Category Archives: History

The Word Journeys Book Blow-Out Sale: 9 Titles from Robert Yehling

This is one of my favorite times of the year. Kids are in school, visitors have left Southern California, the ocean and sun are warm… and tis the season for writing and writers conference.

On Oct. 2, Crawl of Fame, the memoir I co-wrote with Ironman Triathlon Hall of Famer and lifelong friend Julie Moss, releases to bookstores and online booksellers throughout North America. Published by Pegasus Books, Crawl of Fame is the remarkable story of a young woman’s unlikely crawl to instant fame, how her courageous performance at the 1982 Ironman elevated triathlon to world sport status, and how she’s empowered women and men, girls and boys since.

To celebrate the release of Crawl of Fame, welcome to the Word Journeys Fall Book Blow-Out! The perfect time to grab new reads for yourself, and load up on holiday gifts for others. Between now and October 15, we’re offering substantial buy-direct discounts on nine backlist titles, signed and inscribed by me as you’d like.

How the sale works:

  • Choose your book(s), contact us (bobyehling@gmail.com or through WordPress) and pay via check (made to Word Journeys, Inc., sent to 2517 Via Naranja, Carlsbad, CA 92010) or PayPal (at the above email address).
  • Indicate if you’d like your book(s) signed.
  • We’ll ship immediately. Expect your book within 5-7 days of order.
  • If you buy 3 or more books, take an additional 10% off the sales prices.
  • Add $3 to ship 1 book, $5 for 2-3 books, and $7 for 4 or more books.
  • Enjoy your bounty!

Here are the titles:

Voices: The novel about rock music legend Tom Timoreaux, his rising star daughter — and emergence of his lost love-child, set to the backbeat of the past 50 years of rock and roll. Nominated for the Independent Publishers Book Award. 5-star ratings from Amazon. Regular price: $18.95. Sale: $12.00

Just Add Water: Biography of superstar surfer Clay Marzo, who lives with autism. Clay’s inspirational story of becoming one of the world’s greatest surfers, was a finalist for the Dollie Gray Literature Award. Regular price: $16.95. Sale: $12.00

When We Were The Boys: The memoir of rock star, singer-songwriter-guitarist and award-winning film producer Stevie Salas. This coming-of-age story focuses on Stevie’s turn as Rod Stewart’s lead guitarist on the 1988 Out of Order Tour — and how it launched his great career. Regular price: $17.95. Sale: $12.00.

Beyond ADHD: Written with Canadian ADHD expert Jeff Emmerson, Beyond ADHD looks at the many deeper causes of our diminishing attention span, the current rush to diagnose as ADHD and treat it with powerful drugs — and numerous ways to change lifestyles and embrace attention-growing attitudes and activities. Endorsed by Dr. Allen Frances, mental and behavioral health expert and chair of the DSM-IV committee. Hardcover. Regular price: $35.00. Sale: $25.00

Writes of Life: Using Personal Experiences in Everything You Write: Winner of the Independent Publishers Book Award, this book is for writers, students, educators, and anyone using their own stories in essays, journals, fiction, memoir, poetry… anything you write. Features 80 exercises. Regular price: $12.95. Sale: $10.00

The Write Time: 366 Exercises to Fulfill Your Writing Life: “The best writing exercise book on the market,” Poets & Writers said. Every day, a new exercise to stretch your writing muscles, explore new genres, and refine your skills. For authors, journalists, casual writers, educators and students alike. Features motivational quotes from authors and much more. Regular price: $16.95. Sale: $12.00

For lovers of poetry, lyric and essay, we also bring three poetry-essay titles: Shades of Green, Coyotes in Broad Daylight, and Backroad Melodies. All feature more than 60 new poems and essays, with elements of love, nature, relationship, ecology, music, the deep woods and the open road. More than 30 of my poems also appeared in journals. Regular price for each: $12.00. Sale: $10.00

 

 

 

We invite you to jump in, get some holiday shopping done early, find something for yourself to read and enjoy, and indulge in the Word Journeys Book Blow-Out !

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When the Cold War Collides with Love: Interview with Author Steve Gladish

Sometimes, we arrive at the idea for a novel and promptly write it, moving from concept to cover in a short period of time. In many ways, that’s the hook of independent publishing.

That has not been Stephen Gladish’s experience. The Tucson, Arizona-based author of the forthcoming Tracking the Skies for Lacy (On Sale August 28) has spent the past decade working with a central premise: his adventures with the Air Force’s Sixth Weather Squadron, and how romance, faith and harrowing missions seemed to mix.

Like many authors, Gladish struggled with deciding when to finish and release his work. First, there is a lot of story; Tracking the Skies for Lacy is the first of three forthcoming romantic military adventures in the series. Second, his protagonists weave in and out of all three books, creating a delicious read to mind and heart that takes awhile to present as seamlessly as Gladish does.

Most of all, Gladish wanted to get it right. Now, the retired English and writing instructor in the Arizona Department of Corrections system brings out the beautiful, thrilling and ultimately redeeming story of Luke and Lacy, and their windy road to romance. He also brings us the lushness of Polynesia, harrowing thrills of chasing tornadoes, a critical return to Vietnam, and more, in typical Gladish fashion — large, sweeping, ringing with imagery, and constantly working the heart strings.

Tracking the Skies for Lacy is coming out in time for us to reload on our summer reads. Perfect timing, as the enduring warmth of this story feels like a day at the beach — but one that makes us wiser when we finish reading.

Word Journeys: You went through a few ideas before settling on the final title, Tracking the Skies for Lacy. Could you elaborate?

