Category Archives: poetry

From Child Prodigy to Self-Publishing Expert: A.G. Billig’s Amazing Literary Journey

(EDITOR’S NOTE: This is the first in a two-part series on author/entrepreneur A.G. Billig, and how she is bringing her vast media, publishing branding experience to thousands of authors through SelfPublishingMastery.com. Here, she discusses her professional background, writing experiences, and her vision for the world’s most diverse self-publishing online platform.)

She wrote her first short story as a child. At age 13, the Romanian media dubbed her a child prodigy. Three years later, she was writing professionally for a popular national newspaper on teen issues. Then, at 17, she became a radio host — which led to producing a TV show for an independent Romanian network. Finally, when A.G. Billig entered her twenties, she became editor-in-chief for a variety of teen magazines.

Author, self-publishing and branding expert A.G. Billig

How’s that for the start of a writing career? A career seemingly predestined at birth? What happens if you add to that a Master’s Degree in public relations and communication and a sharp, incisive entrepreneurial mind?

Now, this captivating, multi-talented author, and international media and branding expert has established herself in the U.S., imparting her knowledge and insight to benefit thousands of authors. She is the creator of SelfPublishingMastery.com, a multi-channel platform that brings writing and business tips, consulting, books, writing and editing services, resources, online summits, professional referrals, the best writing instructors, a publishing imprint and much more. In 2017, it was named one of the Top 100 self-publishing blogs online. It’s only going to grow.

In an announcement I’m very proud to make, the editorial services wing of my company, Word Journeys, is shifting to SPM in a new partnership agreement.

As a writer, A.G.’s work is extensive in the journalism world, and growing in books. Her two books, Four Doors and Other Stories and I Choose Love, are award-winners. Her deep, thoughtful soul and incisive mind merge in her works to provide delicious prose that informs as it invokes feeling and thought, giving us insight into ourselves. Interestingly, that is what the greatest mentors do: show the way, often without stating it in those terms.

A.G. Billig presenting a workshop on branding and marketing for self-published authors at the Greater Los Angeles Writers Conference. Branding and marketing are central themes _ and features — of  SelfPublishingMastery.com

A.G. is a mentor to authors throughout the world, and has caught the attention of writers conference directors. She has presented at the Greater LA Writers, Genre-LA and Digital Writing & Self Publishing conferences, and recently conducted a Master Workshop on author branding. In this two-part interview, she unveils the full scope of SelfPublishingMastery.com, a huge author asset in a self-publishing market that saw an estimated 900,000 titles published last year.

WORD JOURNEYS: Let’s start at the beginning. What inspired you to begin writing?

A.G.Billig: When I was 8, my parents bought a brand new car. My excitement about the prospect of future summer trips across Romania translated into a short story, the first in a long series. My father, an avid reader and aspiring author, loved my writing and encouraged me to pursue it. By 13, I was winning national literary prizes for short stories. I wrote my first novel, a teenage love story, at 15 —and then took a break from writing fiction until 2012.

WJ: What was one of the biggest takeaways of your early journalism career, when you had years of top professional experience by the time you reached your twenties?

A.G.: It was a beautiful way to meet extraordinary people and share their amazing stories with the rest of the world, stretch my comfort zone, and learn new skills. It felt good whenever someone would stop me on the street to tell me they enjoyed my shows.

WJ:   What books did you read as a teen and young adult? How did they inform and shape the stories and book ideas you wanted to pursue?

A.G. Though Romania was still under Communist rule in my early years, I was fortunate to grow up in a house filled with books. My father was born in Paris. He loved French culture as well as universal literary giants. The moment I learned how to read, I started devouring writers such as Honore de Balzac, Emile Zola, Charles Dickens, Mark Twain, Lev Tolstoy, Anton Chekhov, Giovanni Boccaccio, Jane Austen, Ralph Waldo Emerson, and F. Scott Fitzgerald, to name a few. These authors and readings shaped my literary tastes and taught me how to write. I learned how to use description, write dialogue, and build solid characters from them. I also learned the type of emotional and cognitive experience a book is supposed to create for the reader, that essential element that stands the test of time. Although I never wanted to be like these authors, I always aimed at giving my best in my writing. We can all do that by being authentic and passionate about what we do.

WJ:   When did you start considering working with self-published authors? What need did you perceive?

A.G.: In 2015, at the London Book Fair. It seems like this event changes my life every three years — I wonder what’s going to happen in 2018! I attended as a journalist (I was a contributor to the Romanian edition of Playboy). I was already following podcasts on self-publishing and wanted to know more about it. The free talks and panels proved to be of great help. The success stories of self-published authors such as Mark Dawson and C.J. Lyons, making six-figure incomes on their books, gave me an A-HA! moment. I realized that the publishing game was changing and self-publishing opened a global market for authors, provided they had the necessary skills. Since I have an entrepreneurial mind, I seized the opportunity, not only for myself, but also for my fellow authors. I realized that they needed support with branding and marketing their books. They would needed resources, information, and education. “Why not use my passion for journalism to serve these people?” I asked myself.

