Choose Love, are award-winners. Her deep, thoughtful soul and incisive mind merge in her works to provide delicious prose that informs as it invokes feeling and thought, giving us insight into ourselves. Interestingly, that is what the greatest mentors do: show the way, often without stating it in those terms.

A.G. Billig presenting a workshop on branding and marketing for self-published authors at the Greater Los Angeles Writers Conference. Branding and marketing are central themes _ and features — of  SelfPublishingMastery.com

A.G. is a mentor to authors throughout the world, and has caught the attention of writers conference directors. She has presented at the Greater LA Writers, Genre-LA and Digital Writing & Self Publishing conferences, and recently conducted a Master Workshop on author branding. In this two-part interview, she unveils the full scope of SelfPublishingMastery.com, a huge author asset in a self-publishing market that saw an estimated 900,000 titles published last year.

WORD JOURNEYS: Let’s start at the beginning. What inspired you to begin writing?

A.G.Billig: When I was 8, my parents bought a brand new car. My excitement about the prospect of future summer trips across Romania translated into a short story, the first in a long series. My father, an avid reader and aspiring author, loved my writing and encouraged me to pursue it. By 13, I was winning national literary prizes for short stories. I wrote my first novel, a teenage love story, at 15 —and then took a break from writing fiction until 2012.

WJ: What was one of the biggest takeaways of your early journalism career, when you had years of top professional experience by the time you reached your twenties?

A.G.: It was a beautiful way to meet extraordinary people and share their amazing stories with the rest of the world, stretch my comfort zone, and learn new skills. It felt good whenever someone would stop me on the street to tell me they enjoyed my shows.

WJ:   What books did you read as a teen and young adult? How did they inform and shape the stories and book ideas you wanted to pursue?

A.G. Though Romania was still under Communist rule in my early years, I was fortunate to grow up in a house filled with books. My father was born in Paris. He loved French culture as well as universal literary giants. The moment I learned how to read, I started devouring writers such as Honore de Balzac, Emile Zola, Charles Dickens, Mark Twain, Lev Tolstoy, Anton Chekhov, Giovanni Boccaccio, Jane Austen, Ralph Waldo Emerson, and F. Scott Fitzgerald, to name a few. These authors and readings shaped my literary tastes and taught me how to write. I learned how to use description, write dialogue, and build solid characters from them. I also learned the type of emotional and cognitive experience a book is supposed to create for the reader, that essential element that stands the test of time. Although I never wanted to be like these authors, I always aimed at giving my best in my writing. We can all do that by being authentic and passionate about what we do.

WJ:   When did you start considering working with self-published authors? What need did you perceive?

A.G.: In 2015, at the London Book Fair. It seems like this event changes my life every three years — I wonder what’s going to happen in 2018! I attended as a journalist (I was a contributor to the Romanian edition of Playboy). I was already following podcasts on self-publishing and wanted to know more about it. The free talks and panels proved to be of great help. The success stories of self-published authors such as Mark Dawson and C.J. Lyons, making six-figure incomes on their books, gave me an A-HA! moment. I realized that the publishing game was changing and self-publishing opened a global market for authors, provided they had the necessary skills. Since I have an entrepreneurial mind, I seized the opportunity, not only for myself, but also for my fellow authors. I realized that they needed support with branding and marketing their books. They would needed resources, information, and education. “Why not use my passion for journalism to serve these people?” I asked myself.

Early in 2016, just about the same time I self-published I Choose Love, Self-Publishing Mastery was born.

WJ:   Let’s go back to your creative love – writing books. First, tell us about I Choose Love – certainly a timely read in this day and age.

A.G.: I never thought I would write a non-fiction book, but a lot went on in 2015 — terror attacks, natural disasters. The world was (and still is) governed by fear. The only way out was choosing love, again and again, every second of our life. At that point, I Choose Love came to me as what some would call a “download”. It took about a month to complete. It was easy for me, because it stemmed from my heart. I also had a clear structure from the beginning, and a thorough knowledge of the topic based on seven years of spiritual practice and personal experiences. It offers practical tools for overcoming fear and attracting love into one’s life.

WJ: Can’t think of a subject more purposeful! You also mentioned you shelved your teenage love of fiction writing until 2012. Typically, when we leave our story writing youth, we rarely find that thread again, but you did. Tell us about Four Doors and Other Stories.

A.G.: This book shows what can happen when we are in the flow. It marked my return to writing fiction, and it brought me a contract with a U.K. publisher.

I created this short stories collection about love, because love represents the foundation of who I am and everything I do, including helping other authors become successful. My vision was to portray love as our true essence, which can be expressed in so many different ways. Once I had this concept clear in my mind, I just allowed the inspiration to flow in.

WJ: What is your vision with SelfPublishingMastery.com? What are the features? How do you, and the platform, assist writers in their journeys?

A.G. My original concept for Self Publishing Mastery was to be the Billboard magazine for the global self-publishing industry. My vision was to support and empower indie authors from around the world to self-publish, and help them master the publishing process.

We began by (and are still) covering book marketing, the writing craft, the right mindset for success, writers’ conferences, success stories, writers Facebook groups, podcasts, and book blogs. After the past year of getting a chance to talk to authors, we decided to add an educational component. Now we will also have workshops, online courses, books, and an online academy. We’ve just further expanded the range of our services for authors through the full-service portfolio, twenty years’ standing, that Word Journeys is bringing in. We have evergreen content, constantly refreshing. We’ve also got some goodies for those who subscribe to our newsletter such as “The top 20 Amazon book reviewers list” and “The successful book launch checklist.” Authors can and will find all that they need for successful self-publishing on our site. Please stop by!

(NEXT: A.G. Billig breaks down SelfPublishingMastery.com, and the particular challenge self-published authors face with branding, distribution, and lifting their work above the growing mass of titles and voices — and how to reach their world of awaiting readers in the process.)

 

 

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Book Lovers: The L.A. Times Festival of Books is Here!

One of the most enjoyable parts of being an author is participating in book signings — and few are better than the L.A. Times Festival of Books.

Desiree Duffy of Black Chateau Enterprises and yours truly at the 2017 LA Times Festival of Books.

For the third straight year, I will be signing books at the USC Campus on Sunday, April 22, from 3-5 p.m. It also happens to be my sister Karin’s 50th birthday, so getting from USC crosstown to Encino for the birthday dinner afterward will be interesting, but the afternoon is all about books, and my sister understands… I think…

I digress. On Sunday, I will be signing Voices, Backroad Melodies, Writes of Life, When We Were The Boys and Just Add Water at the Black Chateau Booth #912 in the Black Zone. I will be part of a two-day author collective put together by my publicist and fellow author in the 3-5 slot, Desiree Duffy, the owner of Black Chateau Enterprises.

            The L.A. Times Festival of Books is huge, and awesome. Up to 150,000 people come for the two days to see a collection of bestselling authors, new authors, and entertainment ranging from panel discussions to live bands and very lively public question-and-answer sessions. The festival is the third largest of its kind in the U.S. It’s a book buyer’s and reader’s dream – and, for authors, a rare chance to talk with so many readers.

“I find that consumers like choices, so having several authors and books for them to chose from at a book fair, means that you are more likely to have something they’ll like,” Desiree says. “Book fairs can be exhausting. Authors signings can be draining. Doing an hour or two signing is much easier than committing to running a booth for an entire fest. It gives authors time to walk the fest, check out panels, and network.”

Since Desiree walks the delicate creative and time management tightrope between being a publicist and author (she’ll appear under her nom de plume, Vanta M. Black, to sign her novel Oubliette: A Forgotten Little Place on Sunday afternoon), she also understands the dual existence we writers lead. Often, we prefer to tuck ourselves into our offices and write, not connecting so much publicly — but books don’t sell if we don’t go public. Contrary to the beliefs of many, online presence alone does not beget success. The group signing helps even the shiest authors interact with their audiences.

“We are social beings. When we connect in person, that bond is stronger than it could ever be online,” she explains. “Being an author means being a brand. You are connected to your writing and being able to talk to people, share stories, learn about them as readers, and make connections helps strengthen your brand.

“Plus, what you do in the real world needs to translate to the online world. As an author at an event, being able to promote and post online about it gives you valuable content. Whether it is social media, your author newsletter, your blog or website, your book fest experience should be featured online. Online and offline exposure leverage one another, making each stronger.”