Stephen B. Gladish: The military weather focus of Tracking the Skies for Lacy began long ago with my tours of Tornado Alley. Then I extended the scope to chasing tornadoes, monitoring nuclear detonations, flying helicopter rescue and attack missions, and making white water rescues. The unique romance of Luke and Lacy spanned all the new adventures and held them together. And each one of these chapters involved tracking the skies.

WJ: Where did the central idea for the book come from?

Tracking the Skies for Lacy author Steve Gladish

SG: In addition to my childhood inspirations, and my lifetime interest in weather, I wanted to call attention to the importance of weather in everybody’s lives. I served in the USAF 6th Weather Squadron (Mobile) and the Severe Weather Warning Command in the early Sixties. I want to take the reader through the sheer adventure of Luke growing into a man, just as the military venue designs it. From a weather warrior, he graduates to become an officer and a pilot, one of the few who came home from the Vietnam War psychologically unscathed.

WJ: Tell us briefly about Tracking the Skies for Lacy.

SG: Tracking the Skies for Lacy begins with a cloudy sky, metaphorically speaking. Lacy’s wealthy family moves to Luke’s hometown and they attend the same school, Park Avenue Prep. Lacy is beyond beautiful, and Luke, a handsome star student and athlete, is drawn to her. At age fifteen, Luke is confronted by class structure for the first time: Lacy is told by Mr. De’Luca, her father, not to have anything to do with any boy beneath her status. Thanks to Mrs. De’Luca’s compassion for Lacy, Luke and Lacy have years of hidden closeness.

Lacy goes on to Stanford University, while Luke follows a family tradition and joins the Air Force. Running a military gauntlet of tornadoes, nuclear atmospheric explosions, wartime helicopter actions, and white-water rafting dangers, Luke follows his quest to bring back the love of his youth. Lacy graduates from Stanford University, then shocks everybody by joining the Peace Corps. A wealthy girl, she lives in huts, rides on rundown old buses. A future with Luke? Luke could be swallowed up by Lacy’s family and disappear. Lacy has to give up a total life style to turn the corner.

Two years later, Luke comes home for a two-week R & R respite from the Pacific Nuclear Proving Ground/Marshall Islands. He had fallen in love with the beautiful and educated Talia Su’sulu, a Samoan teacher. He knew there would be no cross-class clash. But then there was Lacy…

Author Steve Gladish in the South Pacific – the setting for much of ‘Tracking the Skies for Lacy’

WJ: The dance between Luke and Lacy becomes the romantic tension that holds throughout the novel.

SG: Our hero falls in love with Lacy, grows up, and becomes a Sixth Weather storm chaser. He and his military sidekicks locate and record deadly tornadoes while saving numerous people in the nation’s Tornado Alley, and then they are island castaways recording nuclear detonations all over the South Pacific. Lacy is miles ahead of Luke. He plunges into college and intensive helicopter training. Now as an officer, Luke and his buddies hunt down the deadly enemy in Vietnam, and then attend a reunion where Luke finally connects with Lacy. But the story is not complete until he and his buddies coordinate a stunning rescue as white-water guides on “The River of No Return.”

WJ: Could you talk about how you transferred your experience into the characters of Luke and Chance?

SG: Sure! It was primarily in the military part of the story. Luke and Chance had advanced training in upper atmosphere weather, as I did. We worked alone and isolated and became close for that reason as well, a camaraderie and brotherhood you see in the book. I feel we need a lot more of that today. In Sixth Weather Squadron, we repeatedly surveyed the drastic damages of tornadoes. Saving lives was a key part of our mission. Across the world, pilots and aircrews depended on our weather reports and forecasts. We had mission and meaning in our lives. We got hooked on it, to be quite honest.

WJ: Typically in romantic adventure novels, the story is set in one or two truly romantic places. In Tracking the Skies for Lacy, though, you mix it up. We’re in Chicago, Oklahoma, Vietnam and Northern California — quite a mix of landscape and feeling — but we’re also in Samoa and briefly in Hawaii. Luke falls hard for the simple Polynesian life. Tell us how the paradise settings fit into the story.

SG: In my view, Polynesia was not only a visual paradise, but also a beautiful family-oriented place. The grandfather, or matai, guided the family. Children were raised by the whole family. One family could adopt other kids with no paperwork. Life was gentle. Lovemaking was natural, innocent, and an accepted part of the island culture. Unlike the U.S., there were no constant comparisons of income or status or the homes in which everybody lived. There was little unrest or unhappiness with one’s job, or career, or position. Natives were natural teachers, nurses, caregivers. Trained teachers were prized, valued, and respected far more than teachers here. Church leaders and pastors and ministers were treasured, churches filled with white-clad Polynesians who sang with a childlike devotion and a sublime beauty you have to hear in person to believe. I really wanted to present this life in the novel.

WJ: If you were to bounce around a library, comparing your novel to others, what would you come up with?

SG: Many of Louis L’Amour’s stories, like Sackett and To Tame a Land, carry an innocent young man with strong moral values into situations where he must prove himself as a man in order to win the woman he loves. And all American literature for boys begins with Huckleberry Finn, the story of an innocent boy running away from his Pap and into freedom. Herman Melville’s Typee, the first romance novel based in the South Pacific, has an innocent and moralistic hero as well. The Jason Bourne character from the Robert Ludlum series has parallels with Luke LaCrosse: masculine qualities, adventurous and ambitious, needs to win. Furthermore, Luke’s odyssey, like Ulysses’, involves one challenge and temptation after another, tortuous romance sailing through numerous reversals, crashing , picking himself up, setting sail again.