Early in 2016, just about the same time I self-published I Choose Love, Self-Publishing Mastery was born.

WJ:   Let’s go back to your creative love – writing books. First, tell us about I Choose Love – certainly a timely read in this day and age.

A.G.: I never thought I would write a non-fiction book, but a lot went on in 2015 — terror attacks, natural disasters. The world was (and still is) governed by fear. The only way out was choosing love, again and again, every second of our life. At that point, I Choose Love came to me as what some would call a “download”. It took about a month to complete. It was easy for me, because it stemmed from my heart. I also had a clear structure from the beginning, and a thorough knowledge of the topic based on seven years of spiritual practice and personal experiences. It offers practical tools for overcoming fear and attracting love into one’s life.

WJ: Can’t think of a subject more purposeful! You also mentioned you shelved your teenage love of fiction writing until 2012. Typically, when we leave our story writing youth, we rarely find that thread again, but you did. Tell us about Four Doors and Other Stories.

A.G.: This book shows what can happen when we are in the flow. It marked my return to writing fiction, and it brought me a contract with a U.K. publisher.

I created this short stories collection about love, because love represents the foundation of who I am and everything I do, including helping other authors become successful. My vision was to portray love as our true essence, which can be expressed in so many different ways. Once I had this concept clear in my mind, I just allowed the inspiration to flow in.

WJ: What is your vision with SelfPublishingMastery.com? What are the features? How do you, and the platform, assist writers in their journeys?

A.G. My original concept for Self Publishing Mastery was to be the Billboard magazine for the global self-publishing industry. My vision was to support and empower indie authors from around the world to self-publish, and help them master the publishing process.

We began by (and are still) covering book marketing, the writing craft, the right mindset for success, writers’ conferences, success stories, writers Facebook groups, podcasts, and book blogs. After the past year of getting a chance to talk to authors, we decided to add an educational component. Now we will also have workshops, online courses, books, and an online academy. We’ve just further expanded the range of our services for authors through the full-service portfolio, twenty years’ standing, that Word Journeys is bringing in. We have evergreen content, constantly refreshing. We’ve also got some goodies for those who subscribe to our newsletter such as “The top 20 Amazon book reviewers list” and “The successful book launch checklist.” Authors can and will find all that they need for successful self-publishing on our site. Please stop by!

(NEXT: A.G. Billig breaks down SelfPublishingMastery.com, and the particular challenge self-published authors face with branding, distribution, and lifting their work above the growing mass of titles and voices — and how to reach their world of awaiting readers in the process.)

 

 

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Book Lovers: The L.A. Times Festival of Books is Here!

One of the most enjoyable parts of being an author is participating in book signings — and few are better than the L.A. Times Festival of Books.

Desiree Duffy of Black Chateau Enterprises and yours truly at the 2017 LA Times Festival of Books.

For the third straight year, I will be signing books at the USC Campus on Sunday, April 22, from 3-5 p.m. It also happens to be my sister Karin’s 50th birthday, so getting from USC crosstown to Encino for the birthday dinner afterward will be interesting, but the afternoon is all about books, and my sister understands… I think…

I digress. On Sunday, I will be signing Voices, Backroad Melodies, Writes of Life, When We Were The Boys and Just Add Water at the Black Chateau Booth #912 in the Black Zone. I will be part of a two-day author collective put together by my publicist and fellow author in the 3-5 slot, Desiree Duffy, the owner of Black Chateau Enterprises.

            The L.A. Times Festival of Books is huge, and awesome. Up to 150,000 people come for the two days to see a collection of bestselling authors, new authors, and entertainment ranging from panel discussions to live bands and very lively public question-and-answer sessions. The festival is the third largest of its kind in the U.S. It’s a book buyer’s and reader’s dream – and, for authors, a rare chance to talk with so many readers.

“I find that consumers like choices, so having several authors and books for them to chose from at a book fair, means that you are more likely to have something they’ll like,” Desiree says. “Book fairs can be exhausting. Authors signings can be draining. Doing an hour or two signing is much easier than committing to running a booth for an entire fest. It gives authors time to walk the fest, check out panels, and network.”

Since Desiree walks the delicate creative and time management tightrope between being a publicist and author (she’ll appear under her nom de plume, Vanta M. Black, to sign her novel Oubliette: A Forgotten Little Place on Sunday afternoon), she also understands the dual existence we writers lead. Often, we prefer to tuck ourselves into our offices and write, not connecting so much publicly — but books don’t sell if we don’t go public. Contrary to the beliefs of many, online presence alone does not beget success. The group signing helps even the shiest authors interact with their audiences.

