Category Archives: Reading

50 Yrs Ago Today: When Paul Visited Haight-Ashbury to Preview Sgt. Pepper’s

Hard to believe that it’s been 50 years to the day since The Beatles released Sergeant Pepper’s Lonely Hearts Club Band. Today’s debut of The Beatles Channel on Sirius XM radio is part of a summer long salute to the band — and album.

One of two albums that defined the “Summer of Love” over all others: Jefferson Airplane’s “Surrealistic Pillow”. Marty Balin is back row right.

Besides its revolutionary use of the studio and the musical virtuosity of John, Paul, George and Ringo, the album symbolized a time of freedom, expression, consciousness, music, and the hopes of a new generation like no other. It, along with Jefferson Airplane’s Surrealistic Pillow, also served as the musical symbols of the #SummerofLove in San Francisco.

Interestingly, it was a visit Paul McCartney made to San Francisco in April, 1967, and the story Jefferson Airplane vocalist-songwriter-mastermind and Rock & Roll Hall of Famer Marty Balin told me about the visit, that sparked the beginnings of my new novel, Voices. 

Debuting 50 years ago today, “Sergeant Pepper’s Lonely Hearts Club Band”

Published by Open Books Press, Voices is a father-daughter-lost daughter story that celebrates the Summer of Love as the launching point for both story and main character, rock legend Tom Timoreaux. It’s also the music novel I’ve wanted to write after covering bands, albums, concerts and events the past 40 years, currently as editor of the Billboard Music Awards and American Music Awards publications and co-author of Stevie Salas’ memoir, When We Were The Boys.

Voices traces the beginnings of Tom and his band, The Fever, in 1967 San Francisco, with the Summer of Love and its enormous impact on music, culture and lives fully recounted through the characters. With festivities cranking up now in San Francisco, it’s a fun time to have a book that roots itself in that amazing short-lived scene.

Back to Paul’s visit, as recounted by Marty from his Haight Ashbury home when I was working with him for his memoir, Full Flight, back in 2001. Bear in mind: When Paul visited, Jefferson Airplane was the psychedelic rock band, thanks to Surrealistic Pillow, which was bulleting to the top of the charts. The Beatles were coming off Rubber Soul and Revolver, with no one yet knowing of Sergeant Pepper’s Lonely Hearts Club Band:

Marty Balin, now and then

“We were rehearsing in The Fillmore on an early April day. We were sitting below the stage, in this big room, playing by ourselves,” Marty said. “Suddenly, a big guy comes in wearing a suit and tie – it was Beatles road manager Mal Evans. He booms out in his thick British accent, ‘Master Paul McCartney’d like to visit.’

“What? ‘Well, then send him in,’ I said.

“In comes Paul. Man, we freaked out. I mean, any commercial success we were enjoying was due to The Beatles coming to America in the first place. So we sat around and talked about The Beatles, about the Airplane, about music in general.

“We broke up our rehearsal and went back to the apartment Jack and I shared, in this old Victorian off Haight and Fell. Jack and Paul got into a discussion about bass playing; the British musicians were learning what we already knew, that Jack was brilliant. Jorma and Jack kept trying to get Paul to jam with them; they were noodling all the time on their guitars. Jack took Paul back to his hotel room that night, so I’m sure they talked a lot more about music. There’s a story that Paul tried to play, but couldn’t, because he’s left-handed and Jack had a right-handed bass. I don’t know.

A typical day during the Summer of Love — music, hanging out, self-discovery

“I do know Paul just wanted to relax. He was mainly interested in shooting home movies of the Haight-Ashbury scene. I told Paul about some of the things happening in the Haight, and gave him some places to shoot. Ever since the early days of The Beatles, he’d taken the little home movie camera around and filmed the places and excitement surrounding them. He liked to film the scenes, gallery openings, people in their element; he wasn’t reclusive like John. Paul was always going out, socializing, meeting people.

“Later, I went into my room to get away from the crowd that was in the main part of the house. Paul came in, and we talked a little more about music. ‘What’s new with The Beatles?’ I asked. ‘What’s next?’

Paul smiled. “Oh, I happen to have a little tape here.”

He pulled a tape out and we put it on. It was the song “A Day In The Life.” (“I read the news today, oh boy…”) I just about lost it; I could not believe what I was hearing. Up until then, The Beatles had been like Gods to us. Anything they did was amazing, and in 1964 and 1965, it seemed that every two weeks, they had a new single. They were fantastic, and an inspiration to just about everybody in the rock music world.

“So he played this song. I just did not have the words to describe it. ‘Man, that’s the most amazing thing I’ve ever heard,’ I said.

This is one of many classic rock & roll experiences that weaves its way through Voices, which I will be sharing throughout the summer as the book makes its way into bookstores and online booksellers — and my signing appearances. I share it first because Marty Balin inspired me to write the book, with stories like this, and with his cool, quiet, understated way of using his magical tenor chops to become “The Voice” — literally, that was his nickname among his peers and early fans, and hence, inspiration for the book title. He and I also brainstormed  off my original story line while walking a very crowded Haight Street prior to the 2001 Haight Street Festival (as reimagined in Chapter 18 of Voices). That basic story line is very close to the final version.

Many more stories behind the writing of Voices are coming. Most of all, on this 50th anniversary of the Summer of Love, it’s my salute to what rock, pop, folk and blues music have meant, how they’ve informed my generation, and it also shows the beauty of music to bring us together in a spirit of joy and companionship, no matter our beliefs or world views.

Voices is now available through bookstores nationwide, on all online booksellers, and of course, on Amazon.com. Hope you enjoy it, and please post a quick review on Amazon or Goodreads — 50 words will do (and a few stars!).

 

 

 

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THE WRITE STUFF: Official Newsletter of Word Journeys Inc. and Robert Yehling

V 20, N 1 • January, 2016

Celebrating 20 Years of Serving Authors, Publishers & The Written Word 

WELCOME!