WJ: The two principal romantic interests, Luke and Lacy, as well as others, hail from the Chicago area, where you also grew up. Even though you have not lived in Chicago in many years, it still holds you in many ways. Could you share what the city means to you, and the sentiment you wove into the novel?

SG: Frank Sinatra once sang, “Chicago is my kind of town.” And then he repeats it. Hey, it is my kind of town too. Any time I leave, Chicago tugs my sleeve. It is the kind of town that won’t let you down. Carl Sandburg was right: Chicago is a big-shouldered man. He is stormy, husky, and brawling. He is a wildly delinquent Paul Bunyan the Lumberjack, remembered around the country with a twenty-foot high statue. He can outwork anybody, and fiercely wields an axe left and right, up and down, to reach his goals. Whatever he destroys he builds up with something else new.

WJ: Your novel provides a fictionalized account of military service we often don’t hear about — forecasting the weather and studying it. Since you were a ‘tornado chaser’, a member of the Sixth Weather Squadron, what is particularly concerning to you about climate change today?

SG: I spent a lifetime of study, especially on the cruel euphemism “global warming,” a blurred, imprecise way of “dumbing down” the debate. The real definition is catastrophic climate change. Global emissions of carbon dioxide exceeded 400 parts per million in 2017 — the highest in the 800,000 years they can study scientifically — and has been climbing for fifty years. It signals the build-up of human-related greenhouse gases from the burning of fossil fuels and forests.

Orwell said, “During times of universal deceit, telling the truth becomes a revolutionary act.” That’s where we are right now — telling the truth in the face of those who wish to deny climate change to hang onto their vested interests. The world faces multiple catastrophes: sea level rise measured in feet, not inches, staggeringly high temperature rise with four hundred consecutive months of above-average temperatures, permanent Dust Bowls, the desertification of the West, massive species loss, more intense and severe hurricanes, masses and clusters of tornado outbreaks, the vast enlargement of Tornado Alley, and other unexpected impacts such as the violent rainstorms in Italy October 2011 which inundated towns of the Cinque Terre, Vernazza and Monterosso.

TRACKING THE SKIES FOR LACY releases worldwide from Christian Faith Publishers on August 28. It will be available through bookstores, Amazon.com, and other online booksellers and e-book sellers.

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July 5, 2018 · 5:03 pm

Book Lovers: The L.A. Times Festival of Books is Here!

One of the most enjoyable parts of being an author is participating in book signings — and few are better than the L.A. Times Festival of Books.

Desiree Duffy of Black Chateau Enterprises and yours truly at the 2017 LA Times Festival of Books.

For the third straight year, I will be signing books at the USC Campus on Sunday, April 22, from 3-5 p.m. It also happens to be my sister Karin’s 50th birthday, so getting from USC crosstown to Encino for the birthday dinner afterward will be interesting, but the afternoon is all about books, and my sister understands… I think…

I digress. On Sunday, I will be signing Voices, Backroad Melodies, Writes of Life, When We Were The Boys and Just Add Water at the Black Chateau Booth #912 in the Black Zone. I will be part of a two-day author collective put together by my publicist and fellow author in the 3-5 slot, Desiree Duffy, the owner of Black Chateau Enterprises.

            The L.A. Times Festival of Books is huge, and awesome. Up to 150,000 people come for the two days to see a collection of bestselling authors, new authors, and entertainment ranging from panel discussions to live bands and very lively public question-and-answer sessions. The festival is the third largest of its kind in the U.S. It’s a book buyer’s and reader’s dream – and, for authors, a rare chance to talk with so many readers.

“I find that consumers like choices, so having several authors and books for them to chose from at a book fair, means that you are more likely to have something they’ll like,” Desiree says. “Book fairs can be exhausting. Authors signings can be draining. Doing an hour or two signing is much easier than committing to running a booth for an entire fest. It gives authors time to walk the fest, check out panels, and network.”

Since Desiree walks the delicate creative and time management tightrope between being a publicist and author (she’ll appear under her nom de plume, Vanta M. Black, to sign her novel Oubliette: A Forgotten Little Place on Sunday afternoon), she also understands the dual existence we writers lead. Often, we prefer to tuck ourselves into our offices and write, not connecting so much publicly — but books don’t sell if we don’t go public. Contrary to the beliefs of many, online presence alone does not beget success. The group signing helps even the shiest authors interact with their audiences.

“We are social beings. When we connect in person, that bond is stronger than it could ever be online,” she explains. “Being an author means being a brand. You are connected to your writing and being able to talk to people, share stories, learn about them as readers, and make connections helps strengthen your brand.

“Plus, what you do in the real world needs to translate to the online world. As an author at an event, being able to promote and post online about it gives you valuable content. Whether it is social media, your author newsletter, your blog or website, your book fest experience should be featured online. Online and offline exposure leverage one another, making each stronger.”

I’d like to introduce you to the other authors at the Black Chateau Booth (once again, #912, in the Black Zone), the works they’ll be signing, and their signing times:

Saturday, April 21:

11 a.m. to 1 p.m.

Susanne Bellefeuille, author of Path of Lucas: The Journey He Endured

Autumn Doerr, author of Baker’s Dozen: A Lexi Fagan Mystery

1 p.m. to 3 p.m.

Christina Cigala, author of XXvXY: The Final World War

Bobby Goldstein, creator of XXvXY: The Final World War; and the TV show Cheaters

3 p.m. to 5 p.m.