“We are social beings. When we connect in person, that bond is stronger than it could ever be online,” she explains. “Being an author means being a brand. You are connected to your writing and being able to talk to people, share stories, learn about them as readers, and make connections helps strengthen your brand.

“Plus, what you do in the real world needs to translate to the online world. As an author at an event, being able to promote and post online about it gives you valuable content. Whether it is social media, your author newsletter, your blog or website, your book fest experience should be featured online. Online and offline exposure leverage one another, making each stronger.”

I’d like to introduce you to the other authors at the Black Chateau Booth (once again, #912, in the Black Zone), the works they’ll be signing, and their signing times:

Saturday, April 21:

11 a.m. to 1 p.m.

Susanne Bellefeuille, author of Path of Lucas: The Journey He Endured

Autumn Doerr, author of Baker’s Dozen: A Lexi Fagan Mystery

1 p.m. to 3 p.m.

Christina Cigala, author of XXvXY: The Final World War

Bobby Goldstein, creator of XXvXY: The Final World War; and the TV show Cheaters

3 p.m. to 5 p.m.

Mark J. Rose, author of Matt Miller in the Colonies Series

Lon Varnadore, author of Mostly Human: A 4Pollack Novel

Sunday, April 22:

11 a.m. to 1 p.m.

Sean Patrick Traver, author of Wraith Ladies Who Lunch

Raye Mitchell, Esq, author of How Women Negotiate from a Position of Strength

1 p.m. to 3 p.m.

Michael Priv, author of The Fifth Battalion

Laurie Finkelstein, author of Next Therapist Please

3 p.m. to 5 p.m.

Robert Yehling, author of Voices and Just Add Water

Vanta M. Black, author of Oubliette: A Forgotten Little Place

The booth will also feature books from Nanishka Torres, author of Fenrir Chronicles: The Prince; and Magda Ayuk, author of Blue Bird.

Each appearance at the L.A. Times Festival of Books has been a thrill: discussing pro surfer Clay Marzo’s life with autism in Just Add Water in 2016; and launching Voices to the world in 2017. This time, I’ll also be previewing Crawl of Fame, the memoir of Ironman triathlon legend Julie Moss, which officially releases on October 2.

As for Desiree? She well remembers the thrill of her first L.A. Times Festival of Books signing gig. It’s like runners feel about the Boston Marathon; I know I never get tired of that feeling when we arrive on the scene! “I had a booth the year I released Oubliette—A Forgotten Little Place. It was my dream to be there, and seeing it happen, was amazing,” she recalls. “I checked off an item on my bucket list. I think a lot of authors feel that way. There is something special about the L.A. Times Festival of Books. It is iconic. A must-attend.”

On that note, we’ll see you at Booth 912, Black Zone this weekend!

 

 

 

 

 

           

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The Making of This Summer’s Rock & Roll Novel

Many have asked how my new novel, Voices came to be, and why it flashes back to the #SummerOfLove (which is celebrating 50 years with events nationwide this summer and fall). I’d love to tell you I wrote it quickly, fueled by my lifelong love of rock, folk and blues music, particularly classic rock. Truth is, because of that lifelong love, and the ever-changing face of the music world, Voices went through several phases, a dozen rewrites, and painstaking edits in the 15 years it took off-and-on to bring the idea into finished book form.

The 2001 Haight Street Fair poster — they’ve been colorful for all 40 years of this fair. Created by KA Hempel.

The book’s genesis is a walk that Rock & Roll Hall of Famer Marty Balin and I took down Haight Street in June, 2001. As we walked toward the converted flatbed truck stage where Marty and his Jefferson Starship bandmates were about to headline the Haight Street Fair, Marty alternately greeted fans and talked with me about his memoir, Full Flight, on which we were working.

As we continued walking, I decided to spring an idea on him: “What do you think about a novel involving a rock legend, his daughters and a reunion tour?”

“Sounds good… what’s the deal with the musician and his daughters?” Marty asked.

“Well, he’s tight with one and not so much with the other… creates the emotional tension,” I said.

“You know, some musicians lost contact with their children when they were young, you know, touring, breakups, that sort of thing.”

Marty Balin performs the Jefferson Airplane classic “She Has Funny Cars” at the 2001 Haight Street Fair. (Photo: Robert Yehling)

Interesting. Talk about emotional tension. How about gut-wrenching? “How did that impact their music?” I asked.

“The ones who cared about their kids and were able to carry on? A lot. It made their music sadder, deeper, bluesy. More touching. More real. Great lyrics, too.”