Welcome to the 20th anniversary of Word Journeys, Inc. In 1996, I started the company to provide editorial services to magazines and corporate publications. Soon, my goals and the company shifted into the book world, where we have camped since 1999, providing writing, ghostwriting, editing, marketing, promotion, and publicity consulting services to authors, editors, agents, and publishers. We will provide this newsletter of stories, links, and specials to our Google + readers, and mailing list. We cover everything concerning the works of Robert Yehling, Word Journeys clients, and related publishing activities and events. Beginning in February, past issues will be archived on our website, www.wordjourneys.com.

HOT OFF THE PRESSES…

2016: The Year of the Writer

We’re declaring 2016 the year of the writer, and are re-releasing a pair of books to commemorate: The Write Time: 366 Exercises to Fulfill Your Writing Life; and Writes of Life: Using Personal Experiences in Everything You Write. Both books are being published in second edition by Open Books Press of Bloomington, IN. The Write Time is now available, while Writes of Life will soon be available for pre-order on Amazon.com, and will be published in mid-April.

The Write Time features a different exercise for every day of the year — and a story to enhance it. All genres and styles are covered. This is perfect jump-start material if you’re stuck or just need some fresh creative juice. Used in writing conferences, colleges, high schools, and by many published authors. Links to more than 125 top writing and reading websites. http://amzn.to/1O2skaG

Robert Yehling, Martha Brookhart Halda to appear on Write NOW! TV show

Robert Yehling and Martha Brookhart Halda will talk about the writing life, and how they’ve collaborated, on Write NOW!, a TV program in Orange County, CA. The show will air Friday, January 22. Yehling will discuss his various works, while Halda will talk about the German launch of A Taste of Eternity, her remarkable story, and the book’s forthcoming release in the United States. The show hosts are author/publisher Charles Redner, and Judy Saxon.

Just Add Water a Finalist for Dolly Gray Literature Award

Just Add Water is a finalist for the Dolly Gray Literature Award, given to the top family-oriented book with autism themes. It joins ten other finalists for the prestigious award, which is followed by all of the autism organizations and schools. The ceremony is January 25 in Tampa, FL. For more information: http://daddcec.org/Awards/DollyGrayAwards.aspx

The Hummingbird Review: Michael Blake, E.E. King, memoirists featured

The writing of personal story serves as a theme of the winter-spring edition of The Hummingbird Review, now available through bookstores and online. Featured contributors include the late Academy Award-winning Dances With Wolves author/screenwriter Michael Blake, fictionist-poet and Ray Bradbury protégé E.E. King, novelist W. Thompson Ong, Beat-era poet Michael C. Ford, an interview with guided autobiography facilitator Sheri Kohlmann, and the first excerpt of Martha Halda’s memoir A Taste of Eternity to be published in English. Plus more than 60 poems and essays from a dozen nations. Just $10. Order yours! http://amzn.to/1VohQIp

Appearance at Just Add Water at L.A. Times Festival of Books

Robert Yehling will be discussing the development and writing of Just Add Water at the L.A. Times Festival of Books, the nation’s second largest book festival, which takes place April 9-10 on the USC campus in Los Angeles. He will be signing both after the presentation and in a booth on-site. In 2015, more than 150,000 attended the event. Stay tuned for more details. http://events.latimes.com/festivalofbooks/

FROM OUR CLIENTS

  • Brandon Cruz, star of the smash late 1960s/early 1970s sitcom The Courtship of Eddie’s Father, and I are shopping a pair of titles we’ve been developing for a year, one The Courtship of Eddie, his memoir; and the other a deep look at his work as one of the nation’s foremost alcohol-addiction recovery specialists. Both books are packed with powerful, emotional stories, messages of great hope, and Brandon’s entertaining storytelling style, laced with his sharp wit and insights. Stay tuned…
  • Cracked, Not Broken author Kevin Hines had quite a thrill on January 9, when he spoke at a White House conference on men’s health. Kevin is busily preparing a documentary about his story and speaking engagements worldwide; look for a second book by 2017. http://amzn.to/1Gle6Sf
  • Jeff Emmerson’s long-awaited book, Beyond ADHD, is making the publishing rounds through agent Dana Newman. Emmerson looks beyond the conventional ADHD protocols in this riveting work that combines personal story and the insights of more than 20 medical, neurological, and therapeutic experts. Its findings are not only revolutionary — but potentially transformative. View his Beyond ADHD blog at http://bit.ly/1Rk2lCt
  • Motocross racing fans of a certain age… Remember Gary Wells, the racing and jumping phenom of the 1970s and 1980s? The man who routinely outjumped Evel Knievel for years? As Gary celebrates his 60th birthday this year, his story, Closure, is on its way to publication, thanks to author Tyler Anderson, himself a champion racer. This is a no-holds-barred biography at the up and down sides of America’s love affair with one prodigy and his prowess on a bike, during the biggest 15-year period in U.S. motorcycle racing history. https://www.facebook.com/search/top/?q=gary%20wells%20closure

FEATURED TITLES

ON THE WORD JOURNEYS BLOG

How Just Add Water Was Written: Behind the Scenes Story: http://wp.me/p8UUi-hB

BLOG OF THE MONTH

Kristen Lamb’s Blog is annually selected one of the Top 100 writers blogs by Writer’s Digest. Not only is it packed with resourceful materials for writers, but readers will delight in all of its behind-the-scenes features. This is a MUST blog to add to your blogroll. https://warriorwriters.wordpress.com

WORD JOURNEYS SPECIALS

Service: 20% off editing of your next book! We’ll bring your manuscript to a publish-ready polish, as we have done with more than 150 others. All genres. Email ryehling@wordjourneys.com. Through Feb. 29.

Product: $5 off hard-cover, signed copies of Just Add Water: A Surfing Savant’s Journey with Asperger’s, the biography of autistic surfing great Clay Marzo. Shipped direct from author. Email: ryehling@wordjourneys.com. Through Jan. 31.