Mark J. Rose, author of Matt Miller in the Colonies Series

Lon Varnadore, author of Mostly Human: A 4Pollack Novel

Sunday, April 22:

11 a.m. to 1 p.m.

Sean Patrick Traver, author of Wraith Ladies Who Lunch

Raye Mitchell, Esq, author of How Women Negotiate from a Position of Strength

1 p.m. to 3 p.m.

Michael Priv, author of The Fifth Battalion

Laurie Finkelstein, author of Next Therapist Please

3 p.m. to 5 p.m.

Robert Yehling, author of Voices and Just Add Water

Vanta M. Black, author of Oubliette: A Forgotten Little Place

The booth will also feature books from Nanishka Torres, author of Fenrir Chronicles: The Prince; and Magda Ayuk, author of Blue Bird.

Each appearance at the L.A. Times Festival of Books has been a thrill: discussing pro surfer Clay Marzo’s life with autism in Just Add Water in 2016; and launching Voices to the world in 2017. This time, I’ll also be previewing Crawl of Fame, the memoir of Ironman triathlon legend Julie Moss, which officially releases on October 2.

As for Desiree? She well remembers the thrill of her first L.A. Times Festival of Books signing gig. It’s like runners feel about the Boston Marathon; I know I never get tired of that feeling when we arrive on the scene! “I had a booth the year I released Oubliette—A Forgotten Little Place. It was my dream to be there, and seeing it happen, was amazing,” she recalls. “I checked off an item on my bucket list. I think a lot of authors feel that way. There is something special about the L.A. Times Festival of Books. It is iconic. A must-attend.”

On that note, we’ll see you at Booth 912, Black Zone this weekend!

 

 

 

 

 

           

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LA’s Epic Rock & Roll, Fashion & Art Party: Interview with Author Nora Novak

VIEW THE LOS FELIZ CONFIDENTIAL BOOK TRAILER

Whenever she’s asked why so many Millennials and Generation Z men, women and teens continue flocking to the music and style of the 1960s and 1970s, Los Feliz Confidential author Nora Novak has a ready answer: “I think Millennials are recognizing a sense of excitement and freewheeling attitude of that era by listening to classic rock, and streaming movies and documentaries that portray the ‘good times’ they find appealing in a way not found in today’s device-dependent, stressful and more violent world,” she says. “I think the boomers, the internet and the media have had a hand in this, unlike previous generations.”

Nora, who grew up in and currently lives in Newport Beach, is the author of one of the finest scenester memoirs in years, and winner of a 2017 Southern California Book Festival Award. Los Feliz Confidential takes us right inside the classic home in the Los Angeles neighborhood of Los Feliz where Nora and her boyfriend hosted some of LA’s wildest parties of the 1970s and early 1980s. But their wildness was classed up by the fetching, willowy blonde hostess, whose elegance, glamour, style and love of music turned these parties into something extravagant. With her visual descriptions and deeply honest portrayal of her own feelings, goals and hopes, Nora lures us into a narrative so rhythmic and rich that you can practically hear the songs of the period spinning on her turntable — and the lyrics weaving in and out of the narrator’s heart. If you can’t remember the titles of these memory markers, no worries: she lists them in a back, a clever piece of “soundtracking” the book.

But Los Feliz Confidential is much more than a musical all-nighter put to words. Nora takes us through her rich, complex world that she creates on the fly, as a trendsetting scenester and traveler completely in touch with her native Flemish roots. The fact she was born in Belgium, grew up in the U.S. with her Old World parents but never lost her connection to Flemish culture (but rather dove into and celebrated it), adds to both the perspective and depth of the book. She takes us around the world on her fascinating (and sometimes wild) adventures, one of which she shares in the interview. She also takes us into the crazy all-hours fun of 1970s Los Angeles, and into the glam rock, punk rock, hard rock and early New Wave worlds that she made part of her own. We meet her friends, and again throw ourselves on Sunset Boulevard and into the clubs and scenes that many look back on with deep reverence, while younger generations seek to know more about this time period where freedom, platform shoes, liberation, shoulder pads, creativity, long hair, imagination, art, style, and great music prevailed.

Los Feliz Confidential and Art Damaged Author Nora Novak.

Turning all these experiences and elements into a treasure trove of a memoir was no easy task, but Novak has the chops to pull it off. She’s a fine artist, designer of her fashion line (Noraluxe Loungewear), art gallerist, actress, model, and also the author of the novel Art Damaged. She comes from a very talented family as well. Her mother, Emma Albertina Bogaerts, a lifelong storyteller, is the 105-year-old (not kidding!) newly published author of Emmy: Memoir of a Flemish Immigrant, now available in English and being shopped to publishers in Europe. Nora’s brother, Mark Leysen, is an award-winning art director and fine artist, as well as the author of Klown, his third novel (Traveling Shoes Press) about a late-night talk show host who runs for President. It definitely echoes the present state of the world.

We caught up with Nora recently. To get your Black Friday book shopping chops going, here is what she says about life, L.A., making scenes, and Los Feliz Confidential.

Word Journeys: Los Feliz Confidential is an epic scenester read – the incredible LA music-fashion-art scene and how you and others showcased and helped define it in your travels and daily lives. Could you talk about the amazing chemistry that exists between music, fashion and art, and why it was so definitive of a generation? And still is?