I’d never thought of it that way.

We walked by several Haight Street novelty and head shops, three of which had something familiar in the window — my fairly recent cover story on Marty for a prominent magazine. As one who missed the age curve on the Summer of Love, the epochal period from 1965 through 1967 in which psychedelic rock, free love, expanded consciousness, yoga, political activism and creative expression resonated from San Francisco like a shock wave, I was blown away. I was walking down Haight Street with the man who coined “psychedelic rock” in a 1965 interview with a Dallas newspaper; whose nightclub, The Matrix, was the first in San Francisco to openly welcome electric instruments; whose band, Jefferson Airplane, launched both the San Francisco scene and psychedelic rock nationally; and whose vocal prowess as a high tenor and lyrical powers as a balladeer knew few peers. It felt surreal. Don’t wake me up when this dream is over.

Some of the 50,000 people that packed Haight Street in 2001 — and will once again pack it on June 11, for the 40th annual fair. (Photo: Robert Yehling)

I thought more about Marty’s comments. “Well, I’ve been wanting to write a rock-and-roll novel,” I said. “I’ve seen so many things in music, been part of so many things. What do you think?”

“I think if you do something with the ‘lost daughter’ thing, and put your musicians on a major tour, you’ve got a book.”

With that, I went to work, but not before promising Marty one thing: Our walk would be memorialized in the novel (a fictional version is the lead chapter of Part 2). So is something he did in concert that afternoon, the nicest thing I’ve seen a rock musician do live: Grab a roadie’s cell phone, and personally serenade the roadie’s wife with Marty’s mega-hit “Miracles” while also singing to 50,000 screaming fans on the street.

Our walk became the launching pad for Voices. While the story has taken several twists and turns since, the essential storyline is much as we left it that day: A father-daughter-lost daughter relationship story set against a summer reunion tour by a legendary band, recalling 50 years of American pop, blues, folk and rock music along the way. It’s out for the 50th anniversary of the Summer of Love —where the protagonist, Tom Timoreaux, and his bandmates first gathered.

The way it was during The Summer of Love … the origin point for “Voices”

Voices is seeded with more than 70 accounts of actual musical events and moments — though I’ve taken care to fictionalize and wrap them around the characters. Marty’s cell phone serenade is one, the walk down Haight Street another. The reason? Rock and roll is full of countless moments that you just can’t make up… and we all love a good rock and roll story.

Hope you enjoy Voices, and post a quick review on Amazon or Goodreads if you have the chance. It’s available at all online booksellers in print and e-book form, and through bookstores nationwide. An audiobook is in the works, to be released later in 2017 or early 2018.

Marty Balin, firing away on his masterful ballad “Comin’ Back To Me,” 2001 (Photo: Robert Yehling

 

 

 

NEXT IN THE WORD JOURNEYS BLOG: The Word Journeys Beach Read Showcase, a three-blog review of books well worth taking to the beach, including a word from their authors.

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50 Yrs Ago Today: When Paul Visited Haight-Ashbury to Preview Sgt. Pepper’s

Hard to believe that it’s been 50 years to the day since The Beatles released Sergeant Pepper’s Lonely Hearts Club Band. Today’s debut of The Beatles Channel on Sirius XM radio is part of a summer long salute to the band — and album.

One of two albums that defined the “Summer of Love” over all others: Jefferson Airplane’s “Surrealistic Pillow”. Marty Balin is back row right.

Besides its revolutionary use of the studio and the musical virtuosity of John, Paul, George and Ringo, the album symbolized a time of freedom, expression, consciousness, music, and the hopes of a new generation like no other. It, along with Jefferson Airplane’s Surrealistic Pillow, also served as the musical symbols of the #SummerofLove in San Francisco.

Interestingly, it was a visit Paul McCartney made to San Francisco in April, 1967, and the story Jefferson Airplane vocalist-songwriter-mastermind and Rock & Roll Hall of Famer Marty Balin told me about the visit, that sparked the beginnings of my new novel, Voices. 

Debuting 50 years ago today, “Sergeant Pepper’s Lonely Hearts Club Band”

Published by Open Books Press, Voices is a father-daughter-lost daughter story that celebrates the Summer of Love as the launching point for both story and main character, rock legend Tom Timoreaux. It’s also the music novel I’ve wanted to write after covering bands, albums, concerts and events the past 40 years, currently as editor of the Billboard Music Awards and American Music Awards publications and co-author of Stevie Salas’ memoir, When We Were The Boys.

Voices traces the beginnings of Tom and his band, The Fever, in 1967 San Francisco, with the Summer of Love and its enormous impact on music, culture and lives fully recounted through the characters. With festivities cranking up now in San Francisco, it’s a fun time to have a book that roots itself in that amazing short-lived scene.