WRITING/READING TIP OF THE MONTH

“Reach into your bookshelf and grab twenty titles of any kind. Read the first paragraphs of each, quickly and in succession. What pops out? What really grabs your eye? How did the writer grab you? Now return to your work, and in the spirit of what you have just read and compared, make your sentences pop and snap.” — From The Write Time, by Robert Yehling

JOIN THE WORD JOURNEYS FIESTA!

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The Write Time: Feeding your Writing Needs Over the Holidays

Welcome to the 2015 Holiday Season … and Launch Day!TWT_WebCov

Today is the release of the second edition of The Write Time: 366 Exercises to Fulfill Your Writing Life, published by Open Books Press out of Bloomington, IN. Since it initially released, it has been used as a teaching tool in dozens of high schools and colleges. Of equal importance, it sits on the shelves of writers ranging from multiple book authors to those writing for fun. Now, we’ve brought in 20 new exercises, as well as fresh photos and a new foreword, to go with the other 346 exercises in the book.

For me, the beauty of this book is its diversity and variety. Since I was young, I’ve kept journals, with the specific intent of writing about something different every day. I believe that diverse writing, along with good reading, observation and life experience, builds our voices and fluency as writers faster than anything. When my book or editing clients say, “You can write about anything! How do you do that?” my answer is the same: “By many years of writing about different things and experimenting daily.”

That is why I created The Write Time — to present a sweeping approach to writing about the subjects that interest you, and trying new forms in the process. Between that, the stories embedded within the exercises, motivational and creativity quotes from authors and brilliant minds, and listings of 125 dynamic writing websites, I’m confident in stating that The Write Time goes well beyond typical writing prompts and exercise books. In fact, you won’t find another that offers such a rich experience.2015-12-01 06.23.33 2015-12-01 06.24.09

For The Write Time, I cobbled together writing exercises developed from the past 15 years of teaching at conferences, high schools, retreats and colleges, gave them stories, and brought them together. Every genre and type of writing is covered, from fiction to essay, songwriting to poetry, fantasy to literary narrative non-fiction. Whether you journal, write poetry or songs, novels or essays, short stories or major papers, The Write Time will be a valuable asset.

The other thing — you’ll never have writer’s block again. All you need to do is open the book to the date, or any random page, and it won’t take long for your words to flow. “It serves as a invocation to come sit at the shore of new creativity, take up your ink-cup, drink plentifully, and be refreshed by the waters of a new day, all intentionally assembled by a fellow writer, reader and lover of literature,” wrote Andres Torres, advanced placement teacher at Minooka (IL) Community High School, in the Foreword.

The Write Time is available through all bookstores, Amazon.com, online booksellers, and on the Open Books site. Or, if you’d like an autographed copy for a holiday gift for yourself, or writers among family and friends, contact me and we’ll get one to you.

Finally, to whet your taste buds, the exercise for December 1:

All complete stories arrive at resolution. We entered the story with characters departing from an opening situation. We followed them as they made their way through the world you created for them, enjoying the motives, conflicts, twists, surprises, realizations, discoveries, complications and sub-plots along the way.

Now, we’re ready for resolution. How will your story end?

Write the ending to your story — no matter where you are right now. The resolution can lead to either a predictable, surprising, or twist ending; your call. Whatever the case, make the ending solid and convincing. Refine it over and over. Then, use it as a compass to guide you through the rest of the story.

(Please let us know how you like The Write Time by reviewing it on Amazon and Goodreads).

 

 

 

 

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Snapshots from the Frankfurt Book Fair, Munich & Austria

It’s already been three weeks since a remarkable and, in some ways, magical trip to Germany for the Frankfurt Buchmesse. The journey morphed into an unforgettable few days of hiking and sightseeing in Austria, and then returning to my old home in Munich and seeing my dearest friends.

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Martha signs book cards at the Frankfurt Book Fair. She was a big hit with adults and kids alike.

I traveled to Frankfurt last-minute to  support my loving friend (and so much more) of 50 years, Martha Halda, there for the world release of her memoir, A Taste of Eternity, in its German-language version, Der Duft des Engels (The Wings of Angels). Watching Martha  sign autographs for thousands of festival attendees was truly divine, as we spent three years turning A Taste of Eternity from an idea into the life-affirming memoir it is. The same publisher that picked up Martha’s book, sorriso Verlag, also published Just Add Water in German translation — also launched at Frankfurt.2015-10-16 14.41.09

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A moment that warmed the teacher’s heart inside me: Kids hanging in the patio of the Frankfurt Book Fair, sitting in hammocks, reading … refreshing.

The Frankfurt Book Fair is an amazing conglomeration of publishing nations, their authors, and the hands that work the levers behind global publishing. I checked out books and publishers from dozens of countries, including wonderful exhibits at the Indonesia, Vietnam, Ireland, China, and Australia-New Zealand pavilions. (Also had to see When We Were The Boys and Just Add Water in two different booths in the English-language pavilion; that definitely fulfilled a life dream!)

Frankfurt also made a great effort to promote young adult and children’s reading through an outdoor reading area and a weekend nod to Comic-Con. Thousands of kids turned out. The way young reading has gone south in the U.S., I never thought I’d see thousands of teenagers in one place for the sake of books. I didn’t see anywhere near so many at the L.A. Times Festival of Books, whose overall crowd was comparable.

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A few of the earthly treasures at the Antiquarian Book Fair. Most of these titles are older than the U.S.

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One of the books that got Italian astronomer Galileo Galilei into hot water with the Catholic Church. The book was originally written in his hand.

The other highlight was the Antiquarian Book Fair, 48 exhibits and vendors. First of all, “antiquarian” in Europe carries a far different meaning than in the U.S.; jump on the timeline and go back several centuries. The fact that the inventor of the printing press, Johann Gutenberg, lived and worked not 10 miles away, added to the intrigue. Books dated back to the mid 15th century, but my favorite was De Systemate Mundi, a book on the planets by Galileo, likely among the volumes that got him booted from the Catholic Church for heresy and placed under house arrest. So much history in these 48 exhibits … I will be writing more on this.