NN: Because that generation (talkin about my ge- generation) experienced an explosive time of cultural change, social mores, pop art and particularly British rock that spawned new looks in fashion as a lifestyle. There was an innovative and artistic energy that changed the way people dressed. The 70’s rock-infused fashion had an element of sensuality and glamour with an edge that I certainly favored and is still being recycled today. Innovative new artists, designers, bands and clubs emerged in L.A. and provided a more artistic expression in fashion. It all played out with the music creating a dazzling decade that many look back on for inspiration today.

A good example is Stephen Spouse collaborating with Debbie Harry in the 80’s and Jeff Koons collaborating with the new Louis Vuitton line today. Music blasts at every fashion collection. I think music, fashion and art have always had an evolving synergy.

WJ: Take us through your writing process for Los Feliz. How did you pare down your countless experiences into a tightly written 200-page book? What themes and points did you emphasize? And tell us about your decision to basically “soundtrack” the book, with songs listed for each chapter.

NN: First of all, I wrote what I could remember! I could have added many more stories, but I chose to keep it moving like the fast pace I was living at the time. I wanted to emphasize the difference of how immigrating here made me feel and my fearless sense of adventure. I tried to be give my stories a visual sense of the fashion and look of things, the easiness of life at that time. Everything I wrote about had music running through my mind, reflecting the time, so I naturally made many musical references. When I finished I was compelled to write a Playlist for each chapter, which I really enjoyed doing.

WJ: What are three of your favorite tales that you share in the book? And the funniest?

NN: Well (spoiler alert!), I do share an interesting story about my relationship with a Jordanian arms dealer and his Ambassador brother. There’s a tale about my first skiing experience – which also proved to be my last – and a humorous girl/girl story. I think the story about an ENT treatment given by my boyfriend’s surgeon dad is hilarious but for me it all seems humorous now. I’m still laughing!

Nora Novak’s fine collage work includes “The Girl from Antwerp”

Cinema Verite at Cannes? It’s red carpet time.

WJ: You are the daughter of a very take-charge, dominant father and a warm, artistic mother. How did that parent combination shape you as both a person and an artist?

NN: My father, although a stern and unpleasant man, instilled a strong sense of discipline and a somewhat sardonic outlook. However, he was responsible for my love of art and photography, for which I am grateful. My mother, on the other hand, emanated femininity, graciousness, a pleasant demeanor and sense of humor. The combination definitely shaped me as an individual and shows up in my work as an artist, as I generally incorporate female photographic images in my glossy mixed-media collages.

WJ: What struck me about your journey is how you took part in the lifestyle and excesses of the day, yet you always seemed to have a sense of who you were and what you wanted. How did you maintain that compass, if you will, of how to go forward?

NN: I readily enjoyed the excess and decadence of the times; it was a Bacchanalian era for rock ’n’ roll. Everything seemed so glamorous and indulgent, and was completely accepted in the L.A. that I knew. I did have goals though, like a working schedule and a sense of enough discipline that probably prevented me from becoming another Hollywood fatality. Many didn’t make it.

WJ: You write of your affinity for Bryan Ferry and Roxy Music. What was it about his voice, music, lyrics, and presence that captivated you? What do you feel musicians today can learn from their predecessors in terms of delivering from heart and soul vs. making a hit?

NN: Bryan Ferry evoked a sultry, seductive kind of singing unique from other rock stars. Not to mention his suave, good looks, elegant style, sophistication and harmonica playing that simply resonated in a big way for me. I thought his music and lyrics quite beautiful and loved his sexy album covers. It seems like everyone can sing today with a huge range and big powerhouse voices, but at the end of the day, it’s generally the more unique voice with soul and a great tune that becomes the hit. The late Amy Winehouse comes to mind.

WJ: You’ve also been creating works of art. Tell us about those.

Nora Novak’s “Nico”, honoring the late New York scenester and Velvet Underground singer. Part of her Femme Fatale collection.

NN: I started a new series, my “Femme Fatale” collection. I just finished three mixed-media collages, that can be seen on my website noranovak.com and will be exhibited soon. I’m thinking about starting another book next year, possibly a sequel to Los Feliz Confidential, picking up where it left off moving into the crazy 80’s.

WJ: Lightning Round: Who are your five favorite authors? Musicians or bands? Artists? Fashion designers?

NN: My favorite authors? When I was young, I would say John Steinbeck and Jack Kerouac. I that progressed to Hunter S. Thompson and Charles Bukowski, and more recently Irvine Welsh and Edward St. Aubyn. Musicians: It’s still Bryan Ferry, Iggy and the Stones and Amy Winehouse, miss her. Artists: Jan Van Eyck, Kees Van Dongen, Mark Rothko, Andy Warhol and Julian Schnabel to name a few. As for designers, Dries Van Noten, Roberto Cavalli, Dolce and Gabbana, love the vintage Halston — and my own Noraluxe Loungewear line, of course!

WJ: Final question: If a musician came up to you and said, “Hey girl, I want to play you one song that speaks to who you are,” what would that song be? And who would be playing it?

NN: Well, I would love it if that musician was Bryan Ferry. I’d request his cover version of Dylan’s “Just Like Tom Thumb’s Blues”, but wait; can I get one with Iggy on vocals, Mick on harmonica and Keith on guitar, and they can play whatever they want?

WJ: Let us cue it up! Thanks so much, Nora, for a fun and enlightening look into an era so wonderfully captured in Los Feliz Confidential.

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The Mastermind Beyond ADHD: Interview with Author Jeff Emmerson

(First of a 2-Part Series)

I’ve been involved with many fascinating book projects over the years. However, none are as potentially impactful socially as Beyond ADHD: Overcoming the Label and Thriving, the book I wrote with Canadian ADHD expert Jeff Emmerson to be released globally by Rowman-Littlefield on August 16. You can pre-order it on Amazon.com.