I’d like to introduce you to the other authors at the Black Chateau Booth (once again, #912, in the Black Zone), the works they’ll be signing, and their signing times:

Saturday, April 21:

11 a.m. to 1 p.m.

Susanne Bellefeuille, author of Path of Lucas: The Journey He Endured

Autumn Doerr, author of Baker’s Dozen: A Lexi Fagan Mystery

1 p.m. to 3 p.m.

Christina Cigala, author of XXvXY: The Final World War

Bobby Goldstein, creator of XXvXY: The Final World War; and the TV show Cheaters

3 p.m. to 5 p.m.

Mark J. Rose, author of Matt Miller in the Colonies Series

Lon Varnadore, author of Mostly Human: A 4Pollack Novel

Sunday, April 22:

11 a.m. to 1 p.m.

Sean Patrick Traver, author of Wraith Ladies Who Lunch

Raye Mitchell, Esq, author of How Women Negotiate from a Position of Strength

1 p.m. to 3 p.m.

Michael Priv, author of The Fifth Battalion

Laurie Finkelstein, author of Next Therapist Please

3 p.m. to 5 p.m.

Robert Yehling, author of Voices and Just Add Water

Vanta M. Black, author of Oubliette: A Forgotten Little Place

The booth will also feature books from Nanishka Torres, author of Fenrir Chronicles: The Prince; and Magda Ayuk, author of Blue Bird.

Each appearance at the L.A. Times Festival of Books has been a thrill: discussing pro surfer Clay Marzo’s life with autism in Just Add Water in 2016; and launching Voices to the world in 2017. This time, I’ll also be previewing Crawl of Fame, the memoir of Ironman triathlon legend Julie Moss, which officially releases on October 2.

As for Desiree? She well remembers the thrill of her first L.A. Times Festival of Books signing gig. It’s like runners feel about the Boston Marathon; I know I never get tired of that feeling when we arrive on the scene! “I had a booth the year I released Oubliette—A Forgotten Little Place. It was my dream to be there, and seeing it happen, was amazing,” she recalls. “I checked off an item on my bucket list. I think a lot of authors feel that way. There is something special about the L.A. Times Festival of Books. It is iconic. A must-attend.”

On that note, we’ll see you at Booth 912, Black Zone this weekend!

 

 

 

 

 

           

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THE WRITE STUFF: Official Newsletter of Word Journeys Inc. and Robert Yehling

V 20, N 1 • January, 2016

Celebrating 20 Years of Serving Authors, Publishers & The Written Word 

WELCOME!

Welcome to the 20th anniversary of Word Journeys, Inc. In 1996, I started the company to provide editorial services to magazines and corporate publications. Soon, my goals and the company shifted into the book world, where we have camped since 1999, providing writing, ghostwriting, editing, marketing, promotion, and publicity consulting services to authors, editors, agents, and publishers. We will provide this newsletter of stories, links, and specials to our Google + readers, and mailing list. We cover everything concerning the works of Robert Yehling, Word Journeys clients, and related publishing activities and events. Beginning in February, past issues will be archived on our website, www.wordjourneys.com.

HOT OFF THE PRESSES…

2016: The Year of the Writer

We’re declaring 2016 the year of the writer, and are re-releasing a pair of books to commemorate: The Write Time: 366 Exercises to Fulfill Your Writing Life; and Writes of Life: Using Personal Experiences in Everything You Write. Both books are being published in second edition by Open Books Press of Bloomington, IN. The Write Time is now available, while Writes of Life will soon be available for pre-order on Amazon.com, and will be published in mid-April.

The Write Time features a different exercise for every day of the year — and a story to enhance it. All genres and styles are covered. This is perfect jump-start material if you’re stuck or just need some fresh creative juice. Used in writing conferences, colleges, high schools, and by many published authors. Links to more than 125 top writing and reading websites. http://amzn.to/1O2skaG

Robert Yehling, Martha Brookhart Halda to appear on Write NOW! TV show

Robert Yehling and Martha Brookhart Halda will talk about the writing life, and how they’ve collaborated, on Write NOW!, a TV program in Orange County, CA. The show will air Friday, January 22. Yehling will discuss his various works, while Halda will talk about the German launch of A Taste of Eternity, her remarkable story, and the book’s forthcoming release in the United States. The show hosts are author/publisher Charles Redner, and Judy Saxon.

Just Add Water a Finalist for Dolly Gray Literature Award

Just Add Water is a finalist for the Dolly Gray Literature Award, given to the top family-oriented book with autism themes. It joins ten other finalists for the prestigious award, which is followed by all of the autism organizations and schools. The ceremony is January 25 in Tampa, FL. For more information: http://daddcec.org/Awards/DollyGrayAwards.aspx

The Hummingbird Review: Michael Blake, E.E. King, memoirists featured

The writing of personal story serves as a theme of the winter-spring edition of The Hummingbird Review, now available through bookstores and online. Featured contributors include the late Academy Award-winning Dances With Wolves author/screenwriter Michael Blake, fictionist-poet and Ray Bradbury protégé E.E. King, novelist W. Thompson Ong, Beat-era poet Michael C. Ford, an interview with guided autobiography facilitator Sheri Kohlmann, and the first excerpt of Martha Halda’s memoir A Taste of Eternity to be published in English. Plus more than 60 poems and essays from a dozen nations. Just $10. Order yours! http://amzn.to/1VohQIp

Appearance at Just Add Water at L.A. Times Festival of Books

Robert Yehling will be discussing the development and writing of Just Add Water at the L.A. Times Festival of Books, the nation’s second largest book festival, which takes place April 9-10 on the USC campus in Los Angeles. He will be signing both after the presentation and in a booth on-site. In 2015, more than 150,000 attended the event. Stay tuned for more details. http://events.latimes.com/festivalofbooks/

FROM OUR CLIENTS

  • Brandon Cruz, star of the smash late 1960s/early 1970s sitcom The Courtship of Eddie’s Father, and I are shopping a pair of titles we’ve been developing for a year, one The Courtship of Eddie, his memoir; and the other a deep look at his work as one of the nation’s foremost alcohol-addiction recovery specialists. Both books are packed with powerful, emotional stories, messages of great hope, and Brandon’s entertaining storytelling style, laced with his sharp wit and insights. Stay tuned…
  • Cracked, Not Broken author Kevin Hines had quite a thrill on January 9, when he spoke at a White House conference on men’s health. Kevin is busily preparing a documentary about his story and speaking engagements worldwide; look for a second book by 2017. http://amzn.to/1Gle6Sf
  • Jeff Emmerson’s long-awaited book, Beyond ADHD, is making the publishing rounds through agent Dana Newman. Emmerson looks beyond the conventional ADHD protocols in this riveting work that combines personal story and the insights of more than 20 medical, neurological, and therapeutic experts. Its findings are not only revolutionary — but potentially transformative. View his Beyond ADHD blog at http://bit.ly/1Rk2lCt
  • Motocross racing fans of a certain age… Remember Gary Wells, the racing and jumping phenom of the 1970s and 1980s? The man who routinely outjumped Evel Knievel for years? As Gary celebrates his 60th birthday this year, his story, Closure, is on its way to publication, thanks to author Tyler Anderson, himself a champion racer. This is a no-holds-barred biography at the up and down sides of America’s love affair with one prodigy and his prowess on a bike, during the biggest 15-year period in U.S. motorcycle racing history. https://www.facebook.com/search/top/?q=gary%20wells%20closure

FEATURED TITLES

ON THE WORD JOURNEYS BLOG

How Just Add Water Was Written: Behind the Scenes Story: http://wp.me/p8UUi-hB

BLOG OF THE MONTH

Kristen Lamb’s Blog is annually selected one of the Top 100 writers blogs by Writer’s Digest. Not only is it packed with resourceful materials for writers, but readers will delight in all of its behind-the-scenes features. This is a MUST blog to add to your blogroll. https://warriorwriters.wordpress.com

WORD JOURNEYS SPECIALS

Service: 20% off editing of your next book! We’ll bring your manuscript to a publish-ready polish, as we have done with more than 150 others. All genres. Email ryehling@wordjourneys.com. Through Feb. 29.