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Mist, light, snow-covered mountains, and tight, steep roads in small mountain resorts… what’s not to love about this part of Europe?

Afterwards, Martha treated me to a huge “thank you” for helping her with her book — some hiking and sightseeing above the gorgeously rustic, small Austrian resort of St. Johann im Pongau, Austria. I’d driven though this town 30 miles south of Salzburg while living in Munich, but not like this: two days of long hikes, culminating with a random visit to Kreistenalm (Christ’s alms), a ski lodge in the Austrian Alps. While I got us around in my very broken German, Martha reveled. Ever seen a grown girl cry during lunch in a ski lodge? The reasons were clear: Her book concerns meeting angels and the Divine after she was pronounced clinically dead in October 1999, she’s coming off a Frankfurt launch (every global author’s dream) in October 2015, we’re in the Alps, and the lodge’s name is the center of her spiritual path. Wonderful, wonderful moment.

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A view of St. Johann im Pongau from the sky box seats (actually, beginning of the steep trail to Kreistenalm)

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The ski lodge that served up a magical moment: KreistenAlm: Hearty Welcome. And, it was.

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50 years to the month after we first saw ‘The Sound of Music’ in Carlsbad, we joined forces again in Salzburg, where most of the movie was filmed.

We had one more surprise, this belonging to our lifelong friendship. We spent a day in Salzburg, which I knew from having played tour guide to family and friends while living in Munich. Martha waxed nostalgic, and wanted to go on the Sound of Music bus tour. My idea of a tourist bus tour is to get to a destination, put on my pack, jump off at a random stop, and do my thing. Especially in a European city with a strong musical connection — outside America, Salzburg is revered not for Julie Andrews, but for Mozart, who grew up and began performing there. This time, I played nice. The reason? You’re going to accuse me of being a creative fiction writer, which I am, but follow this very true bouncing ball:

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Our ‘Sound of Music’ tour guide was brash, Austrian, and filled with the spirit of the tour. This is the gazebo where the love scene between Maria and Col. Von Trapp was shot.

Fifty years ago, in 1965, The Sound of Music opened and toured select theaters nationwide, among the last blockbuster movies to be roadhoused before chains and massive screen openings took over. A month after first grade began, in October 1965, Martha and I joined a class field trip to see the movie at San Diego’s Loma Theatre. Now, exactly 50 years later, we were touring the movie’s sets, both inside and outside Salzburg, after watching the film again to reacquaint. Let’s just say more than a few people were blown away when they heard this.

Afterwards, we did see a Mozart chamber concert, in one of the chamber rooms in which Mozart performed fairly often at the Festung Hohensalzburg, the 1,300-year-old white fortress atop Salzburg. The Sound of Music is awesome, but there is nothing like hearing a maestro’s music where he performed and conducted. The walls really do start talking…

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A quick return to my old Munich home on Oberlanderstrasse (yellow section, bottom 2 floors of windows).

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The Rathaus in Munich, one of the world’s most amazing buildings.

Finally, my friend Tobias Groeber, the director of the massive ispo trade fair (which I served as U.S. communications liaison for six years), and my closest friend in Germany, magazine publisher Wolfgang Greiner, threw a barbecue in Munich never to be forgotten. We feasted on fishes and meats from Spain, Turkey, and Germany, cuisine from a few other countries, first class all the way.

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How to keep a 6-foot-tall blonde with German blood happy: Bier und obatzda mit brez’l!

What amazed me, though, was talking about Just Add Water with 13-year-old surfing twins. Nothing unusual, except this: they were German surfers, locals who rode those frigid (but sometimes good) northwest swells in the North Sea. Chilling. Impressive. These hearty souls had no trouble connecting tall, blonde, California girl Martha with a place to stay on the Southern California coast. Smart kids!

Enjoy the photos and pictures … and get ready for an incredible next blog, an interview with British author and novelist Ann Morgan. Her book, The World Between Two Covers, may well change the way you read and regard world literature. Her novel, Beside Myself, is equally amazing. We’ll let her take it from there, in this special preview of a longer interview we will be publishing in The Hummingbird Review next summer.

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What A Decade: How Far Carrie Underwood Has Come

(I originally wrote this piece 10 years ago this month, while editing American Idol magazine. It is probably my favorite piece of magazine journalism, and Carrie Underwood is definitely the most put-together female performing artist I’ve ever known. So much is revealed in this interview, conducted two months before her debut  Some Hearts LP and ushered in one of music’s greatest careers. She is not only an exceptional singer, but an exceptional woman and role model for girls and teens globally. For good reason.)

The Country Girl’s Cinderella Story

Years after giving up her dream of being a star, Carrie Underwood decided to drive to St. Louis to audition for AI4. Now, she lives the greatest wish of millions of fans who selected her as the new American Idol while sticking to her simple, hard-working roots.

By Robert Yehling

Here’s a Cinderella story with a country twist. The blonde-haired girl leaves the glass slipper in the clover meadow of her adolescence and heads to college to prepare for adult life. There is no prince, no palatial ball, no castle. Then something happens: the glass slipper finds her, in the form of an American Idol audition. Of course the shoe fits. A year later, she’s a rising star in Nashville, America’s newest sweetheart, and a young woman whom all mothers would want their daughters to emulate.

Carrie Underwood, moments after winning American Idol Season 5 in 2005

Carrie Underwood, moments after winning American Idol Season 5 in 2005

If you’re worried that Carrie Underwood will strike midnight, don’t: The new American Idol’s career is in full ascent. It’s only been six months since we finally saw her cut loose when Ryan Seacrest made the winning announcement – “I will never forget that moment, that excitement, the fans in the audience screaming. How could I not let go?” she says. In that time, she’s cut an album, racked up a pair of major endorsements, headlined Idols on Tour, and considered countless offers from the entertainment and business worlds. The heroine of this fairy tale has met her destiny: life as a star in the 21st century.