Back to Paul’s visit, as recounted by Marty from his Haight Ashbury home when I was working with him for his memoir, Full Flight, back in 2001. Bear in mind: When Paul visited, Jefferson Airplane was the psychedelic rock band, thanks to Surrealistic Pillow, which was bulleting to the top of the charts. The Beatles were coming off Rubber Soul and Revolver, with no one yet knowing of Sergeant Pepper’s Lonely Hearts Club Band:

Marty Balin, now and then

“We were rehearsing in The Fillmore on an early April day. We were sitting below the stage, in this big room, playing by ourselves,” Marty said. “Suddenly, a big guy comes in wearing a suit and tie – it was Beatles road manager Mal Evans. He booms out in his thick British accent, ‘Master Paul McCartney’d like to visit.’

“What? ‘Well, then send him in,’ I said.

“In comes Paul. Man, we freaked out. I mean, any commercial success we were enjoying was due to The Beatles coming to America in the first place. So we sat around and talked about The Beatles, about the Airplane, about music in general.

“We broke up our rehearsal and went back to the apartment Jack and I shared, in this old Victorian off Haight and Fell. Jack and Paul got into a discussion about bass playing; the British musicians were learning what we already knew, that Jack was brilliant. Jorma and Jack kept trying to get Paul to jam with them; they were noodling all the time on their guitars. Jack took Paul back to his hotel room that night, so I’m sure they talked a lot more about music. There’s a story that Paul tried to play, but couldn’t, because he’s left-handed and Jack had a right-handed bass. I don’t know.

A typical day during the Summer of Love — music, hanging out, self-discovery

“I do know Paul just wanted to relax. He was mainly interested in shooting home movies of the Haight-Ashbury scene. I told Paul about some of the things happening in the Haight, and gave him some places to shoot. Ever since the early days of The Beatles, he’d taken the little home movie camera around and filmed the places and excitement surrounding them. He liked to film the scenes, gallery openings, people in their element; he wasn’t reclusive like John. Paul was always going out, socializing, meeting people.

“Later, I went into my room to get away from the crowd that was in the main part of the house. Paul came in, and we talked a little more about music. ‘What’s new with The Beatles?’ I asked. ‘What’s next?’

Paul smiled. “Oh, I happen to have a little tape here.”

He pulled a tape out and we put it on. It was the song “A Day In The Life.” (“I read the news today, oh boy…”) I just about lost it; I could not believe what I was hearing. Up until then, The Beatles had been like Gods to us. Anything they did was amazing, and in 1964 and 1965, it seemed that every two weeks, they had a new single. They were fantastic, and an inspiration to just about everybody in the rock music world.

“So he played this song. I just did not have the words to describe it. ‘Man, that’s the most amazing thing I’ve ever heard,’ I said.

This is one of many classic rock & roll experiences that weaves its way through Voices, which I will be sharing throughout the summer as the book makes its way into bookstores and online booksellers — and my signing appearances. I share it first because Marty Balin inspired me to write the book, with stories like this, and with his cool, quiet, understated way of using his magical tenor chops to become “The Voice” — literally, that was his nickname among his peers and early fans, and hence, inspiration for the book title. He and I also brainstormed  off my original story line while walking a very crowded Haight Street prior to the 2001 Haight Street Festival (as reimagined in Chapter 18 of Voices). That basic story line is very close to the final version.

Many more stories behind the writing of Voices are coming. Most of all, on this 50th anniversary of the Summer of Love, it’s my salute to what rock, pop, folk and blues music have meant, how they’ve informed my generation, and it also shows the beauty of music to bring us together in a spirit of joy and companionship, no matter our beliefs or world views.

Voices is now available through bookstores nationwide, on all online booksellers, and of course, on Amazon.com. Hope you enjoy it, and please post a quick review on Amazon or Goodreads — 50 words will do (and a few stars!).

 

 

 

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THE WRITE STUFF: Official Newsletter of Word Journeys Inc. and Robert Yehling

V 20, N 1 • January, 2016

Celebrating 20 Years of Serving Authors, Publishers & The Written Word 

WELCOME!

Welcome to the 20th anniversary of Word Journeys, Inc. In 1996, I started the company to provide editorial services to magazines and corporate publications. Soon, my goals and the company shifted into the book world, where we have camped since 1999, providing writing, ghostwriting, editing, marketing, promotion, and publicity consulting services to authors, editors, agents, and publishers. We will provide this newsletter of stories, links, and specials to our Google + readers, and mailing list. We cover everything concerning the works of Robert Yehling, Word Journeys clients, and related publishing activities and events. Beginning in February, past issues will be archived on our website, www.wordjourneys.com.