Beyond ADHD is a critical book for our times. In the last 30 years, Attention Deficit Hyperactivity Disorder has gone from a rarely diagnosed disorder to an industry hundreds of billions of dollars in size, fed by all sectors of society. It involves:

  • Ten percent of the North American population;
  • Concerned educators, employers and parents who send fidgety or inattentive workers or kids to the doctor or school nurse’s office;
  • Overworked doctors that prescribe quickly from nine-point checklists;
  • Pharmaceutical companies (“Big Pharma”) eager to sell powerful prescription drugs that impact the patient’s biochemistry (often negatively);
  • A compliant (until recently) media slanted heavily toward “diagnose-and-prescribe”, writing articles that spread the idea you can only treat ADHD with drugs;
  • An equally compliant educational system, employees on the lookout for disruptive or hyperactive kids — and, in some cases, using approved course materials provided by Big Pharma, which promotes ADHD as a lifetime disorder, versus something we can get beyond;
  • A U.S. Congress so heavily lobbied by Big Pharma (532 of the current 535 members received campaign contributions) that they won’t move to quash Big Pharma’s grip on pricing; and
  • A public so gripped by busyness, technological and social stimulation that their neurological systems are overloaded. Many assume it to be ADHD or another mental health disorder diagnosed as fast as, well, a prescription can be written. If this dynamic sounds like a part of America’s woeful prescription drug story, well, it is.

Beyond ADHD Author Jeff Emmerson

Those are the departure points for Beyond ADHD. The book revolves around Emmerson’s life and experiences, instructive and harrowing at times, but also a cautionary tale into why you don’t diagnose someone with ADHD and give them powerful prescriptions in 15 minutes (the average time one spends in a doctor’s office before getting this diagnosis and prescription!).

I first met Emmerson via Twitter in late 2012, his chosen platform for discussing ADHD and mental health issues. What a platform it is, with more than 700.000 highly engaged followers, including medical, mental health and social health experts who worked with us on Beyond ADHD. He also has a large video blog audience, and more than 15,000 LinkedIn followers. After a difficult first 35 years of life, Emmerson was diagnosed with ADHD in 2011. In 2015, he met with Michigan-based neuroscientist Dr. Timothy Royer, who shattered the diagnosis after considerable testing — which led to this book.

With four weeks until Beyond ADHD releases, I decided to interview Emmerson, to give you a taste of his forward-thinking perspective, one that brought me right to the table to co-author this book. In this first part of our interview (part two will be posted Friday, July 21), you can see in Emmerson’s answers numerous options, causes and ways of working with this that, frankly, are woefully underused.

WordJourneys: What inspired and motivated you to create Beyond ADHD?

Jeff Emmerson: My own journey through the mental health system. Or, to be more specific, how I was diagnosed with ADHD after a suicide attempt in 2011 and what I discovered when my intuition told me to dig deeper into other possible reasons for the symptoms and battles I’ve faced for many years. I saw a desperately failing diagnostic system that made rushing to diagnosis way too common. I knew I had to speak out so that others might be able to avoid the “murky waters” of misdiagnosis through deeper understanding of just how faulty ADHD diagnosing is for millions.

WordJourneys: What are the three biggest issues with the way we currently diagnose and prescribe ADHD?

Emmerson: Number One: Not ruling nearly enough out first through a collaborative, inter-disciplinary team approach that treats ADHD/ADD as a diagnosis of exclusion (not the other way around);

Number Two: Not making other interventions (instead of simply medication) just as high of a priority (such as behavior therapy, brain training, nutritional counseling, looking at alternate learning/schooling options, physical activity, creative outlets, trauma at home being assessed, etc.);

Number Three: Not digging deeper after a diagnosis is made, and/or assuming that medication use needs to be permanent. Self-resilience and accountability must be held to very high standards as part of treatment. In other words, treat the whole person, not simply diagnose, medicate and leave them to their own devices without on-going support and education into self-reliance and growth.

WordJourneys: Why is ADHD diagnosed at such a high rate now? Do we really have that many afflicted adults and children, or is it something else?

Emmerson: My deepest fear (and gut feeling) is that so-called ADHD (in millions of cases) is a band-aid diagnosis made because we simply don’t have the knowledge, research or resources to dig deeper and actually address some key contributing issues no one talks about: chemicals in tap water, air quality, societal “norms” industry-wise, increasing tech addiction, poorer sleep quality, and many other root causes for symptoms. Instead, we use stimulant medication to see if it “works” and leave it at that (assuming ADHD and making it a potentially permanent diagnosis on someone’s medical records, a whole other issue for several reasons).

WordJourneys: The education system has played an increasing role in getting kids to ADHD diagnoses. Is this a good or bad thing — and why?

Emmerson: This infuriates me, and here’s why: Some kids may benefit from diagnosis and treatment, but factors such as date of birth (what time of the year a child is born), learning differences, root-cause factors for ADHD-like symptoms (many of them) and other issues are way too easily turned into a rushed ADHD diagnosis. Frankly, much of our education system is antiquated and obsolete in relation to the technological age we’re living in, so we need to hold education policy makers to task, just as much as we weed out children who seem to be acting out in any number of ways. After all, some of the world’s most innovative and creative people disliked conventional school very passionately. We need to do something about this desperate need for wholesome, 360-degree learning to become the norm (to start with, anyway).

WordJourneys: What are the challenges facing doctors and mental health professionals in treating the whole person, rather than just the ADHD?