“This whole experience reminds me of something I’ve heard quite a few times: ‘If you want to make God laugh, make plans,’” Carrie says. “My life is completely different in every single way possible. I’ve had to re-evaluate everything. What I was going to do before, I’m not going to do now. I’m going to be a singer for at least the next little while. There’s no more planning things out as I was doing last year at this time.

“The big change for me is that now my goals can be much, much higher than what they were a year ago, which were trying to find a good job out of college, work my way up the ladder – the typical business plan – find somebody, get married, have a family. Now it’s make an album, do well on it, so I can make another album, touring, promotion. After I’m hopefully an established artist one day, people will know me not just because of being an American Idol but because they’ve been hearing me a lot on the radio, and what I’ve done as a solo musician.”

How does a charming, highly intelligent and gorgeous 22-year-old country girl from Checotah, Oklahoma handle this sudden fame and fortune? Especially when you consider that she hadn’t flown on a plane until she headed west last November for the Hollywood Auditions? Or that she would much rather wear t-shirts or light blouses and jeans than alluring skin-clinging outfits (as she made clear to Skechers when they chose her to follow in the footsteps of noted sirens Britney Spears and Christina Aguilera)? How does she go from raising farm animals and studying for broadcast journalism finals to dealing with record company executives, television interviews, officials from Hershey’s and Skechers, career agents, press agents, countless people screaming “You’re

the greatest, Carrie!” and exhausting tour schedules synchronized to grueling recording schedules?

Therein lies the secret to Carrie Underwood’s climb to the top of American Idol and how she conducts her life from this point forward. Behind the blonde hair and brown eyes, reserved demeanor and remarkable voice is a woman who understands how to remain calm in the midst of storms. She’s very friendly and a joy to talk with, because she can handle countless conversation subjects while switching back-and-forth between the maturity of a grown woman and the doe-eyed enthusiasm of a girl on the rise. From a crisp tone of voice that broadcasts confidence and self-assuredness to the way she moves, Carrie exudes coolness in the greatest sense of the word.

She also knows she wants and how fortunate she is that her dream circled back to be reclaimed. “I’m a thinker, not a big dreamer. Every little kid wants to be famous, a movie star, a music star, whatever,” she explains. “About 99 percent of the time, it never happens. As a little kid, I used to pick four-leaf clovers out in the pasture and my wish was always the same: ‘I want to be a music star.’ But as I finished up high school, my thoughts were, ‘What makes me special?’ After high school, nothing had happened, so I figured it was time to grow up and get a job. It was important to go to college, learn a trade. So I did that, and then my childhood dream comes true. Life is pretty funny.”

Carrie prides herself on sticking to her core values, personality and interests, some of which raise eyebrows. She grew up bottle-feeding cows on an animal farm in a meat- and-potatoes family, but she is a committed vegetarian and recent honoree of the People for the Ethical Treatment of Animals (PETA). “I love to go fishing with my friends, but I always throw them back,” she says. She became the new American Idol by performing country music – Rascal Flatts, Martina McBride and Patsy Cline are favorites – but she’s a huge Green Day fan who plays guitar, piano and drums. She lives in one of the most rooted, earthen parts of the country and conveys pure radiance with every smile, yet her favorite movies are Star Trek: The Next Generation and a host of old horror flicks: Halloween, Nightmare on Elm Street, Friday the 13th and Alien.

Then there is her reserved emotion. Farm life is doubly hard work: In addition to raising animals and crops, and synchronizing life to planting and harvesting seasons, the parents often hold full-time jobs. Stephen and Karen Underwood both worked outside jobs – Stephen at a paper mill and Karen as a schoolteacher – while tending to the farm and raising daughters Shanna and Stephanie. By the time Carrie came along, her sisters were teenagers and vital workers on the farm. They supported and nurtured her singing, first at church, then in local talent competitions, later in high school music programs. However, there was little time for deep discussions or displays of emotion. “We don’t really show our emotions; we’re not big huggers,” Carrie says. “We’re kind of a quieter family. For good or bad, I have a lot of my dad’s personality traits, and he’s a stoic man who gets things done. I really don’t get real excited about anything. A lot of times, I think that people’s emotions should remain within. You seem to have a lot more power and energy that way.”

Carrie Underwood channels her inner Axl Rose during the 2013 CMA Music Festival in Nashville. Her rendition of "Paradise City" reminds me of what she told me several times -- inside, she's a rock-and-roll girl. Check this out on You Tube.

Carrie Underwood channels her inner Axl Rose during the 2013 CMA Music Festival in Nashville. Her rendition of “Paradise City” reminds me of what she told me several times — inside, she’s a rock-and-roll girl. Check this out on You Tube.

There’s a flip side to being unemotional: It’s hard for audiences to connect with you. Despite possessing the best voice on the show – Simon Cowell told a KTTV interviewer in Los Angeles that Carrie’s voice stuck utmost in his mind from several thousand people who auditioned before he, Paula and Randy in 2004 – Carrie heard the loud whispers about her stoic stage presence throughout AI4. While she strictly adhered

to unofficial Rules 1 and 2 of succeeding on American Idol – “Be true to what you do best, and be your most authentic self” – she also ran the risk of being voted off as more flamboyant finalists like Bo, Constantine, Vonzell, Jessica, Nadia and Mikalah whipped up live audiences each week.

“It kind of kept people from really getting to know me, because I didn’t share my emotions as readily,” she recalls. “That’s not such a good thing. I’m definitely working on being more personable. For the first time in my life, I’m dealing with people who live and work at a completely different level, so I put myself out there more. It sure helps that the competition aspect’s gone and that type of pressure is off.”