Product: $5 off hard-cover, signed copies of Just Add Water: A Surfing Savant’s Journey with Asperger’s, the biography of autistic surfing great Clay Marzo. Shipped direct from author. Email: ryehling@wordjourneys.com. Through Jan. 31.

WRITING/READING TIP OF THE MONTH

“Reach into your bookshelf and grab twenty titles of any kind. Read the first paragraphs of each, quickly and in succession. What pops out? What really grabs your eye? How did the writer grab you? Now return to your work, and in the spirit of what you have just read and compared, make your sentences pop and snap.” — From The Write Time, by Robert Yehling

JOIN THE WORD JOURNEYS FIESTA!

Connect with and follow us on social media, and stay informed on latest news and happenings from Word Journeys, where publishing, writing, editing, teaching, reviewing, and love of the written word join forces.

 

Facebook: Word Journeys — Resources for Writers • Robert Yehling, Author

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Word Journeys Blog: https://bobyehling.wordpress.com

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On Clay Marzo, Stevie Salas & Our Coming New Look

JUST ADD WATER by Clay Marzo and Robert Yehling copyIt’s been a busy and frenetic last two months in my personal writing world. This includes promoting When We Were The Boys, the memoir on which I collaborated with musician Stevie Salas; doing final caption touch-ups and proofs for Just Add Water, my biography of autistic international surfing star Clay Marzo available for pre-order on Amazon.com now and coming in Summer from Houghton Mifflin Harcourt; pumping out proposals for books on which I am collaborating and/or writing (details forthcoming); and editing Innovation & Tech Todayone of the hippest and most diverse new magazines on newsstands and most digital magazine services.

Music. Surfing. Innovation. Three of my favorite things. Now for those books on running and fitness, a memoir, and the book for business, book, journalistic and personal writers that’s made it through some brainstorm sessions…salas cover low res

My webmaster and former Ananda College student, Chitra Sudhakaran, and I have also been overhauling the WordJourneys.com website — and our mission. Part of that will be our new-look WordJourneys.com blog, which will be unveiled Monday (3-2) featuring a fantastic conversation with author and international speaker Kevin Hines. His book, Cracked, Not Broken: Surviving A Suicide Attempt, offers one of the most painful, difficult, and ultimately inspiring and redemptive memoirs I have ever had the pleasure to edit. When a man jumps off the Golden Gate Bridge and is served up his greater life and soul purpose during the four-second plunge into frigid San Francisco Bay… well, you do the math. It’s an incredible book,  in its 20th printing just two years after its release. You are not going to want to miss this interview.

You’ll also see excerpts from Just Add Water and my long-awaited novel, Voices, which will release later in 2015.ITTodayWinter2014 cover

On our new-look blog, we will be incorporating a few new things, a stylistic reflection of my 2009 book, The Write Time: 366 Exercises to Expand and Fulfill Your Writing Life:

1) Inspiring quotes from writers, entertainers, artists, musicians, and other creatives

2) Resources for further exploration

3) Spot interviews with authors, thinkers, educators, and leaders

4) Book reviews

5) Perspectives on technology, fitness, health, the arts, education, STEM, and other subjects of interest to writers and creative artists

6) Excerpts from my books, as well as clients

7) Links to pieces and special service offers on WordJourneys.com, and client websites

8) Social Media services of the month (not only the Big Five — Facebook, Twitter, LinkedIn, Instagram and YouTube —  but many other sites)

9) An expanded blogroll

10) More opportunities for you to comment and/or guest post

11) Prompts, exercises, and tips from well-published authors, and creative and leadership

achievers

We’ve always had an eye out for our clients and other writers and creatives on this blog. Now, we will expand that, as part of our mission to showcase the lifestyle of writing and insight of the authors, as well as the final product.

Back to you on New-Look Monday!

MGH_4477

 

 

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The Power of Group Book Signings — and Birth of a New Literary Series

In this era of extreme tidal changes in the publishing industry, writers, readers and those who love personal author appearances will be happy to know of a great trend: enterprising authors banding together to form group appearances and signings.

The power of the group read, this occurring at Vista Library, site of the North County Literary Cavalcade: Sunset Poets and Hummingbird Review  launch. (L-R) Sunset Poets creator and poet Dick Eiden; "Dances With Wolves" author Michael Blake; poet and musician John Doe, of the legendary group X; Charles Redner, Jr; Hummingbird Review publisher & author Charles Redner; fictionist Alwyn Pinnow; and yours truly

The power of the group read, this occurring at Vista Library, site of the North County Literary Cavalcade: Sunset Poets and Hummingbird Review launch. (L-R) Sunset Poets creator and poet Dick Eiden; “Dances With Wolves” author Michael Blake; poet and musician John Doe, of the legendary group X; Charles Redner, Jr; Hummingbird Review publisher & author Charles Redner; fictionist Alwyn Pinnow; and yours truly

 

AK Patch, the author of "Passage at Delphi," will appear Feb. 23 to launch the North County Literary Cavalcade series at Vista Library.

AK Patch, the author of “Passage at Delphi,” will appear Feb. 23 to launch the North County Literary Cavalcade series at Vista Library.

Not necessarily. Speaking from San Diego County and nearby areas, I can report that a few enterprising authors are working hard to create more group signings. Kaitlin Rother recently hosted an event at the new San Diego City Library that drew a standing room-only crowd. Author Lin Robinson, one of the most innovative and funniest writers around,  is stirring up the waters for a group signing series as well. “My thoughts are to get some local writers together and do something major and newsworthy, maybe in the atrium of the new San Diego library, or across the street in the beautiful Jing Si Café,” Robinson said.

It goes from there. A genre-based group, the Crime Fiction Collective, has been staging group signings for awhile. The La Jolla-based indie bookstore Warwick’s presents not only national authors, but individual and group signings with area authors — in which the author gets a table and signs for several hours on a Sunday afternoon. Very cool.

Group signings are awesome. Several authors appear together, read from their works, perhaps hold a short panel discussion, and then meet, greet and sign. While every author wants (and should have) the stage to themselves, I can tell you that booksellers and libraries love group signings. Why? They put more butts in the seats — and more buyers, or patrons. Readers feel like they’re at an event, and when you attend an event, you want to take the energy and memory of it home with you; hence, buying a book (that’s why motivational speakers and leaders always sell books at the back of the room). Plus, authors receive the dual stimulation of sharing stories from the trenches with other writers, and engaging with their readers.

We will be actively promoting all group signings on this blog, and on the Word Journeys Social Media Network. If you’re an author, band together with a couple other authors, visit your bookstore or library, and set yourself up. It will be much easier than you think — and you will connect eye-to-eye with your audience. Readers and writers, stay tuned.

 Speaking of libraries, I’m pleased to announce something I’ve wanted to create for a long time: a monthly literary series. This one even gives a naming nod to the Golden Age of radio and TV! The North County Literary Cavalcade will be hosted by Vista City Library. Reference librarian Kris Jorgensen and I met earlier this week, and laid out the plan for a combination of author signings, group reads, student presentations, panel discussions, topical workshops, open mics and festival events that will involve national and area authors, educators and poets. Best of all, we’re drawing authors from all fiction and non-fiction genres, plus young adult authors, sci-fi writers, and children’s writers. No matter your reading preference, you’re going to be up close and personal with a prominent author at this series.

Vista Library is a great venue: We hosted a pair of Hummingbird Review launches there, drawing large crowds in both cases. The secret? Yep — group reads. We had six to eight readers on each occasion.

Our first event takes place Sunday, February 23, from 3 to 5 p.m. Author AK Patch will present the history and backstory of his new historical adventure thriller, Passage at Delphi. This book brings the famous Greek-Persian War (source of the “300” movie series) into modern-day light, as eyewitnessed by time-traveling professors. They are under the influence of the Greek God Apollo, who worries that today’s civilization will go the way of the Ancient Greeks. If you’re a “300” fan, and pacing the floors waiting for the March 7 premiere of 300: Rise of an Empire, this book will not only feed you, but give you a counter-story filled with excitement and depth.

I’ll also be reading, as Dr. Patch’s warm-up act. Kris Jorgensen and I will co-host the event, and we will also present the schedule of Literary Cavalcade events.

Hope to see you there — and at all group signing events.

