Category Archives: Memoir

The Photo Seen ‘Round the Sports World: Carol Hogan Reflects on Julie Moss

Carol Hogan may be the most significant unsung hero in the history of triathlon. Her photo of Julie Moss struggling to crawl toward the finish line in the 1982 Ironman World Championship in Kona, now on the cover of Julie’s just-released memoir Crawl of Fame, is one of the most iconic photographs in sports history. It is no exaggeration that it is triathlon’s version of the World War II Iwo Jima flag-raising photo — only Carol’s shot was raw and real, unlike the late Joe Rosenthal’s Iwo Jima photo, which was staged (in the original flag-raising photo, a Marine fire squad was under attack atop Mt. Suribachi).

Carol Hogan’s photograph of Julie Moss crawling across the finish line at the 1982 Ironman became a major trigger to an ensuing avalanche of media and “Wide World of Sports” coverage that elevated Julie, the Ironman, and endurance sports & fitness to global status almost overnight. We’ve been riding the wave since.

The photo captured an excruciating moment – the epitome of “Agony of Defeat,” to coin the saying from Wide World of Sports, which televised the race. It also helped fuel triathlon’s rapid ascension from a fringe extreme sport to a global participatory sport following the 1982 Ironman. Thirty-six years later, the photo – and the others Carol fired off during that indelible moment no one on-site will ever forget – stands as a historic symbol of perseverance, courage, and finishing what you start at all costs. The Spirit of Triathlon.

With Crawl of Fame drawing early praise and a lot of attention, ranking #6 on the Amazon Health/Fitness bestseller list (thank you, everyone!), Julie and I asked Carol to share her thoughts of the photo, and its significance in a very full life that has included competing in triathlon herself, promoting triathlons and Triple Crown of Surfing events through her Ocean Promotion firm (which is how I met and worked with her, in the mid- and late 1980s), and crafting a fine journalism and PR career.

It’s been 36 years since Carol Hogan shot one of sport’s most iconic photographs – Julie Moss beginning her crawl to the 1982 Ironman finish line, from which “Crawl of Fame” gets its name… and its story

Now, the circle closes. On Thursday at Kona Stories bookshop in Kona, Carol Hogan and Julie Moss will see each other for the first time since Carol shot those mesmerizing photos 36 years ago. I can only guess how Carol feels, but I know how Julie feels — she’s ecstatic. It will be one of those reunion experiences you can’t make up.

Here is Carol’s account, which is as much of a treasure as she has been to triathlon and ocean sports over the past four decades:

Thoughts about the Julie Moss photo and the Ironman Triathlon

By Carol Hogan

In January 1980, I was the outdoor reporter for The Honolulu Advertiser, one of only two women working in their sports department. The other covered golf and volleyball, so I was assigned to cover the “nutty Ironman Triathalon (sic).” The newspaper files had two or three post-race write-ups –– that was it. To get more information, I visited with race director Valerie Silk in Ironman’s small office headquarters and attended the pre-race meeting. Even then, it was difficult to comprehend how complicated racing an Ironman truly was.

(At the time, my husband Bob and I were training and racing with Oahu’s “The Bike Club” at Kapiolani Park. I knew about bike racing. I once won the Oahu Women’s Veteran class by default, the only entrant in the division.)

The weather was a prime factor and race day, January 10, 1980. Dangerously stormy, it forced race officials to move the 2.4-mile swim from its original Waikiki Open Ocean Swim course to the safer waters of Ala Moana Park lagoon.

Carol and Bob Hogan were the ultimate sea- and adventure-loving couple  – sailing, paddling, surfing, outrigger canoeing… and running triathlons.

Bob and I lived nearby on our sailboat boat in Ala Wai Marina. I mentioned I’d probably be home late and drove early to the race start, in my beloved Porsche 914. I interviewed a few entrants (most journalists called them “weirdo’s”) on the beach, where swimmers flapped their arms to keep warm. Cowman, wearing his furred, horned bison helmet, stood out. Waiting bicycles had candy bars taped to the crossbar. The ABC Wide World of Sports crew was there for their first-time coverage. Offshore, their swim commentator and long-distance swimmer, Diana Nyad, and her cameraman bounced around in a small dinghy.