While Carrie might be a rising superstar to America and the world, she is still a country girl, although people in Checotah and neighboring Muskogee refer to her as “our Carrie,” in the sweet and inclusive way locals regard fellow residents who hit the big time. She illustrated the ever-humbling vibes of going home. “As soon as I got home, my mom told me to clean my room. I was just joking, ‘Mom, the new American Idol doesn’t clean her room,’ and she said, ‘This one does.’ To my family, I will always be Carrie and not the American Idol. I never want that to change.”

Within a month of winning American Idol, Carrie stared into her potential in the recording and entertainment world. She became the newest jingle girl for Hershey’s –

the commercials have been on TV since July – and also signed with Skechers. The first print ads were timed for back-to-school. “I was really surprised to get these endorsements so quickly,” she says. “Hershey’s was really into the image I want to portray. The same thing with Skechers – they target younger people. Plus, I’m really happy to get free shoes and free chocolate. Those are two of a girl’s favorite things!”

Then she laid down a vocal track. With her 19 Recordings/Arista Records single, “Inside Your Heaven,” one of the three songs she sang in the Final Show, she became the first country artist ever to debut at #1 on Billboard’s Hot 100. It also was the first country song to go #1 on the Hot 100 since Lonestar’s “Amazed” in 2000. While selling more than 170,000 copies, “Inside Your Heaven” also topped the Pop 100, Country Singles and Singles Sales charts in July.

Never one to rest on her laurels, Carrie began working on her album during the Idols on Tour, flying to Nashville on her off days. “I don’t want to be one of those people who goes, ‘I’ve achieved the most amazing thing I’ve ever done, so I can cruise now,’” she says. When the tour concluded in September, she returned to Nashville. She’s moving into barely charted territory: Among previous American Idol finalists, only Josh Gracin has broken through in Nashville, but that came two years after he competed. Meanwhile, Carrie attracted America’s huge country music fan base to the show, and is delivering an album to them. Even at the Season 5 auditions, the shift was evident: Numerous country singers turned up from San Francisco to Boston. Everyone who watched her perform with Rascal Flatts on the Awards Show knows that she has superstar written all over her. Sales of her debut album could go through the roof, especially since it comes out in time for the holiday shopping season.

Down the line, she hopes to better reflect her eclectic musical taste. But for now, she’ll stick to her strength. “I definitely see myself on tour singing different songs live, but the album is going to be country first,” she says. “We’ve talked about Rascal Flatts and various people doing little parts, but nothing is set in stone. I’m basically living in the

studio, sleeping in there if I have to, until it’s done. I’m young, and this is my chance. I’m not about to let it slip away.”

It’s fitting that Carrie’s big break came on television. For the past four years, she prepared for a television career at Northeastern State University in Tallequah, Oklahoma. She also managed to keep her vocal chords tuned, singing in a country music show and finishing in the top three for two straight years in the Miss NSU Scholarship Pageant.

However, becoming the star of entertainment shows and talk shows wasn’t on the agenda – nor were pageants. “I’m not a pageant girl,” she says. She saw her future existing as a news producer, director, assignment editor, or in delivering stories and commentary like her heroines, Diane Sawyer and Barbara Walters, “the people who have been there forever and have overcome a lot of obstacles on their way to the top. For a long time, no women were in there. It would’ve been impossible for me to do what I do without them.”

Once Carrie made it to the Final 12, the American Idol producers became familiar with her career aspirations. The producers take a keen interest in Idol contestants’ life goals, even as they work together to fulfill the dream of becoming a recording star. In Carrie’s case, they met one of their own. “The producers were really helpful,” she recalls. “They knew I was interested in a broadcast journalism career. I asked a lot of questions; I paid attention to little things. I like taping things, being behind camera, doing things like editing snippets and segments, stuff like that. They were always so good to answer my questions. I wasn’t asking about my place on the show; I was trying to get some tips from the pros on how good shows are produced, how they come together.

“You know those little snippets they showed about us? I came to the point where I knew what they were looking for. Later, people said how ‘naturally’ good I was at it, how I made things move better and I sounded better. Well, the truth is that I studied this in school, then studied how the producers of the show were doing it.”

The other side of celebrity is a constant request for interviews. While it sounds fetching and glamorous, it can quickly wear down even the heartiest of souls. Carrie conducted daily interviews during Idols on Tour, and will be doing the same before and after Christmas to promote her album. During press conferences, she often studied interviewers for that future day when she might join former Idol finalists Kimberly Caldwell and LaToya London in the TV world – or move beyond that. “I’m totally learning how to interview other people right now by watching the way they interview me,” she says. “I sit there sometimes thinking, ‘Would I ask that question? What different kinds of questions would I ask?’ What I really like – and what I would do if I was interviewing someone – is when people already know something about me and they really get in there, make me think about my next answer. What I don’t like are really boring questions.

“Thanks to my experience on American Idol, I got a lot more comfortable with the camera. Now I have to sing a lot on TV programs and stuff. I’m doing different media circuits and talk shows, and I find I’m a lot more prepared.”

There’s another goal in mind: Getting her degree from Northeastern State. Carrie has about nine hours remaining – less than a semester – and is working with the university to take the classes off-campus. She is also hopeful that through her experience

on American Idol, she can convince the school to credit her. “Certainly, I hope they count my experiences with the show as an internship!”

Carrie’s interest in broadcast journalism replaced her dream of stardom. It also stemmed from another ingrained reality of farm life – always make back-up plans .You never know what storm, drought, shift in the market or other unforeseen calamity will come your way, regardless of whether you’re running a farm, headlining concert tours or starting a new job. Even now, as her career heads toward a stratospheric height that could shoot past Kelly Clarkson, Carrie keeps her contingency plan at her side.

“What if, for some strange reason, I couldn’t sing anymore? I always want to have things going for me, where singing doesn’t have to be my entire world. I want to have the freedom to branch out and do other things. Certainly, music is the most important thing right now. But I went to college and intend to graduate because another career is very important to me. There’s a ton of things that make me happy, and I plan to experience them.”