HOT OFF THE PRESSES…

2016: The Year of the Writer

We’re declaring 2016 the year of the writer, and are re-releasing a pair of books to commemorate: The Write Time: 366 Exercises to Fulfill Your Writing Life; and Writes of Life: Using Personal Experiences in Everything You Write. Both books are being published in second edition by Open Books Press of Bloomington, IN. The Write Time is now available, while Writes of Life will soon be available for pre-order on Amazon.com, and will be published in mid-April.

The Write Time features a different exercise for every day of the year — and a story to enhance it. All genres and styles are covered. This is perfect jump-start material if you’re stuck or just need some fresh creative juice. Used in writing conferences, colleges, high schools, and by many published authors. Links to more than 125 top writing and reading websites. http://amzn.to/1O2skaG

Robert Yehling, Martha Brookhart Halda to appear on Write NOW! TV show

Robert Yehling and Martha Brookhart Halda will talk about the writing life, and how they’ve collaborated, on Write NOW!, a TV program in Orange County, CA. The show will air Friday, January 22. Yehling will discuss his various works, while Halda will talk about the German launch of A Taste of Eternity, her remarkable story, and the book’s forthcoming release in the United States. The show hosts are author/publisher Charles Redner, and Judy Saxon.

Just Add Water a Finalist for Dolly Gray Literature Award

Just Add Water is a finalist for the Dolly Gray Literature Award, given to the top family-oriented book with autism themes. It joins ten other finalists for the prestigious award, which is followed by all of the autism organizations and schools. The ceremony is January 25 in Tampa, FL. For more information: http://daddcec.org/Awards/DollyGrayAwards.aspx

The Hummingbird Review: Michael Blake, E.E. King, memoirists featured

The writing of personal story serves as a theme of the winter-spring edition of The Hummingbird Review, now available through bookstores and online. Featured contributors include the late Academy Award-winning Dances With Wolves author/screenwriter Michael Blake, fictionist-poet and Ray Bradbury protégé E.E. King, novelist W. Thompson Ong, Beat-era poet Michael C. Ford, an interview with guided autobiography facilitator Sheri Kohlmann, and the first excerpt of Martha Halda’s memoir A Taste of Eternity to be published in English. Plus more than 60 poems and essays from a dozen nations. Just $10. Order yours! http://amzn.to/1VohQIp

Appearance at Just Add Water at L.A. Times Festival of Books

Robert Yehling will be discussing the development and writing of Just Add Water at the L.A. Times Festival of Books, the nation’s second largest book festival, which takes place April 9-10 on the USC campus in Los Angeles. He will be signing both after the presentation and in a booth on-site. In 2015, more than 150,000 attended the event. Stay tuned for more details. http://events.latimes.com/festivalofbooks/

FROM OUR CLIENTS

  • Brandon Cruz, star of the smash late 1960s/early 1970s sitcom The Courtship of Eddie’s Father, and I are shopping a pair of titles we’ve been developing for a year, one The Courtship of Eddie, his memoir; and the other a deep look at his work as one of the nation’s foremost alcohol-addiction recovery specialists. Both books are packed with powerful, emotional stories, messages of great hope, and Brandon’s entertaining storytelling style, laced with his sharp wit and insights. Stay tuned…
  • Cracked, Not Broken author Kevin Hines had quite a thrill on January 9, when he spoke at a White House conference on men’s health. Kevin is busily preparing a documentary about his story and speaking engagements worldwide; look for a second book by 2017. http://amzn.to/1Gle6Sf
  • Jeff Emmerson’s long-awaited book, Beyond ADHD, is making the publishing rounds through agent Dana Newman. Emmerson looks beyond the conventional ADHD protocols in this riveting work that combines personal story and the insights of more than 20 medical, neurological, and therapeutic experts. Its findings are not only revolutionary — but potentially transformative. View his Beyond ADHD blog at http://bit.ly/1Rk2lCt
  • Motocross racing fans of a certain age… Remember Gary Wells, the racing and jumping phenom of the 1970s and 1980s? The man who routinely outjumped Evel Knievel for years? As Gary celebrates his 60th birthday this year, his story, Closure, is on its way to publication, thanks to author Tyler Anderson, himself a champion racer. This is a no-holds-barred biography at the up and down sides of America’s love affair with one prodigy and his prowess on a bike, during the biggest 15-year period in U.S. motorcycle racing history. https://www.facebook.com/search/top/?q=gary%20wells%20closure

FEATURED TITLES

ON THE WORD JOURNEYS BLOG

How Just Add Water Was Written: Behind the Scenes Story: http://wp.me/p8UUi-hB

BLOG OF THE MONTH

Kristen Lamb’s Blog is annually selected one of the Top 100 writers blogs by Writer’s Digest. Not only is it packed with resourceful materials for writers, but readers will delight in all of its behind-the-scenes features. This is a MUST blog to add to your blogroll. https://warriorwriters.wordpress.com

WORD JOURNEYS SPECIALS

Service: 20% off editing of your next book! We’ll bring your manuscript to a publish-ready polish, as we have done with more than 150 others. All genres. Email ryehling@wordjourneys.com. Through Feb. 29.