Emmerson: Resources. Funding for thorough, holistic care is scarce in the United States, especially in the mental health realm, and there is heavy pressure to reduce that even further. What’s even bigger is that investments in education toward self-awareness, resilience, and extra-curricular activities, and incentives for families to stay healthy both physically and emotionally, are dwindling away. The unfortunate reality for many healthcare professionals is that insurance companies and profits for medical practices push more and more patients to be seen in shorter and shorter time-spans, resulting in rushed, insufficient care. Profits can still be made while taking the proper time to treat patients holistically and fully. We just need to help the system evolve and incentivize providers in new ways that benefit all.

(Part 2 will appear Friday, July 21, on The Word Journeys Blog.)

To pre-order Beyond ADHD

 

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The Making of This Summer’s Rock & Roll Novel

Many have asked how my new novel, Voices came to be, and why it flashes back to the #SummerOfLove (which is celebrating 50 years with events nationwide this summer and fall). I’d love to tell you I wrote it quickly, fueled by my lifelong love of rock, folk and blues music, particularly classic rock. Truth is, because of that lifelong love, and the ever-changing face of the music world, Voices went through several phases, a dozen rewrites, and painstaking edits in the 15 years it took off-and-on to bring the idea into finished book form.

The 2001 Haight Street Fair poster — they’ve been colorful for all 40 years of this fair. Created by KA Hempel.

The book’s genesis is a walk that Rock & Roll Hall of Famer Marty Balin and I took down Haight Street in June, 2001. As we walked toward the converted flatbed truck stage where Marty and his Jefferson Starship bandmates were about to headline the Haight Street Fair, Marty alternately greeted fans and talked with me about his memoir, Full Flight, on which we were working.

As we continued walking, I decided to spring an idea on him: “What do you think about a novel involving a rock legend, his daughters and a reunion tour?”

“Sounds good… what’s the deal with the musician and his daughters?” Marty asked.

“Well, he’s tight with one and not so much with the other… creates the emotional tension,” I said.

“You know, some musicians lost contact with their children when they were young, you know, touring, breakups, that sort of thing.”

Marty Balin performs the Jefferson Airplane classic “She Has Funny Cars” at the 2001 Haight Street Fair. (Photo: Robert Yehling)

Interesting. Talk about emotional tension. How about gut-wrenching? “How did that impact their music?” I asked.

“The ones who cared about their kids and were able to carry on? A lot. It made their music sadder, deeper, bluesy. More touching. More real. Great lyrics, too.”

I’d never thought of it that way.

We walked by several Haight Street novelty and head shops, three of which had something familiar in the window — my fairly recent cover story on Marty for a prominent magazine. As one who missed the age curve on the Summer of Love, the epochal period from 1965 through 1967 in which psychedelic rock, free love, expanded consciousness, yoga, political activism and creative expression resonated from San Francisco like a shock wave, I was blown away. I was walking down Haight Street with the man who coined “psychedelic rock” in a 1965 interview with a Dallas newspaper; whose nightclub, The Matrix, was the first in San Francisco to openly welcome electric instruments; whose band, Jefferson Airplane, launched both the San Francisco scene and psychedelic rock nationally; and whose vocal prowess as a high tenor and lyrical powers as a balladeer knew few peers. It felt surreal. Don’t wake me up when this dream is over.

Some of the 50,000 people that packed Haight Street in 2001 — and will once again pack it on June 11, for the 40th annual fair. (Photo: Robert Yehling)

I thought more about Marty’s comments. “Well, I’ve been wanting to write a rock-and-roll novel,” I said. “I’ve seen so many things in music, been part of so many things. What do you think?”

“I think if you do something with the ‘lost daughter’ thing, and put your musicians on a major tour, you’ve got a book.”

With that, I went to work, but not before promising Marty one thing: Our walk would be memorialized in the novel (a fictional version is the lead chapter of Part 2). So is something he did in concert that afternoon, the nicest thing I’ve seen a rock musician do live: Grab a roadie’s cell phone, and personally serenade the roadie’s wife with Marty’s mega-hit “Miracles” while also singing to 50,000 screaming fans on the street.

Our walk became the launching pad for Voices. While the story has taken several twists and turns since, the essential storyline is much as we left it that day: A father-daughter-lost daughter relationship story set against a summer reunion tour by a legendary band, recalling 50 years of American pop, blues, folk and rock music along the way. It’s out for the 50th anniversary of the Summer of Love —where the protagonist, Tom Timoreaux, and his bandmates first gathered.

The way it was during The Summer of Love … the origin point for “Voices”

Voices is seeded with more than 70 accounts of actual musical events and moments — though I’ve taken care to fictionalize and wrap them around the characters. Marty’s cell phone serenade is one, the walk down Haight Street another. The reason? Rock and roll is full of countless moments that you just can’t make up… and we all love a good rock and roll story.

Hope you enjoy Voices, and post a quick review on Amazon or Goodreads if you have the chance. It’s available at all online booksellers in print and e-book form, and through bookstores nationwide. An audiobook is in the works, to be released later in 2017 or early 2018.

Marty Balin, firing away on his masterful ballad “Comin’ Back To Me,” 2001 (Photo: Robert Yehling

 

 

 

NEXT IN THE WORD JOURNEYS BLOG: The Word Journeys Beach Read Showcase, a three-blog review of books well worth taking to the beach, including a word from their authors.