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If Apollo Were Alive Today: AK Patch Interview, Part Two

(To see Part 1 of the Interview)

"Passage at Delphi," now available on Amazon.com and through booksellers nationwide

“Passage at Delphi,” now available on Amazon.com and through booksellers nationwide

AK Patch’s new book Passage at Delphi is a page-turning historical adventure thriller that portals back two  professors into a defining time in Ancient Greek history – and also carries its arch-villain 2,500 years into the future … modern-day San Diego. That dual time travel element is one of many exciting twists in the 336-page novel, which is drawing 5-star reviews from publications like Midwest Book Review and Library Bookwatch, as well as readers on Amazon.com and Goodreads. Just in time for holiday shopping!

There’s another, deeper side to Passage at Delphi: the presence of the Greek God Apollo, who is the mastermind for the adventures and lessons Lauren and Zack Fletcher experience. In this version of hero training, Lauren proves herself a heroine during a time when women never achieved such status. But why? What is Apollo’s plan? What would he be like if he were alive today?

These are a few of the intriguing questions behind the book. We had some more for Dr. Patch, to conclude our two-part interview with him.

WORDJOURNEYS.COM: A part of the Ancient Greek historical record you used  effectively in Passage at Delphi was the concept of the oracle. You used it as your time travel trigger . Could you elaborate?

AK PATCH: I like the idea of using ancient oracles to transmit my characters between the past, present, and future. I see the site at Delphi as kind a mysterious religious site. A shop-owner in Athens actually did tell me that when he walks among the ruins, he senses a tingling and feels as if he is gliding over the ground. This may be a deep cultural connection with his heritage, or a lightening of oxygen content, but nevertheless, it is a place where many people over two thousand years invested their hopes and prayers. I had many conversations with an associate, Dr. Anthony Marciante, regarding the intricacies of time-travel and how that relates to the movement of characters across millennia.

WJ: The mastermind in this book, and others to come  in this series, is another Ancient Greek icon – Apollo, the god of prophecy (among other titles). You stretch beyond the classic description of Apollo to position him in the modern world, tasked with a solemn undertaking of utmost importance that works through Zack and Lauren. Why Apollo?

AP: I see Apollo as a teacher. Not only must Zack and Lauren struggle to survive, but they are also in a kind of classroom themselves. Many of our countrymen live a stable, comfortable life in the U.S. There are those that don’t, for which daily life is a battle. Lauren, but especially Zack, must struggle and suffer to learn. Apollo is fashioned after the Greek Stoic philosophers. He is a benevolent taskmaster. He doesn’t just want you to talk a good story; he wants your actions to back it up. Zack and Lauren must become warrior–citizens for democracy, to preserve our nation when times become perilous.

Apollo’s training is not over. He has seen the future, even lived it. Greek gods like heroes to carry out their will. People are not hardened by one experience. It takes time, so our heroes must endure and learn before they can be effectual in the great fight that awaits them. It is our fight too. Can we learn and act in time?

WJ: You’ve written Passage at Delphi for reasons far more significant than crafting a historical action thriller. What is the underlying issue that prompted you to create this novel?

Passage at Delphi author AK Patch, doing book research on location in Greece

Passage at Delphi author AK Patch, doing book research on location in Greece

AP: I’ll answer that with a question: What is the state of our democracy today?  It’s a subject best debated by political and constitutional experts, but from the point of view of a citizen, developing events are troubling. More and more, greed, arrogance, and corruption are the mainstays of our politics. Who do we believe? Who can we trust to maintain the secure and bountiful future of our country? Look at the ridiculous shutdown of the government and the way we nearly fell off the debt ceiling. Why? How can a few hundred people shut down a government that we, the people, pay for and are supposed to have representation in? The Athenians had a hand in destroying themselves, as did the Romans. Can we learn any good lessons from their triumphs and tragedies? In PASSAGE, our heroes are propelled into real-time history. They will struggle and suffer, but they will emerge tempered by their experiences and be more cognizant by what has been sacrificed by previous generations.

WJ: To that end, you’ve created a novel with non-stop action that will surely appeal to younger readers as well as older ones. How do Millennials figure into the overarching story ?

AP: There are times when people need to recognize the lessons of history and realize that their generation is the one that is likely to be called upon to save this great country. I see the Millennials as that generation, so the message of this and my other books points to them. We will undoubtedly change as a nation on the path of that struggle, but we have to hold onto our freedoms and not let them be compromised. Other generations will see this in the experiences of Zack and Lauren as they endure real-time what the ancient Greeks did in facing overwhelming odds, and yet, emerge victorious. This is about instead of saving the virtual world, saving the real world.

WJ: How and when did the writing bug first bite you?

AP: The earliest writing project I remember was a short story written in 5th or 6th grade, 1966 or so. The Cold War was prevalent and I crafted a story about a Russian spy hiding out in Charles Lindbergh’s plane when he flew solo from New York to Paris in the 1927. I wrote it the spy’s point of view. He described how Lindbergh had to stay awake and eat sandwiches, had to fly above the waves and was excited when they crossed over Ireland. The spy escaped in the celebration after the landing and was impressed by the bravery of Americans.

WJ: How did you keep it going during your long military career?

AP: During my 26-year career in the United States Navy and serving with the Marine Corps, I held unit positions that required some writing skills – personnel evaluations and reports. As a commanding officer of Marine Corps Medical Unit, we concentrated on physicals and combat casualty care, but it seemed like the evaluation and reports evolutions never ceased. Also, I spent a lot of time in Greece … which found its way into the center of my writing.

TO ORDER PASSAGE AT DELPHI

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Ancient Greece & Apollo Come to Life: Interview with Author AK Patch

What happens when  two modern-day, married professors fall into Ancient Greece through a portal, experience their lives as a page-burner of adventures and harrowing escapes that forges them into hero figures – all at the behest of the Greek God Apollo and his deep concern for the direction of our world today?

PAD cover lo-res

The answer to that rather long-winded question forms Passage at Delphi, the new novel by San Diego-based author A.K. Patch. Passage at Delphi went on sale today worldwide, and is available on online booksellers, Amazon.com, Kindle, bn.com and through all bookstores.

Seven years in the making, Passage at Delphi tackles enough historical, topical and character-driven real estate to open a small state. Flip the pages and you find: protagonists Lauren and Zack Fletcher racing through intrigue, romance and adventure; narrow escapes from predatory hands; their experiences with gods, kings and legendary military rulers; time travel in both directions – from present-to-past and past-to-present; exquisite Ancient Greek landscapes seen and lived through young 21st century professors; a new view of the famous “300” Spartans war against the Persians; and a climactic final scene. All is orchestrated by Apollo, the God of Prophecy, as part of a master plan that reveals itself as Passage at Delphi progresses.

Says the Midwest Book Review of Passage at Delphi: “In presenting action spread out over three different times and characters that intersect, Passage at Delphi creates a fast-paced and challenging story line that places readers at the crux of understanding choices and their wide-reaching consequences makes it a force to be reckoned with: a novel that involves even the most experienced reader of historical fiction, mythology fantasy, and adventure.”

OLYMPUS DIGITAL CAMERAMost of all, Passage at Delphi has the Big Three of great novels – memorable characters, strong story, and plenty of entertainment and enlightenment. It is smart, gritty and dedicated to its details – much like its author, a retired career Naval officer who has been fascinated with Ancient Greece and ancient military tactics since he was a child.

Now, in the first part of a two-part interview, A.K. Patch talks more about the historical adventure thriller that is already garnering strong praise.

WORD JOURNEYS: First of all, Dr. Patch, Passage at Delphi is a very ambitious project, a compelling blend of deep history and crafty fiction writing – a magnum opus in many ways. How long have you been working on it?

A.K. PATCH: PASSAGE has been in progress for seven years now. I’ve been in no rush to publish it and it has become far more interesting and involved plot. I’ll never have writer’s block. The story just comes out. I occasionally write the story in my head while I’m jogging.

WJ: You wrap the story around a pair of university professors from California who travel to their beloved Greece on an archaeological dig – only to be transported back in time, as intended by the Greek god Apollo. Could you discuss the protagonists a bit more?

AP: Apollo chooses Zack and Lauren because they have the qualities he desires. They have the potential to survive his gauntlet of hero training, but are guaranteed nothing. Apollo’s goal is to save western culture from a devastating collapse. Thereby, the United States must be secured, or the western world will crumble. His heroes must be American, physically able to endure what he has planned, and knowledgeable of the ancient times in which they are tossed into. Even more so, Zack and Lauren are connected to The Professor in Athens. That is how Apollo found them. They fit his requirements.