Dave Scott was first out of the water. When he took off, I did too. He led the way around Oahu, and the ABC crew followed, filming out the back door of a small rented RV. I tucked in behind them, stopping twice: once to purchase a six-pack of Diet Pepsi and a bag of Fritos, the other to jump into the bushes after too much Pepsi.

At the marathon start in downtown Honolulu, Dave changed to running gear. I followed him as far as Kapiolani Park, then parked and waited. I positioned myself at the finish-line telephone pole –– nothing fancy. When Dave ran into view, no one followed. Someone tied a string to the pole, while someone else opposite the pole held the other end. Dave ran through, I got the shot, and interviewed him. Olympic cyclist John Howard was second, grumbling that you can’t “really race” when you have to stop at all the red lights — and twice to weigh in. People finished all through the night. I waited until the first woman, Robin Beck, finished, interviewed her and drove home. That was the beginning of my affair with Ironman.

The race moved to Kailua-Kona on the Big Island in February 1981, due partly to the traffic and stoplights on Oahu. Weighing-in was still mandatory. That year I covered the race from a motorcycle sidecar driven by a cyclist friend. John Howard won.

An accomplished duo: journalist-PR liaison extraordinaire Carol Hogan and her husband, the legendary L.A. County surfer and lifeguard Bob Hogan

In August 1981, after covering the Transpac sailboat race, Bob and I took a 65-day, 2,800-mile cross-country bike tour across the United States, from Portland, Oregon, to Boston. Our first grandchild, Dan, was born just before we crossed the Big Horn Mountains in Montana. We returned to Hawaii in late November and I went back to work as the outdoor reporter.

In February 1982, with my bike as transportation, I flew to Kona to cover Ironman. I had often joked that covering the race was as mentally and physically exhausting as doing it. You never knew who would win, had to be everywhere at the same time, and if anything could happen, it usually did. I usually had a lot of requests for coverage from various magazines. Meeting their needs meant being on the course all day and far into the evening. I always looked for new angles to report.

As the day began, I observed a teeny young Japanese lady whiz by on her bicycle and also noticed that Walt Stack, 74, was still racing. I had 12 writing assignments that year. Hmmm, I thought and went out on the course.

Scott Tinley was close to finishing first. I drove into town, shot the finish and interviewed him, then returned to Kalanianaole Highway. An unknown, Julie Moss, was leading the women’s race, with J. David’s team member Kathleen McCartney behind her. At the appropriate time, I drove into town, positioning myself near the finish line.

Where I chose to stand –– almost on the finish line –– was pure luck!

When Julie crawled around the corner into view, I was mesmerized. Watching her struggling to stand was agonizing, her collapses horrifying, her crawl painful to photograph. But that was my job. I watched history being made through the camera lens. Immediately after collapsing on the finish line, Julie was rushed to the medical tent. No interviews allowed. So I didn’t interview her then, and for the thirty-six years since, have never talked to her face-to-face about that day or her finish. We’ve connected by telephone and Facebook once or twice over the years, but that’s about it. Meanwhile, the photo has been published in dozens of media outlets.

Post-race, I remained in Kona to finish my assignments, and also biked to Waimea­­ to cover a Mauna Kea ski meet. A round trip of 100 miles, it became a pedaling meditation on whether or not to race. When I returned to Kona, I had committed to racing the following October. I was 48, had just finished a major bike ride, and could swim. Hmmmm.

“If you’re doing it, I am too,” Bob said.

We signed up for October ’82. For eight months, we trained relentlessly: with swim coach Jan Prins at the University of Hawaii, with Max Telford’s long-distance running group, and with The Bike Club racing group. On race day, I was ready; the oldest woman to date to enter an Ironman. I surprised myself by winning third place in my division. Bob was fourth in his. We were elated. Our daughter Sharri shot my photos, as I still had writing assignments. Our son Rob, his wife and our grandson were on hand to watch.

The following year, we raced the October 1983 Ironman with Rob. He became so enamored with Ironman, he entered it for the next eight years. Bob and I stopped racing Ironman, but my public relations company, Ocean Promotion and I, remained physically connected with the event until the late 90s, the final two years as press room coordinator.