Carrie will race forward thanks to the huge launch that American Idol gave her, and millions of us will watch her and buy her CDs. While her life reflects many of our dreams and fantasies come true, her personality and values will continue to guide her on what will define her career: Hard work, good timing and the most effective use of her exquisite voice. These are not the musings of a fairy tale, but of a country girl’s new reality.

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‘Love is the Beauty That Gives Color to Life’: A Taste of Eternity author Martha Halda

When Martha Halda sweeps into a room, people notice — immediately. If you don’t notice her long, rangy presence, then her smile will light you up. Her laughter shakes the edge off the toughest moments, and her closest friends often find themselves on the receiving end of lips, hearts, winks, sun-faces and other emoticons during texting sessions.

Martha Halda, taking in a Himalayan waterfall

Martha Halda, taking in a Himalayan waterfall

There is definitely a playful, childlike side to the author of the riveting new memoir A Taste of Eternity, one that visibly brightens the worlds of others. Imagine the most loving, vivacious, adventurous playmate popping into your house and hauling you outside, only this playmate has kids that are 30 and 27. Her playfulness is a lesson to us all not to take life too seriously; her ability to brighten hearts and souls comes from more than that.

It has been almost sixteen years since Martha’s life ended, revived, ended, revived, ended… and changed forever. On October 8, 1999, a car accident left her for dead… and then took her away. Before the night was over, she had been officially pronounced dead three times. Her ensuing Near Death Experiences (NDEs) brought her face to face with the Divine in a vivid way she recounts in A Taste of Eternity. More importantly, they changed her life, and how to handle its challenges while constantly seeking to bring out the greatness in others — definitely the dance of an angel.

The world is about to share Martha’ s journey. A Taste of Eternity will be published in Fall 2015 by Sorriso Verlag in Germany. It is scheduled to be presented at the prestigious Frankfurt Book Fair, one of the world’s five largest. Negotiations continue with American publishers, with a 2016 publishing date.

Now that she’s finished the long process of writing such a poignant memoir, Martha sat down to discuss her journey, and what comes next. As usual, the conversation was spiced with equal parts reflection, wisdom, laughter, and direct honesty.

"A Taste of Eternity" author Martha Halda

“A Taste of Eternity” author Martha Halda

WJ: Congratulations on finishing A Taste of Eternity. You were at it for quite awhile; must feel in a way like they’ve finally wheeled you out of the delivery room.

Martha Halda: That only takes nine months and a few hours of hard pushing! (laughs). Thank you. When I was in Heaven, I’d promised God I would write about my experiences there, and that was in 1999. A lot has happened since, but finally, I was able to sit down, put one story in front of the other, and get to this point.

WJ: What was the greatest joy — and struggle — you had with this book?

MH: Reliving it. I had difficulty trying to write down feelings and finding words for what I experienced; words became incredibly limiting. I just couldn’t get the stuff down. (At my life review in Heaven), trying to share my soul’s trials and tribulations from hurting someone… not an easy thing, because at some point, we have to admit our mistakes and face your faults. It’s hard to find the correct words.

One of the ways around this was, I shared a lot of my review with Study groups, friends, to my love. As a writer, he helped me fine-tune the words. He fortunately — and also unfortunately — got to see me when it was overwhelming, when I smiled with joy, but also when a memory came back so strongly I would cry uncontrollably and not be able to explain why.

WJ: The first part of A Taste of Eternity reads like otherworldly writing… because it is. What surprised you most about your Heavenly journey while your body lay on the road?

MH: What surprised me the most… not an easy thing to answer. I was caught off guard that God was not a larger-than-life Herculean figure, full of fire and brimstone, sitting upon a throne. He wasn’t looking to condemn me for all my faults and misdeeds. I had a few of those. This is hard to explain, but he did not have the appearance I expected, and yet I instantly perceived him as The Trinity — Father-Son-Holy Ghost. I do not have “enough words” to describe what I saw and felt. He has no name, no image, I recognized him instantly but still he was merely a sphere, a sphere of energy of the utmost Pure Love – God is Love.

WJ: One of the things we hear about is the ‘life review,’ essentially a high speed playback of our actions, good or bad. Could you describe that experience, and why it became the thematic building block both for A Taste of Eternity and the rest of your life?

MH: I learned that we must treat others the way we want to be treated. Eventually we will feel any hurt we place on others, whether it is intentional or not. I learned no one is better than any other person, not because they run farther, surf better, are more creatively gifted or more financially well off. We are each special in our own way. When our life is done, our relationships and memories are really all we get to take with us to heaven; the rest stays here.

Love and forgiveness are the strongest traits of the soul, because the heart governs the soul. It is a pure expression of God and what a wonderful thing to share. I am never ashamed or feel shy or embarrassed when I express my love for someone. Love is the beauty that gives the color to life, both here and in heaven.

WJ: There might be the most beautiful sentence we’ve seen in a long time. You’ve spoken to groups of some true skeptics, yet when you’ve made comments like this and shared your stories, everyone walks away saying, ‘She really was in heaven.’ But their skepticism was well founded: some NDE stories have proven to be anything but.

MH: You’re right, and that really bothers me. I really want to be careful here, because any experience authentic and profound enough to be written about is something we should look at. However, I don’t understand why anyone would want to willingly and purposefully write a book on NDE if it wasn’t a truthful experience. To write on this subject for me came strictly from my promise to God that “I would tell of his love”. Other than that promise, this would not have been a choice subject. I am sometimes greeted with less than open arms, and sometimes I receive cruel comments like, ‘Oh, so you think you’ve been to Heaven…’ Now that is hurtful.

WJ: One reason people will buy A Taste of Eternity is because their souls yearn for something greater than they experience on earth — and you paint a vivid picture of that ‘something greater’. Why are we so fascinated?

MH: I believe people want to know they matter, that their life wasn’t some fleeting moment with no meaning. They may receive a second chance to correct life screw-ups, and it’s important to know the value of doing so. I felt that was one of my obligations in writing this book. I, for one, want to believe our trials and tribulations are there for some greater good, to use as a marker in our life, or to be there for someone else to learn from.