Product: $5 off hard-cover, signed copies of Just Add Water: A Surfing Savant’s Journey with Asperger’s, the biography of autistic surfing great Clay Marzo. Shipped direct from author. Email: ryehling@wordjourneys.com. Through Jan. 31.

WRITING/READING TIP OF THE MONTH

“Reach into your bookshelf and grab twenty titles of any kind. Read the first paragraphs of each, quickly and in succession. What pops out? What really grabs your eye? How did the writer grab you? Now return to your work, and in the spirit of what you have just read and compared, make your sentences pop and snap.” — From The Write Time, by Robert Yehling

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The Write Time: Feeding your Writing Needs Over the Holidays

Welcome to the 2015 Holiday Season … and Launch Day!TWT_WebCov

Today is the release of the second edition of The Write Time: 366 Exercises to Fulfill Your Writing Life, published by Open Books Press out of Bloomington, IN. Since it initially released, it has been used as a teaching tool in dozens of high schools and colleges. Of equal importance, it sits on the shelves of writers ranging from multiple book authors to those writing for fun. Now, we’ve brought in 20 new exercises, as well as fresh photos and a new foreword, to go with the other 346 exercises in the book.

For me, the beauty of this book is its diversity and variety. Since I was young, I’ve kept journals, with the specific intent of writing about something different every day. I believe that diverse writing, along with good reading, observation and life experience, builds our voices and fluency as writers faster than anything. When my book or editing clients say, “You can write about anything! How do you do that?” my answer is the same: “By many years of writing about different things and experimenting daily.”

That is why I created The Write Time — to present a sweeping approach to writing about the subjects that interest you, and trying new forms in the process. Between that, the stories embedded within the exercises, motivational and creativity quotes from authors and brilliant minds, and listings of 125 dynamic writing websites, I’m confident in stating that The Write Time goes well beyond typical writing prompts and exercise books. In fact, you won’t find another that offers such a rich experience.2015-12-01 06.23.33 2015-12-01 06.24.09

For The Write Time, I cobbled together writing exercises developed from the past 15 years of teaching at conferences, high schools, retreats and colleges, gave them stories, and brought them together. Every genre and type of writing is covered, from fiction to essay, songwriting to poetry, fantasy to literary narrative non-fiction. Whether you journal, write poetry or songs, novels or essays, short stories or major papers, The Write Time will be a valuable asset.

The other thing — you’ll never have writer’s block again. All you need to do is open the book to the date, or any random page, and it won’t take long for your words to flow. “It serves as a invocation to come sit at the shore of new creativity, take up your ink-cup, drink plentifully, and be refreshed by the waters of a new day, all intentionally assembled by a fellow writer, reader and lover of literature,” wrote Andres Torres, advanced placement teacher at Minooka (IL) Community High School, in the Foreword.

The Write Time is available through all bookstores, Amazon.com, online booksellers, and on the Open Books site. Or, if you’d like an autographed copy for a holiday gift for yourself, or writers among family and friends, contact me and we’ll get one to you.

Finally, to whet your taste buds, the exercise for December 1:

All complete stories arrive at resolution. We entered the story with characters departing from an opening situation. We followed them as they made their way through the world you created for them, enjoying the motives, conflicts, twists, surprises, realizations, discoveries, complications and sub-plots along the way.

Now, we’re ready for resolution. How will your story end?

Write the ending to your story — no matter where you are right now. The resolution can lead to either a predictable, surprising, or twist ending; your call. Whatever the case, make the ending solid and convincing. Refine it over and over. Then, use it as a compass to guide you through the rest of the story.

(Please let us know how you like The Write Time by reviewing it on Amazon and Goodreads).

 

 

 

 

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Sweet, Sweet Loving Music: This Writer’s Dream

As some of you know, I’ve been quite busy writing about music. There is a certain depth and lushness to words that describe great pieces of music, and the singers, songwriters and musicians who bring them to our ears.