I’m thrilled that I was able to observe history in the making and proud to have played a part in the growth of a sport that brought me so much pleasure. Knowing that it has made an impact on the growth popularity of Ironman, I try to protect its use as a historical document. The photograph itself is copyrighted, and I protect its publication in the media –– no National Inquirer folks need apply. Sometimes it’s “borrowed” and used by bloggers or writers who haven’t contacted me first. Wherever possible, I contact them and ask them to take it off their page.

I’m truly excited to return to Kona to celebrate Ironman’s 40th anniversary and watch Julie race. She’s been gracious to a fault about the use of her photo and has turned her “Agony of Defeat” into an amazingly positive life lesson for herself and others. I have a feeling this will be Julie’s year to cross the finish line. She’s earned it..

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The Word Journeys Book Blow-Out Sale: 9 Titles from Robert Yehling

This is one of my favorite times of the year. Kids are in school, visitors have left Southern California, the ocean and sun are warm… and tis the season for writing and writers conference.

On Oct. 2, Crawl of Fame, the memoir I co-wrote with Ironman Triathlon Hall of Famer and lifelong friend Julie Moss, releases to bookstores and online booksellers throughout North America. Published by Pegasus Books, Crawl of Fame is the remarkable story of a young woman’s unlikely crawl to instant fame, how her courageous performance at the 1982 Ironman elevated triathlon to world sport status, and how she’s empowered women and men, girls and boys since.

To celebrate the release of Crawl of Fame, welcome to the Word Journeys Fall Book Blow-Out! The perfect time to grab new reads for yourself, and load up on holiday gifts for others. Between now and October 15, we’re offering substantial buy-direct discounts on nine backlist titles, signed and inscribed by me as you’d like.

How the sale works:

  • Choose your book(s), contact us (bobyehling@gmail.com or through WordPress) and pay via check (made to Word Journeys, Inc., sent to 2517 Via Naranja, Carlsbad, CA 92010) or PayPal (at the above email address).
  • Indicate if you’d like your book(s) signed.
  • We’ll ship immediately. Expect your book within 5-7 days of order.
  • If you buy 3 or more books, take an additional 10% off the sales prices.
  • Add $3 to ship 1 book, $5 for 2-3 books, and $7 for 4 or more books.
  • Enjoy your bounty!

Here are the titles:

Voices: The novel about rock music legend Tom Timoreaux, his rising star daughter — and emergence of his lost love-child, set to the backbeat of the past 50 years of rock and roll. Nominated for the Independent Publishers Book Award. 5-star ratings from Amazon. Regular price: $18.95. Sale: $12.00

Just Add Water: Biography of superstar surfer Clay Marzo, who lives with autism. Clay’s inspirational story of becoming one of the world’s greatest surfers, was a finalist for the Dollie Gray Literature Award. Regular price: $16.95. Sale: $12.00

When We Were The Boys: The memoir of rock star, singer-songwriter-guitarist and award-winning film producer Stevie Salas. This coming-of-age story focuses on Stevie’s turn as Rod Stewart’s lead guitarist on the 1988 Out of Order Tour — and how it launched his great career. Regular price: $17.95. Sale: $12.00.

Beyond ADHD: Written with Canadian ADHD expert Jeff Emmerson, Beyond ADHD looks at the many deeper causes of our diminishing attention span, the current rush to diagnose as ADHD and treat it with powerful drugs — and numerous ways to change lifestyles and embrace attention-growing attitudes and activities. Endorsed by Dr. Allen Frances, mental and behavioral health expert and chair of the DSM-IV committee. Hardcover. Regular price: $35.00. Sale: $25.00

Writes of Life: Using Personal Experiences in Everything You Write: Winner of the Independent Publishers Book Award, this book is for writers, students, educators, and anyone using their own stories in essays, journals, fiction, memoir, poetry… anything you write. Features 80 exercises. Regular price: $12.95. Sale: $10.00

The Write Time: 366 Exercises to Fulfill Your Writing Life: “The best writing exercise book on the market,” Poets & Writers said. Every day, a new exercise to stretch your writing muscles, explore new genres, and refine your skills. For authors, journalists, casual writers, educators and students alike. Features motivational quotes from authors and much more. Regular price: $16.95. Sale: $12.00

For lovers of poetry, lyric and essay, we also bring three poetry-essay titles: Shades of Green, Coyotes in Broad Daylight, and Backroad Melodies. All feature more than 60 new poems and essays, with elements of love, nature, relationship, ecology, music, the deep woods and the open road. More than 30 of my poems also appeared in journals. Regular price for each: $12.00. Sale: $10.00

 

 

 

We invite you to jump in, get some holiday shopping done early, find something for yourself to read and enjoy, and indulge in the Word Journeys Book Blow-Out !

