AK Patch’s new book Passage at Delphi is a page-turning historical adventure thriller that portals back two professors into a defining time in Ancient Greek history – and also carries its arch-villain 2,500 years into the future … modern-day San Diego. That dual time travel element is one of many exciting twists in the 336-page novel, which is drawing 5-star reviews from publications like Midwest Book Review and Library Bookwatch, as well as readers on Amazon.com and Goodreads. Just in time for holiday shopping!
There’s another, deeper side to Passage at Delphi: the presence of the Greek God Apollo, who is the mastermind for the adventures and lessons Lauren and Zack Fletcher experience. In this version of hero training, Lauren proves herself a heroine during a time when women never achieved such status. But why? What is Apollo’s plan? What would he be like if he were alive today?
These are a few of the intriguing questions behind the book. We had some more for Dr. Patch, to conclude our two-part interview with him.
WORDJOURNEYS.COM: A part of the Ancient Greek historical record you used effectively in Passage at Delphi was the concept of the oracle. You used it as your time travel trigger . Could you elaborate?
AK PATCH: I like the idea of using ancient oracles to transmit my characters between the past, present, and future. I see the site at Delphi as kind a mysterious religious site. A shop-owner in Athens actually did tell me that when he walks among the ruins, he senses a tingling and feels as if he is gliding over the ground. This may be a deep cultural connection with his heritage, or a lightening of oxygen content, but nevertheless, it is a place where many people over two thousand years invested their hopes and prayers. I had many conversations with an associate, Dr. Anthony Marciante, regarding the intricacies of time-travel and how that relates to the movement of characters across millennia.
WJ: The mastermind in this book, and others to come in this series, is another Ancient Greek icon – Apollo, the god of prophecy (among other titles). You stretch beyond the classic description of Apollo to position him in the modern world, tasked with a solemn undertaking of utmost importance that works through Zack and Lauren. Why Apollo?
AP: I see Apollo as a teacher. Not only must Zack and Lauren struggle to survive, but they are also in a kind of classroom themselves. Many of our countrymen live a stable, comfortable life in the U.S. There are those that don’t, for which daily life is a battle. Lauren, but especially Zack, must struggle and suffer to learn. Apollo is fashioned after the Greek Stoic philosophers. He is a benevolent taskmaster. He doesn’t just want you to talk a good story; he wants your actions to back it up. Zack and Lauren must become warrior–citizens for democracy, to preserve our nation when times become perilous.
Apollo’s training is not over. He has seen the future, even lived it. Greek gods like heroes to carry out their will. People are not hardened by one experience. It takes time, so our heroes must endure and learn before they can be effectual in the great fight that awaits them. It is our fight too. Can we learn and act in time?
WJ: You’ve written Passage at Delphi for reasons far more significant than crafting a historical action thriller. What is the underlying issue that prompted you to create this novel?
AP: I’ll answer that with a question: What is the state of our democracy today? It’s a subject best debated by political and constitutional experts, but from the point of view of a citizen, developing events are troubling. More and more, greed, arrogance, and corruption are the mainstays of our politics. Who do we believe? Who can we trust to maintain the secure and bountiful future of our country? Look at the ridiculous shutdown of the government and the way we nearly fell off the debt ceiling. Why? How can a few hundred people shut down a government that we, the people, pay for and are supposed to have representation in? The Athenians had a hand in destroying themselves, as did the Romans. Can we learn any good lessons from their triumphs and tragedies? In PASSAGE, our heroes are propelled into real-time history. They will struggle and suffer, but they will emerge tempered by their experiences and be more cognizant by what has been sacrificed by previous generations.
WJ: To that end, you’ve created a novel with non-stop action that will surely appeal to younger readers as well as older ones. How do Millennials figure into the overarching story ?
AP: There are times when people need to recognize the lessons of history and realize that their generation is the one that is likely to be called upon to save this great country. I see the Millennials as that generation, so the message of this and my other books points to them. We will undoubtedly change as a nation on the path of that struggle, but we have to hold onto our freedoms and not let them be compromised. Other generations will see this in the experiences of Zack and Lauren as they endure real-time what the ancient Greeks did in facing overwhelming odds, and yet, emerge victorious. This is about instead of saving the virtual world, saving the real world.
WJ: How and when did the writing bug first bite you?
AP: The earliest writing project I remember was a short story written in 5th or 6th grade, 1966 or so. The Cold War was prevalent and I crafted a story about a Russian spy hiding out in Charles Lindbergh’s plane when he flew solo from New York to Paris in the 1927. I wrote it the spy’s point of view. He described how Lindbergh had to stay awake and eat sandwiches, had to fly above the waves and was excited when they crossed over Ireland. The spy escaped in the celebration after the landing and was impressed by the bravery of Americans.
WJ: How did you keep it going during your long military career?
AP: During my 26-year career in the United States Navy and serving with the Marine Corps, I held unit positions that required some writing skills – personnel evaluations and reports. As a commanding officer of Marine Corps Medical Unit, we concentrated on physicals and combat casualty care, but it seemed like the evaluation and reports evolutions never ceased. Also, I spent a lot of time in Greece … which found its way into the center of my writing.