WJ: That’s a yearning people often don’t share for fear of ridicule — but you’re bringing out into the open.

MH: People have been fascinated by this question for centuries. They just might be more open to showing it now. For centuries, one wouldn’t consider letting anyone know they wondered about the soul’s journey; in many places, this could mean being condemned, or worse.

WJ: To close, you have a wonderful little affirmation that seems to describe both you and A Taste of Eternity. Take it away…

MH: I can, I shall, I will, dance in the spotlight of God’s love.

With that, Martha left — but not before texting out a few hearts, stars, angels and smiling faces. In a sense, heaven-sent.

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Sweet, Sweet Loving Music: This Writer’s Dream

As some of you know, I’ve been quite busy writing about music. There is a certain depth and lushness to words that describe great pieces of music, and the singers, songwriters and musicians who bring them to our ears.

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My music writing days go back to the beginning, when I was the second teenaged journalist allowed backstage at San Diego Sports Arena (or whatever it’s called now) to interview bands. Cameron Crowe was the first, two years before me. Cameron had had a nice career arc, writing for Rolling Stone at 14, then writing Fast Times at Ridgemont High, Jerry Maguire, and one of my favorites Almost Famous. If anything put a lump in my throat, it was Almost Famous — especially the scene of the young writer William Miller trying to get backstage in San Diego. That same backstage door has opened for me… and it has closed, too.

salas cover low resThe music writing has really picked up. Two years ago, my old North San Diego County friend, Stevie Salas, contacted me to help him with a memoir about his year touring with Rod Stewart. When We Were The Boys became a fine, fun, edgy memoir, a real add to music literature. It was also my most intense collaborative memoir — we wrote it in seven weeks. It’s done well since its release in September 2014… and is a great choice as you rev up for summer festival season. BTW, Stevie is playing Lollapalooza in Chicago at the end of July…

More recently,  I finished my novel, Voices, a father-daughter-daughter story set against a reunion tour by a legendary rock band. This took seemingly forever to write, mainly because I loved soaking into the musical atmosphere so much, and tinkering with the 50 songs I wrote in the personae of my protagonists (Tom and Christine Timoreaux). I couldn’t let it go — something I do not advise my clients to do. When you hold onto it too long, what looked good turns into an automatic rewrite. We’ve grown as people and authors, and we see things a bit differently — no matter how long the manuscript has been in the drawer.

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Marty Balin (left) playing in April 2015 with Jefferson Airplane bandmates Jack Casady (center) and Jorma Kaukonen. Jefferson Airplane’s first concert was August 13, 1965.

To give you an idea, I first came up with this idea in 2001, when Jefferson Airplane founder and Rock & Roll Hall of Famer Marty Balin and I were walking down Haight Street in San Francisco, talking about his memoir. I told him I wanted to write a novel called “The Voice” — his nickname when psychedelic rock launched in San Francisco 50 years ago. He gave me some great ideas, not to mention stories to repurpose. Fourteen years later, it’s going to see the light of day. Look for it soon.

Speaking of Marty, I’m preparing to reconfigure and expand his memoir we wrote in 2002 into a full-fledged biography. When you peel away the claims of people who say they launched psychedelic rock, one name stands above all: Marty (also, a nod to the band The Charlatans). He was the catalyst for psychedelic rock and the Summer of Love. He was the first to use the term “psychedelic rock” publicly. His band, Jefferson Airplane, was the flagship group of 1965-67, #2 among all rock bands in album sales, topped only by The Beatles. The Airplane was the first San Francisco psychedelic band to get a major album deal. In fact, they were the official headliners at Woodstock! Marty also owned The Matrix, which in 1965 was one of few places to allow electric instruments. It also was the first SF stop for many bands, including The Doors, Steve Miller, Love, and many more. Behind it all was this quiet man with a high tenor voice implanted by the angels. His ballads, particularly “Coming Back to Me”, “Count on Me” and “Miracles”, are on more than 50 film soundtracks. Now, Marty is going to finally get the credit he’s deserved for 50 years, though he’s far too humble to claim it himself.matrix-jademuse

Then there’s a real labor of love, helping my longtime friend Robert Munger on his music-oriented screenplay. Can’t go into detail right now, but we’re wrapping the first draft of the script, and then polishing it.

Finally, my new client Lory Jones presented me with an awesome novel to edit, and I mean awesome. It’s centered on a famous 18th-19th century composer, but you’ll have to guess which of the Big Five since I’m not at liberty to discuss. I love classical music almost as much as rock, especially the way it takes us on journeys one minute, and into full appreciation of the grandiosity of the musicianship the next. The Big Five were the rock stars of their era — Bach, Mozart, Beethoven, Schubert and Haydn (or Liszt, Vivaldi, or Handel; take your choice).

Why do I love music writing so much? For starters, music is my hobby, poetry is my passion, and music ties them together. I love all parts of it —composition, instrumentation, delivery, shaping of performances, emotion it engenders, and of course, the lyrics. Whenever I write about music, I’m mindful of the dual origin of lyric and music in the west, through the magical pen of Sappho, the 7th Century BCE Greek genius. She wrote in lyrics, poems and short prose, and her successors took her example into both writing and music.

Most of all, I love the personalities and stories behind songs and bands, and we all know that great stories make great reading. Music, like surfing, baseball and art, cranks out endless great stories. When you put these together, the story can resonate with millions — because we all like music. It is the world’s most universal language, and I like using my writing to prompt that deeper, unspoken form of communication we all instinctively and intuitively understand.

 

As you start figuring out your summer reading choices, I invite you to pick up When We Were The Boys this year, and look for chapter excerpts from Voices and the Marty Balin biography on wordjourneys.com and Scribd.com as we close in on publishing dates that are ideal for any music book — tied to the Golden Anniversary of psychedelic rock and, in 2017, the Summer of Love.

 

 

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