The Greek God Apollo, the plot orchestrator in "Passage at Delphi"

The Greek God Apollo, the plot orchestrator in “Passage at Delphi”

AP: Lauren, like a lot of women, has the capability to rise to the occasion. She has the temperance of a military upbringing. I have personal experience with military dependents and their silent endurance of multiple deployments, low pay, and the ever-present possibility that their loved one is not coming home. Their dedication and sacrifice should be more celebrated by our nation.  Lauren is not so completely hardened, though. She doesn’t realize her strength, and fears separation from Zack. She will endure many physical and psychological battles.

I have asked women what they think they do better than men. One compelling answer is that they multi-task better. Juggling family and career is no picnic. Zack has a lot to learn. He has not had to struggle. He lives under the umbrella of safety that the United States provides to him. What happens to any of us when our umbrellas are pulled and the full force of the storm hits us?

WJ: No good historical action-thriller with a romantic twist can thrive without an antagonist – and Passage at Delphi has a most memorable one in Bessus, the Persian commander who threatens and harangues Zack and especially Lauren throughout the story. Can you tell us how you created such a menacing character, and why?

AP: Bessus represents evil, but would not most ancient warriors act in the manner he does? There are no terms of chivalry, no mercies extended. That is true today also. One aspect of Bessus I might mention is that he has suffered and struggled, and in his mind, cruelty and domination is survival. A monster such as Bessus is not all evil. He yearns for his son, to hold onto his hard-won gains back in Bactria (modern-day Afghanistan). He was betrayed by his mother and her people, seriously enough that you can hold a grain of sympathy for him. Even though he transposes his brand of malice to the modern day, evil, greed, and malevolence can come in many forms. It doesn’t just hold a two-headed axe. It can wear a three-piece suit with cufflinks and plot domination of markets, too.

The Temple of Delphi, the centerpiece of the novel, where Lauren and Zack are pulled through the portal.

The Temple of Delphi, the centerpiece of the novel, where Lauren and Zack are pulled through the portal.

WJ: How did this gritty, elaborate story originate for you?

AP: PASSAGE originated as a vehicle to bring the Battle of Thermopylae to the attention of readers. The Greeks of that time were presented with a horrific decision of submitting to slavery or fighting the overwhelming power and wealth of The Persian Empire. I find the Persian Wars period fascinating, and it could be considered a climactic event in the development and survival of Western culture. The questions may soon come to be: are we living in such pivotal times? And what may we have to do to survive and pass our way of life to succeeding generations?

WJ: How do you feel people today are connected to the Ancient Greeks themselves in order to arrive at this correlation you’ve formed as a major plot point?

AP: The ancient Greeks might be called our distant grandparents. Their significant advancements in philosophy, mathematics, architecture, art, sculpture, and playwriting are a solid foundation of our western culture. Ultimately, they gave birth to democracy and more so, fought to the death to defend their way of life, allowing those advances in human spirit to be passed to us.

WJ: Can you elaborate?

AP: Sure. When freedom was largely unknown in the ancient world, when kings and despots ruled the lives of populations, a hardscrabble group of Greek city-states on the western edge of the great empires of the east forged a society. As it turned out, that society made a lasting impact on the future generations of the west – and the east, for that matter. We look to Athenian democracy as our crucible of freedom, but it was not inclusive. Only male citizens of wealth and military training were allowed to vote. It is a kernel of what we have today, but an amazing development for the time. Our enlightened founding Fathers declared equality for all, but that didn’t happen for some time.

WJ: What endeared you to the history of Ancient Greece and its relevance in today’s world?

AP: I loved Hercules movies and some of the other big Sword and Sandal Classics of the 50’s and 60’s. Cleopatra, Spartacus, The Robe, Demetrius and the Gladiators, and my ultimate favorite, The Three Hundred Spartans from 1962.  Without video in those days, you would see a movie once and then wait years to see it again. Torturous, if it was a movie that made a big impact on you!

I have been entranced with ancient history for so long that a lot of the events and settings are second nature to me. I did dig deeper into authors and texts regarding life in those times. I especially respect author and educator Edith Hamilton and her works. When I develop plot twists, then I’m looking for an unusual aspect of ancient life to add substance.

(Part Two will be published on Wednesday, Nov. 27)

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The Sleuthsayers: Six Crime, Mystery & Action Thriller Novelists Discuss Their Work

CHECK OUT THE 366 WRITING BLOG:

40 GREAT BOOKS FOR EVERY WRITER

(First of a 2-blog series)

THEY PRESS ON WITH THEIR DAILY LIVES, watching everything. Stories percolate constantly in their minds. They sit for hours, days, weeks and months, cooking up good characters and bad, and plots with more twists and turns than a mountain switchback road.

Frank Ritter

Frank Ritter

Meet The Sleuthsayers. These crime fiction, mystery and action thriller authors specialize in compelling page-turner books that exemplify solid storytelling and characters that jump off the page. They kill people, injure others, fall in and out of love, and solve one tantalizing mystery after another. In many cases, they carry the same lead character from one book to another.

Recently, I put a few questions to authors Jenny Hilborne, Frank Ritter (also an award-winning playwright), Gayle Carline, William Thompson Ong, Claudia Whitsitt, and Wes Albers, who is also the director of the Southern California Writers Conference.

These people are very good writers. Their average collective ranking on Amazon.com? 4.8 (out of 5). And on Goodreads? 4.9 (out of 5).

Other interesting trivia tidbits: Remember the 1980s TV series Simon & Simon? The series was loosely (or not so loosely) based on Frank Ritter and his brother, private investigators at the time. Ritter’s expertise really shows in The Killing Games. Our other on-the-job expert is Wes Albers, a longtime member of the San Diego Police Department. Meanwhile, Tom Ong is one of the original Mad Men from the New York advertising scene of the early 1960s.

I hope you enjoy what they have to say – and buy their books, either for yourself or for a favorite crime & mystery fiction lover on your Holiday shopping list. Now, let’s get the roundtable started …

Jenny Hilborne

Jenny Hilborne

Q: First of all, give us a snapshot of your most recent books.

Jenny Hilborne: The Jackson Mystery Series, which can be read as standalones. They include Hide and Seek and Madness and Murder.

Frank Ritter: The Killing Games, an adult thriller (now available), and The Devil’s Crib, another adult thriller, which will be out in Spring 2014.

Gayle Carline: I write the Peri Minneopa Mystery Series. A couple of titles include Hit or Missus and Hot Mess.

William Thompson Ong: I call mine the Kate Conway Series – The Mounting Storm, The Deadly Buddha, and The Fashionista Murders.

Claudia Whitsitt: The Samantha Series: Identity Issues (Book 1) and Intimacy Issues (Book 2).

Wes Albers: Black & White is my first published novel. It’s a look into the life of a street cop, told through the eyes of veteran San Diego Police Patrolman John Hatch.

Q: Do you set up your plot twists before you begin writing, or do you let characters and situations take you there?

Albers: I do a little of both. For Black & White, I didn’t start out with anything. I simply sat down one day and started writing. I let the story take me where it wanted to go, until I hit a point where I needed to get to a logical conclusion. It became necessary to start doing some plotting and outlining as I went along, but mostly so that I could drive the story where I needed it to go rather than any creative plot twist.

Gayle Carline

Gayle Carline

One challenge in writing about street cops is that their job doesn’t necessarily flow like a typical story. The thought of having something fall along the lines of Act I, Act II, and Act III is kind of contrary to how the job works. Not every story in a cop’s life resolves. Instead, a street cop’s life is often more a series of scenes.

Whitsitt: Plot twists–what I live for! I do some pre-plotting. It’s best to know where I want the story to wind up, but I’m always willing to let the characters take over. I find a mix of planning/free-form works best for me. The story sometimes stays on track but often the twists are created along the way as a result of my character’s personalities and the ways in which they handle situations. The story evolves through the writing as I continually play “what if”. And my characters have minds of their own—feisty crew that they are!