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50 Yrs Ago Today: When Paul Visited Haight-Ashbury to Preview Sgt. Pepper’s

Hard to believe that it’s been 50 years to the day since The Beatles released Sergeant Pepper’s Lonely Hearts Club Band. Today’s debut of The Beatles Channel on Sirius XM radio is part of a summer long salute to the band — and album.

One of two albums that defined the “Summer of Love” over all others: Jefferson Airplane’s “Surrealistic Pillow”. Marty Balin is back row right.

Besides its revolutionary use of the studio and the musical virtuosity of John, Paul, George and Ringo, the album symbolized a time of freedom, expression, consciousness, music, and the hopes of a new generation like no other. It, along with Jefferson Airplane’s Surrealistic Pillow, also served as the musical symbols of the #SummerofLove in San Francisco.

Interestingly, it was a visit Paul McCartney made to San Francisco in April, 1967, and the story Jefferson Airplane vocalist-songwriter-mastermind and Rock & Roll Hall of Famer Marty Balin told me about the visit, that sparked the beginnings of my new novel, Voices. 

Debuting 50 years ago today, “Sergeant Pepper’s Lonely Hearts Club Band”

Published by Open Books Press, Voices is a father-daughter-lost daughter story that celebrates the Summer of Love as the launching point for both story and main character, rock legend Tom Timoreaux. It’s also the music novel I’ve wanted to write after covering bands, albums, concerts and events the past 40 years, currently as editor of the Billboard Music Awards and American Music Awards publications and co-author of Stevie Salas’ memoir, When We Were The Boys.

Voices traces the beginnings of Tom and his band, The Fever, in 1967 San Francisco, with the Summer of Love and its enormous impact on music, culture and lives fully recounted through the characters. With festivities cranking up now in San Francisco, it’s a fun time to have a book that roots itself in that amazing short-lived scene.

Back to Paul’s visit, as recounted by Marty from his Haight Ashbury home when I was working with him for his memoir, Full Flight, back in 2001. Bear in mind: When Paul visited, Jefferson Airplane was the psychedelic rock band, thanks to Surrealistic Pillow, which was bulleting to the top of the charts. The Beatles were coming off Rubber Soul and Revolver, with no one yet knowing of Sergeant Pepper’s Lonely Hearts Club Band:

Marty Balin, now and then

“We were rehearsing in The Fillmore on an early April day. We were sitting below the stage, in this big room, playing by ourselves,” Marty said. “Suddenly, a big guy comes in wearing a suit and tie – it was Beatles road manager Mal Evans. He booms out in his thick British accent, ‘Master Paul McCartney’d like to visit.’

“What? ‘Well, then send him in,’ I said.

“In comes Paul. Man, we freaked out. I mean, any commercial success we were enjoying was due to The Beatles coming to America in the first place. So we sat around and talked about The Beatles, about the Airplane, about music in general.

“We broke up our rehearsal and went back to the apartment Jack and I shared, in this old Victorian off Haight and Fell. Jack and Paul got into a discussion about bass playing; the British musicians were learning what we already knew, that Jack was brilliant. Jorma and Jack kept trying to get Paul to jam with them; they were noodling all the time on their guitars. Jack took Paul back to his hotel room that night, so I’m sure they talked a lot more about music. There’s a story that Paul tried to play, but couldn’t, because he’s left-handed and Jack had a right-handed bass. I don’t know.

A typical day during the Summer of Love — music, hanging out, self-discovery

“I do know Paul just wanted to relax. He was mainly interested in shooting home movies of the Haight-Ashbury scene. I told Paul about some of the things happening in the Haight, and gave him some places to shoot. Ever since the early days of The Beatles, he’d taken the little home movie camera around and filmed the places and excitement surrounding them. He liked to film the scenes, gallery openings, people in their element; he wasn’t reclusive like John. Paul was always going out, socializing, meeting people.

“Later, I went into my room to get away from the crowd that was in the main part of the house. Paul came in, and we talked a little more about music. ‘What’s new with The Beatles?’ I asked. ‘What’s next?’

Paul smiled. “Oh, I happen to have a little tape here.”

He pulled a tape out and we put it on. It was the song “A Day In The Life.” (“I read the news today, oh boy…”) I just about lost it; I could not believe what I was hearing. Up until then, The Beatles had been like Gods to us. Anything they did was amazing, and in 1964 and 1965, it seemed that every two weeks, they had a new single. They were fantastic, and an inspiration to just about everybody in the rock music world.

“So he played this song. I just did not have the words to describe it. ‘Man, that’s the most amazing thing I’ve ever heard,’ I said.

This is one of many classic rock & roll experiences that weaves its way through Voices, which I will be sharing throughout the summer as the book makes its way into bookstores and online booksellers — and my signing appearances. I share it first because Marty Balin inspired me to write the book, with stories like this, and with his cool, quiet, understated way of using his magical tenor chops to become “The Voice” — literally, that was his nickname among his peers and early fans, and hence, inspiration for the book title. He and I also brainstormed  off my original story line while walking a very crowded Haight Street prior to the 2001 Haight Street Festival (as reimagined in Chapter 18 of Voices). That basic story line is very close to the final version.

Many more stories behind the writing of Voices are coming. Most of all, on this 50th anniversary of the Summer of Love, it’s my salute to what rock, pop, folk and blues music have meant, how they’ve informed my generation, and it also shows the beauty of music to bring us together in a spirit of joy and companionship, no matter our beliefs or world views.

Voices is now available through bookstores nationwide, on all online booksellers, and of course, on Amazon.com. Hope you enjoy it, and please post a quick review on Amazon or Goodreads — 50 words will do (and a few stars!).

 

 

 

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