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My music writing days go back to the beginning, when I was the second teenaged journalist allowed backstage at San Diego Sports Arena (or whatever it’s called now) to interview bands. Cameron Crowe was the first, two years before me. Cameron had had a nice career arc, writing for Rolling Stone at 14, then writing Fast Times at Ridgemont High, Jerry Maguire, and one of my favorites Almost Famous. If anything put a lump in my throat, it was Almost Famous — especially the scene of the young writer William Miller trying to get backstage in San Diego. That same backstage door has opened for me… and it has closed, too.

salas cover low resThe music writing has really picked up. Two years ago, my old North San Diego County friend, Stevie Salas, contacted me to help him with a memoir about his year touring with Rod Stewart. When We Were The Boys became a fine, fun, edgy memoir, a real add to music literature. It was also my most intense collaborative memoir — we wrote it in seven weeks. It’s done well since its release in September 2014… and is a great choice as you rev up for summer festival season. BTW, Stevie is playing Lollapalooza in Chicago at the end of July…

More recently,  I finished my novel, Voices, a father-daughter-daughter story set against a reunion tour by a legendary rock band. This took seemingly forever to write, mainly because I loved soaking into the musical atmosphere so much, and tinkering with the 50 songs I wrote in the personae of my protagonists (Tom and Christine Timoreaux). I couldn’t let it go — something I do not advise my clients to do. When you hold onto it too long, what looked good turns into an automatic rewrite. We’ve grown as people and authors, and we see things a bit differently — no matter how long the manuscript has been in the drawer.

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Marty Balin (left) playing in April 2015 with Jefferson Airplane bandmates Jack Casady (center) and Jorma Kaukonen. Jefferson Airplane’s first concert was August 13, 1965.

To give you an idea, I first came up with this idea in 2001, when Jefferson Airplane founder and Rock & Roll Hall of Famer Marty Balin and I were walking down Haight Street in San Francisco, talking about his memoir. I told him I wanted to write a novel called “The Voice” — his nickname when psychedelic rock launched in San Francisco 50 years ago. He gave me some great ideas, not to mention stories to repurpose. Fourteen years later, it’s going to see the light of day. Look for it soon.

Speaking of Marty, I’m preparing to reconfigure and expand his memoir we wrote in 2002 into a full-fledged biography. When you peel away the claims of people who say they launched psychedelic rock, one name stands above all: Marty (also, a nod to the band The Charlatans). He was the catalyst for psychedelic rock and the Summer of Love. He was the first to use the term “psychedelic rock” publicly. His band, Jefferson Airplane, was the flagship group of 1965-67, #2 among all rock bands in album sales, topped only by The Beatles. The Airplane was the first San Francisco psychedelic band to get a major album deal. In fact, they were the official headliners at Woodstock! Marty also owned The Matrix, which in 1965 was one of few places to allow electric instruments. It also was the first SF stop for many bands, including The Doors, Steve Miller, Love, and many more. Behind it all was this quiet man with a high tenor voice implanted by the angels. His ballads, particularly “Coming Back to Me”, “Count on Me” and “Miracles”, are on more than 50 film soundtracks. Now, Marty is going to finally get the credit he’s deserved for 50 years, though he’s far too humble to claim it himself.matrix-jademuse

Then there’s a real labor of love, helping my longtime friend Robert Munger on his music-oriented screenplay. Can’t go into detail right now, but we’re wrapping the first draft of the script, and then polishing it.

Finally, my new client Lory Jones presented me with an awesome novel to edit, and I mean awesome. It’s centered on a famous 18th-19th century composer, but you’ll have to guess which of the Big Five since I’m not at liberty to discuss. I love classical music almost as much as rock, especially the way it takes us on journeys one minute, and into full appreciation of the grandiosity of the musicianship the next. The Big Five were the rock stars of their era — Bach, Mozart, Beethoven, Schubert and Haydn (or Liszt, Vivaldi, or Handel; take your choice).

Why do I love music writing so much? For starters, music is my hobby, poetry is my passion, and music ties them together. I love all parts of it —composition, instrumentation, delivery, shaping of performances, emotion it engenders, and of course, the lyrics. Whenever I write about music, I’m mindful of the dual origin of lyric and music in the west, through the magical pen of Sappho, the 7th Century BCE Greek genius. She wrote in lyrics, poems and short prose, and her successors took her example into both writing and music.

Most of all, I love the personalities and stories behind songs and bands, and we all know that great stories make great reading. Music, like surfing, baseball and art, cranks out endless great stories. When you put these together, the story can resonate with millions — because we all like music. It is the world’s most universal language, and I like using my writing to prompt that deeper, unspoken form of communication we all instinctively and intuitively understand.

 

As you start figuring out your summer reading choices, I invite you to pick up When We Were The Boys this year, and look for chapter excerpts from Voices and the Marty Balin biography on wordjourneys.com and Scribd.com as we close in on publishing dates that are ideal for any music book — tied to the Golden Anniversary of psychedelic rock and, in 2017, the Summer of Love.

 

 

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