Ong: I set up a basic plot with plenty of twists and turns in every chapter. But once I begin writing, those unexpected plot twists and turns will come flying at me from every angle and provide the spice for my story. While writing my first novel, I learned two very big lessons: 1) the best way to create plot twists is to ask your characters what’s the worst thing that can happen to them; and 2) believe in your characters and they will help you steer the plot, taking you to places you never thought possible.

Carline: It depends upon the book. Sometimes I just know how everything’s going to work and sometimes I get the idea as I’m writing. I try to do a very general outline. For my first mystery, I was so frightened of having any loose ends or conflicting clues, I stuck to my outline like duct tape. I thought writing to an outline would be my system. Then in the second mystery, I got bored with a scene, so I hit Peri over the head with a golf club and abandoned the outline. The third mystery was a hybrid of outlining, then ditching the outline, then re-outlining. I’m now writing a fourth book, and there is no outline.

William Thompson Ong

William Thompson Ong

Ritter: I story board not only my books but also my plays. All plot twists, locations and even some character traits are worked out on my story boards. I also do a personal profile of each major character and their traits.

Hilborne: I write whatever comes into my head at the time. My characters drive the story.

Q:  How much pre-planning do you put into your characters’ spoken voices, so that their dialogue is distinctive and forward-moving?

Hilborne: I’m not a planner. I hear their voices as I write the dialogue.

Ritter: I work very hard at making my dialogue match each character’s background and speech patterns so that each has his/her own voice. I study slang usage, speech patterns for an American locale I may need, and the speech patterns of those for whom English is a second language, if needed.

Carline: Of all the pre-planning, my characters are my biggest focus. I write up a study of each one, what they look like, their occupation, likes and dislikes, even astrological signs. Then I write a journal for each one. I let them tell me what’s important to them. By the time I start writing the book, I know who they are and how they sound.

Ong: Dialogue is not something that can be wasted. It must either establish character or further the plot. Before writing I make sure each character is

Claudia Whitsitt

Claudia Whitsitt

fixed in my mind—from what makes them tick right down to those quirky little details that are so important—and voice here is key. Then, before each scene, I write a brief outline that describes the action along with snippets of highlighted dialogue. Then I write the scene. I rewrite again and again. When I think I am finished with a novel I go over it carefully, looking for places where sharp dialogue can replace those author descriptions that are too long.

Whitsitt: I wrote a L.O.O.S.E. character sketch before I began writing the series, but I mostly hear my characters’ voices; it’s quite instinctive on my part. I simply step into their shoes and voila! Dialogue! (Don’t tell anyone I hear voices. Please!)

Albers: Dialogue thus far has been a pretty natural process for me. Often it is the easiest part of storytelling. I have an image of the character in my head and any distinct voice for a character just seems to develop as I work.  When I’m not writing but simply daydreaming about the story and where I want it to go, sometimes I’ll get a flash of something unique that I want to attribute specifically to a character.  The sergeant in Black & White is a good example. When I started writing him I had lots of examples of bad managers, or supervisors, from my past so I simply had him strike an elitist, condescending tone and the words just came naturally, his voice developed organically. I must have struck some chord because readers have consistently reacted to him as an accurate reflection of a bad boss that everyone has had at some point.

Q: Out of all the books you’ve written, what are two of the most surprising in-story developments that you did not know would happen when you started writing?

Wes Albers

Wes Albers

Albers: The first was in another unpublished story. I had a bad guy tied to a tree who was about to be executed. Hope was lost, from his perspective. When I originally started writing the chapter, I intended it to be more about the events that would ultimately lead to his surprise release, but as I wrote, it developed into an internal dialogue where this vicious and foul person started reflecting on the tragic path that led him to that tree. Suddenly, he became human and relatable.

The other was the start of Black & White. I didn’t set out to write police stories. In fact, I actively resisted them but someone encouraged me, and then repeatedly pestered me until I made an attempt. I never expected the first line of Black & White would ever survive to print, but in an instant, I found the voice of veteran of the streets, a voice that spoke with the authority of experience.

Whitsitt: My main character, Samantha, has experienced deep moments of profound sorrow. I was surprised how moved I was by those events and the lingering effects her grief had on me—losing loved ones I hadn’t intended to “kill” before I began penning the book. Writing those scenes is exhausting!

The other in-story surprise that has occurred is how much I enjoy writing male characters, (I guess my five brothers are worth something after all!), so much so that I’m considering a new series focused on one of those men.

Ong: At the end of The Mounting Storm, I originally had one ex-wife fire all six bullets from a Colt revolver into the body of the villain. At the very last minute, I switched the revolver into the hands of the other ex-wife. That gave the ending the unexpected wallop it needed.

In The Deadly Buddha, I changed the outcome of the scene where Kate survives the shooting in Central Park after Zack throws his body across hers and Zookie’s and nearly dies in the process. It then became a scene where a very  confused Kate realizes how much she loves the guy—and decides to marry him instead of keeping him waiting another 50 pages.

Carline: The first one came with the first book, Freezer Burn. I had imagined one character, Benny, as an immoral lout (this was before I started all the character development techniques). After the first scene, I saw him for what he was: an obsessive-compulsive man who was confused by the world around him and needed help.

The second one that truly surprised me didn’t happen when I was writing the book, but it happened when I was journaling one of the characters of my current work. I had thought of the crime, figured out the who/what/where, but while one of my characters was telling me about his life, I discovered the motive for the murder. It was completely different than what I was planning.

Ritter: After I story board, I then begin my plot and location research. In the case of The Killing Games, although my research had developed the needed information to make the climatic explosion at the LA Coliseum really happen, I altered this information so as to not be giving out factual instructions to any idiots or truly bad guys. Other than that, because I story board, the only in-story developments while putting pen (computer) to paper have been characters that I grew to truly like and had to either hurt badly or even kill them off. Honestly, when that happens, it really hurts. In The Killing Games, the bad guy rapes a woman and later he rapes her 12-year-old boy. Those scenes were very hard for me to write realistically, but they needed to be there to set up later actions and character developments.

Hilborne: All of my books have surprised me. The endings are never how I might imagine them. The most surprising element for me is the themes readers pick up in my stories. I never intend a message, but readers have pointed them out.

Read Part 2

 

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Why Thrillers Are Fun to Write, and #1 to Read: William Thompson Ong Interview

After he retired from a long career in the advertising industry, William Thompson Ong knew he wanted to return to his other love – 41z1MhGnReL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_writing – but didn’t know where to start. Like other writers, he wanted to draw plenty of fun and enjoyment from his daily sessions. However, he also wanted to write books that would find large audiences.

Ong did some research, and it brought him back to one of the favorite genres he read as a youth and young man: action thrillers with plenty of mystery. Bingo! He transformed into a typing thoroughbred, and burst out of the gates. In just a few years, he has written seven novels and a popular thriller series. In the second part of this exclusive interview, Ong reflects on why thrillers are so much fun to write, why they are the #1 fiction genre for readers (just ahead of the other ingredient in his books, romance), and how the stars have aligned ideally in the persona of Kate Conway, his protagonists for the novel series The Mounting Storm, The Deadly Buddha, and The Fashionista Murders, all available on Amazon.com.

WORDJOURNEYS.COM: What is it about the personalities and characteristics of investigative journalists that make them ideal protagonists for thrillers and mysteries? 

WILLIAM THOMPSON ONG: I’d like to answer with some comparisons between the detective and the newspaper guy or gal. Both appear to be dedicated to discovering breakthrough facts or evidence they can weave into a conclusive story or an indictment.  Aren’t they both in the same business, after all—fighting crime?

In Kate Conway’s case, the hurdles are set higher. The investigative reporter is in a class by herself at a newspaper or magazine journal, assigned to the really big and explosive stuff—stories and cases that go far beyond the murder story.  These are the bright, tenacious, and fearless guys and gals who won’t be home for Christmas—they’ll be spending it hiding in a basement in Teheran to escape a terrorist’s sword. These are the guys and gals whose names will appear on the stories that garner Pulitzer Prizes for their papers—(to say nothing of boosting circulation enough to keep today’s newspapers alive for another year.)  And in most cases they’ll be acting alone—not with the NYPD at their disposal.

Tom's jacket photo. Alicia #9 (preferred)WJ: You mentioned a disparity between typical education levels of an investigative journalist and detective, which creates major story problems in moving crime novels along because of the distrust with which one often views the other in real life. How did you get around that in your series?

TO: I made Kate’s father a gnarly ex-detective—(Paul Conway is a career dick from Brooklyn). When Kate needs help she whistles and Paul Conway appears, wise in the details of police procedure (which Kate and I choose not to be) and just dropping his name opens doors for Kate. Some may think I am cheating by supplying Kate with a crutch like this. But it allows Kate to cruise on a higher level and solve the really complicated crimes.

All of this explains why I lean away from the straight detective story in favor of the mystery-thriller. I’m still that stickler for detail.  But now I can keep a lot more balls in the air when it comes to plotting.

WJ: In The Fashionista Murders, and also The Mounting Storm, you give an expert’s touch to how you portray the high fashion industry and the high-end art world. Are these interests of yours, or just story drivers that you researched (well) and brought to life?

Like Kate Conway herself in The Fashionista Murders, I am totally turned off by fashion—which is why I attached the serial killer to the story. In The Mounting Storm, introducing Kate to Margaret Winship opened up the world of art and museums and society that heightened Kate’s search for the missing Monet she suspects belonged to her grandmother and triggered Kate’s unmasking the Nazi.

It also opened all of Kate’s subsequent novels to the swanky world of high finance and billionaires and celebrity society with its pretension and snobbery and deviousness—absolutely wonderful and trusty elements for layering your novel.  These elements are story drivers and not comfortable elements already present in my life—although at one time I seriously considered becoming an artist.

WJ: You had an interesting way of becoming a thriller writer after leaving the advertising industry:

TO: I did. My decision to write thrillers was based on some good old-fashioned seat-of-the-pants research.  I found thrillers to be the most popular genre. I also found there were more female readers than male readers, which helped lead me to inventing Kate Conway.  Discovering that romances were the second hottest genre convinced me to spread Kate’s adventures with hot and spicy romance.

WJ: Were you a big reader of mysteries, thrillers and crime fiction in your growing up years? Who were your favorite 41u0RCXXw7L._SY346_PJlook-inside-v2,TopRight,1,0_SH20_authors, and what influenced you most about their works, styles and/or voices?

TO: When I was 9, my father brought home The Five Orange Pips and lightning struck. I became a Sherlock Holmes fan forever, admiring his characters and atmosphere (who can resist The Hound of the Baskervilles for atmosphere?) as much as his sleuthing.  But as I grew older, my tastes gravitated to more intricate thrillers like The Spy Who Came in from the Cold, Gorky Park, The Manchurian Candidate, and The Day of the Jackal.

By the time I reached college, writing style became important—the   grace and class of W. Somerset Maugham as well as the biting vividness of Hemingway and the magic of F. Scott Fitzgerald. (I have worn out several soft-cover editions of A Farewell to Arms and The Great Gatsby.)

WJ: Story structure and writing style definitely resonates in your books. We start off on one trail, only to be switched to another – then another –  always with entanglements of some kind involved. Is this a reflection of the way Kate keeps changing and running into surprises? Or the storycrafting style you’ve decided to run with?

TO: It’s both. The multi-layering of plot that I began in The Mounting Storm logically became a pattern for all of Kate’s novels.  In the beginning I had no thought of making the novel into a series.  It was to be a dark and brooding Citizen Kane type of story dramatizing the deviousness of Stirling Winship with Kate almost a minor figure. On the advice of an agent I cut some 90 pages and 30,000 words of background color on Stirling and turned it into a fast-paced thriller featuring Kate. But almost all the plots and subplots remained intact and we were off to the races with the Kate Conway series.

41WA0IPiSeL._SY346_PJlook-inside-v2,TopRight,1,0_SH20_WJ: Rather than go the traditional publishing route, you’ve partner-published with Charles Redner and RiPublishing. Could you elaborate on the advantages you’ve found to the path you’re taking?

TO: The advantages? I am getting to see my books in print, I’m getting strong reviews, and I’m selling enough books to encourage me to keep going. Plus, it’s happening right now. This sure beats waiting around while an editor fiddles and fusses with changes for a year and then spends another year wondering whether the publishing house bosses will give me the final green light.

Self-publishing no longer bears a stigma. It’s attracting big name authors as well as beginners.  If you can’t afford to wait, it’s the place to be. If your books have the necessary magic, they will almost certainly rise to the top.

Partnership-publishing is even better. In Charlie Redner, I have the advantage of a fellow author who acts as my publisher and also my agent when it comes to advice.  There’s a lot of advice you’ll need, especially if you’re like me and have a mind that was built to function in the old days before the computer and the internet—back when we spent our time thinking and doing things instead of walking around pressing buttons on gadgets. (But thank Heaven the word processor replaced my typewriter!)

WJ: Final question: In each of your books, what is the one scene, situation, or character shift that surprised you most when it came flying from your mind to pen or computer screen?

TO: What a terrific question for ending this interview!

In The Mounting Storm, it’s the scene where Kate’s having dinner as the guest of Winston Winship.  She has found the guy an obnoxious bore and lets us know it. But then he says something encouraging about her idea for a new magazine—and she warms to him. When he invites Kate to the party he’s throwing in the Hamptons, which she absolutely hates…

            Kate looked at him before answering, digesting all over again his         coolness, his incredible confidence, his mastery at what he does, his   extremely good looks. And his eyes, those wonderful gray eyes with      their look of sadness.

           “Yes, I’ll come,” she said. “I love the Hamptons.

In The Deadly Buddha, in the party scene at the Hollywood movie studio, Kate has no idea the handsome dude chatting her up—and from whom she reluctantly accepts a ride back to her hotel—is the Welsh movie star she’s been ordered to interview.  He stops at the Griffith Observatory and they find themselves having a ball as they recall from memory the lines James Dean and Natalie Wood exchanged in Rebel Without a Cause. This is how the scene ends:

             Kate didn’t lean over and kiss him, although she thought about it. They were too busy laughing. They laughed all the way back to the hotel. The doorman helped her out. She turned to wave goodbye, but he was already in the circle and heading toward the Wilshire exit, his hand waving carelessly in the air.

           That was the moment Kate realized she didn’t even know his name.

In The Fashionista Murders, we go through the thought process that keeps Kate from giving in to sex, this time in the apartment-studio and in the arms of the handsome photographer covering the fashion shows with her:

Maybe the shrink her friends had dragged her to was right—instead of shutting men out of her life she should loosen up when she felt her buttons being pushed and let things happen. Maybe she needs to change—not just Cam.

          “You are not only a sex maniac but a full-fledged, card-carrying, conniving bastard,” was the way she began the terms of her surrender.  

           She took a step back, grasping both his hands in hers while shaking her mane of Irish red hair. “And now that I have made it ridiculously clear, you may do what you want with me—so long as it’s not boring, distasteful, or so devious it will land us in jail.”

 I warned you how much fun it is writing thrillers, especially when you decide to stretch the boundaries a little. Thanks again for inviting me into your sanctuary.

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From Mad Men to Thrillers: An Interview with William Thompson Ong

William Thompson Ong, or Tom as his friends know him, has created quite a stir with thriller readers in the past 12 months with his trilogy of novels featuring journalist-protagonist-amateur sleuth Kate Conway.Tom's jacket photo. Alicia #9 (preferred)

The Mounting Storm, The Deadly Buddha and The Fashionista Murders (published by Ri Publishing) combine tight, twisting plots, charming bad guys to which Kate becomes attracted, and some high-powered crime solving in great professional settings – art museums, Parisian fashion runways and the like. The trio of novels (not a trilogy; Tom has more Kate Conway novels in his future) also incorporates two aspects of writing of which I can never get enough (or impress more upon writers) – tough, gritty narrative voice, and attention to detail  explicit in time, place, and the character’s personal likes and dislikes. NWhen I see this, I see someone who has married fine journalistic skills with excellent fiction-writing style. ot as easy to write or maintain as it sounds.

41z1MhGnReL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_AA300_SH20_OU01_Behind Kate Conway is a novelist with an illustrious past in the advertising industry, especially for fans of the hit AMC TV show Mad Men. Tom Ong is an original Mad Man, an advertising copywriter and, later, executive who began his career on New York’s Madison Avenue a decade before Mad Men star Jon Hamm was born. Later, he moved to the West Coast, where he cooks up plot twists rather than hook and tag lines.

This is the first of a two-part interview with Tom, in which he reflects on his Mad Men days and takes us deep into Kate Conway’s world, and the ways in which he constructed it. I found his answers rich and fascinating. Hope you do, too.

WORDJOURNEYS.COM: First of all, Tom, you’ve made an interesting creative leap – from being an advertising agency executive to writing thrillers. How did that come about?

William Thompson Ong: It wasn’t that hard. I entered the business as a copywriter, and every copywriter I knew was secretly working on a novel. It was in our blood. At one time at the Benton & Bowles agency we had four guys writing copy for P&G and General Foods, along with our other clients who went on to become successful novelists and lyricists and screenplay writers—Israel Horowitz, Shepherd Meade, Ed Hannibal and Herman Raucher  (who wrote Summer of ’42)—all of us working at the same time and on the same floor. Even though I eventually had many executive titles, like Creative Director and even CEO of my own agency, I was always a copywriter, creating ads and aiming for the fences.

WJ.COM: Could you give us a brief synopsis of your background?

WTO: I grew up in the quiet, tree-lined suburbs of Cleveland, and got my undergrad degree from DePauw University in Indiana. I wrote some short stories and then some angry editorials as editor of the campus newspaper, which led to my MA in journalism from Columbia. After the army I spent 15 years with the biggest advertising agencies in New York City—yes, I was one of the original Mad Men. Then I opened my own agency in Philadelphia and ten years ago cashed in on my lifelong dream, migrating to Los Angeles cold turkey to pursue a new career as a novelist.

WJ.COM: You’ve been quite prolific since becoming a full-time novelist.

WTO: I’ve completed seven novels (plus two screenplays). The three novels in the Kate Conway series are thrillers and have been partnership-published and are doing quite well on Amazon.  I have four more historical thrillers waiting to be published, and I’m still developing plots for Kate Conway.

WJ.COM: Have to ask, since you were one of the originals – how authentic is Mad Men?

WTO: Don Draper is hard to resist as the handsome anti-hero in a world of snakes and dragons, but in a sense he spoils the series for me.  I was hoping it would be more about the classic creative wars that took place at the time between the good guys in creative and the bad guys, at both the client and the agency—all heavily-armed and  thoroughly trained to shoot down any idea that looked fresh and original. I will give Don credit for his ploy in taking on the Cancer Society client and its anti-smoking messages to get even with the cigarette account the agency lost.  That was brilliant—and Don’s personal high for me.

What I like about the series is the telling it like it was—the drinking and smoking, the cheating and jealousy, the double-dealing and back-stabbing, the toll the business took on marriages. Incredible!—we were all so busy trying to survive and get ahead we failed to realize what was going on.

WJ.COM: What were some of the toughest parts of the adjustment from writing ad copy to subjective, character-based fictional narrative?41WA0IPiSeL._SY346_PJlook-inside-v2,TopRight,1,0_SH20_

WTO: No matter how good you are with words, it requires work and study to absorb the basics of good fiction writing. And there definitely are rules: ‘Show, Don’t Tell’; establishing and following well-defined character arcs; knowing your characters intimately; and keeping the action moving—plus a dozen other rules that you should learn to follow before you can break them. You can break them when you reach that point of competence and hear that voice whispering in your ear saying you have arrived.  Then you can forget the rules because they are no longer rules on paper—they are automatic in your head.

When I sat down to write ads and campaigns I would always begin by briefing myself as thoroughly as possible and then staring at that blank sheet of paper—rejecting idea after idea until I knew I had nailed that one idea that would knock everything else silly. It’s the same in fiction writing—we are always staring at that blank sheet of paper and forcing ourselves to come up with that one great plot, one great character, one great scene, one word that propels our story forward. It’s the same process for both. And it’s nakedly, sinfully, deliciously, heart-warmingly beautiful.

WJ.COM: What do you feel are the most important points to remember when writing action-based fiction?

WTO: Every writer has a checklist. Here’s mine, just the way I have the points written down:

  1. SHOW DON’T TELL. Avoid “She saw . . . /noticed . . .” Substitute: “She turned. Two snakes were slithering down the embankment.”
  2. NEVER BE BORING—keep asking yourself what’s the worst thing that could happen next?
  3. Welcome friction, antagonism, fear, unexpected twists and turns. Make characters want something out of reach in every scene.
  4. Know where you are going with the story.
  5. Start the FLASHPOINT OF ACTION on Page One
  6. Make Kate a tough cookie and keep her there. Never let romance get the best of her.  Keep her innocent of how sexy she is.
  7. AVOID CLICHES AND EMPTY GESTURES.  ‘She finished eating and, wiping her mouth with a napkin, smiled.’

8 .  Watch the adjectives, adverbs. Ditch the colons and semi-colons. Don’t try so hard with word play. Use dialogue more often to advance the story.

Another thing I keep in mind is that, broadly speaking, thrillers are action-oriented while literary fiction is character-oriented.

WJ.COM: You’ve brought your journalistic skills into the mix through the way you interlace precise details that are on the money for time and place as well. Could you talk about the importance of enriching narrative with well-chosen details?

WTO: At Columbia University we had a tough, white-thatched ex-Chicago Daily News editor as one of our professors. His name was Roscoe Ellard and he described the cub reporter who couldn’t wait to hand in the story of a horrific fire that destroyed a landmark church and its historic steeple. The reporter captured all the details—the time of the fire, names and addresses of the dead, degree of burns of all victims, age of the church, the hospitals involved, whether arson was suspected, plus dozens of other facts that were right on the money. The professor finally asked the cub writer one simple question.

“How high was the steeple?”

A stony silence followed.

For the rest of the school year Professor Ellard, in his huge booming voice, not only opened every class with the same question, but as students passing each other in the halls or meeting in bars our official greeting became: “How high was the steeple, pal?”

41u0RCXXw7L._SY346_PJlook-inside-v2,TopRight,1,0_SH20_WJ.COM: The other side of your journalistic background comes from Kate Conway, the protagonist in three books now – The Mounting Storm, The Deadly Buddha and The Fashionista Murders. Is Kate the journalist you would have been had you not moved into the advertising business?  

WTO: This is a tricky question, and I’m not sure, since Kate and I represent opposite sexes. My first response would be to say yes, that Kate and I are Type-A personalities not content to stand idly by but want to always plunge in and slug the perpetrator – or at least try to bring the body at our feet back to life.

WJ.COM: How different or similar were your primary goals?

WTO: Kate’s primary goal in journalism is to do what she was taught as a child and had driven into her being by her Catholic parents and especially her detective father— TELL THE TRUTH.  That also describes my background, my family, my political views and, although I am a Presbyterian, my religious beliefs.  With a nation full of evil CEOs, politicians and killers posing as saints, there is plenty for Kate and me and any other investigative reporter, real or imaginary, to feast upon.

WJ.COM: While many male novelists have written strong woman characters, it is very rare to find a male thriller writer using a female protagonist.

WTO: I have received a lot of praise for establishing Kate as a role model for women. I set out to do this intentionally.  In Kate’s first novel, The Mounting Storm, we see her flair for journalism in writing an innocent bio piece about Margaret Winship, The Museum Queen. The piece leads ultimately to exposing her husband and finding the missing Monet, but in it, Kate has Margaret deliver a stern lecture challenging today’s women in the work force to keep giving back to their own sex as they plunge ahead.

WJ.COM: What is Kate’s primary motivation in life? How is it she finds herself crossing paths with the twisted, sophisticated, charismatic bad guys you bring into each story?

TO: Close behind Kate’s driving preoccupation with discovering and telling the truth is coming face-to-face with a talented and romantic male character who she is attracted to and, plot-wise, becomes deeply  involved with—and in two of the three novels comes close to marrying.

I’ve already mentioned how I chose a woman as my major character to stand out from the male-dominated thrillers.  I decided to take this extra positioning step by not being afraid to have romance that leads to sex (and a lot of it) become a powerful and controlling factor in all three of Kate Conway’s adventures.

In this case it was more than relieving my own boredom.  I felt I was being adventurous myself, perhaps venturing where others feared to tread and all that ego-enhancing stuff.  But I knew I was on the right track when women readers and the dozen or so agents who read the first manuscript loved Kate just as written with all her romantic entanglements.

(PART TWO will run on Friday, August 9)

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