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From Child Prodigy to Self-Publishing Expert: A.G. Billig’s Amazing Literary Journey

(EDITOR’S NOTE: This is the first in a two-part series on author/entrepreneur A.G. Billig, and how she is bringing her vast media, publishing branding experience to thousands of authors through SelfPublishingMastery.com. Here, she discusses her professional background, writing experiences, and her vision for the world’s most diverse self-publishing online platform.)

She wrote her first short story as a child. At age 13, the Romanian media dubbed her a child prodigy. Three years later, she was writing professionally for a popular national newspaper on teen issues. Then, at 17, she became a radio host — which led to producing a TV show for an independent Romanian network. Finally, when A.G. Billig entered her twenties, she became editor-in-chief for a variety of teen magazines.

Author, self-publishing and branding expert A.G. Billig

How’s that for the start of a writing career? A career seemingly predestined at birth? What happens if you add to that a Master’s Degree in public relations and communication and a sharp, incisive entrepreneurial mind?

Now, this captivating, multi-talented author, and international media and branding expert has established herself in the U.S., imparting her knowledge and insight to benefit thousands of authors. She is the creator of SelfPublishingMastery.com, a multi-channel platform that brings writing and business tips, consulting, books, writing and editing services, resources, online summits, professional referrals, the best writing instructors, a publishing imprint and much more. In 2017, it was named one of the Top 100 self-publishing blogs online. It’s only going to grow.

In an announcement I’m very proud to make, the editorial services wing of my company, Word Journeys, is shifting to SPM in a new partnership agreement.

As a writer, A.G.’s work is extensive in the journalism world, and growing in books. Her two books, Four Doors and Other Stories and I Choose Love, are award-winners. Her deep, thoughtful soul and incisive mind merge in her works to provide delicious prose that informs as it invokes feeling and thought, giving us insight into ourselves. Interestingly, that is what the greatest mentors do: show the way, often without stating it in those terms.

A.G. Billig presenting a workshop on branding and marketing for self-published authors at the Greater Los Angeles Writers Conference. Branding and marketing are central themes _ and features — of  SelfPublishingMastery.com

A.G. is a mentor to authors throughout the world, and has caught the attention of writers conference directors. She has presented at the Greater LA Writers, Genre-LA and Digital Writing & Self Publishing conferences, and recently conducted a Master Workshop on author branding. In this two-part interview, she unveils the full scope of SelfPublishingMastery.com, a huge author asset in a self-publishing market that saw an estimated 900,000 titles published last year.

WORD JOURNEYS: Let’s start at the beginning. What inspired you to begin writing?

A.G.Billig: When I was 8, my parents bought a brand new car. My excitement about the prospect of future summer trips across Romania translated into a short story, the first in a long series. My father, an avid reader and aspiring author, loved my writing and encouraged me to pursue it. By 13, I was winning national literary prizes for short stories. I wrote my first novel, a teenage love story, at 15 —and then took a break from writing fiction until 2012.

WJ: What was one of the biggest takeaways of your early journalism career, when you had years of top professional experience by the time you reached your twenties?

A.G.: It was a beautiful way to meet extraordinary people and share their amazing stories with the rest of the world, stretch my comfort zone, and learn new skills. It felt good whenever someone would stop me on the street to tell me they enjoyed my shows.

WJ:   What books did you read as a teen and young adult? How did they inform and shape the stories and book ideas you wanted to pursue?

A.G. Though Romania was still under Communist rule in my early years, I was fortunate to grow up in a house filled with books. My father was born in Paris. He loved French culture as well as universal literary giants. The moment I learned how to read, I started devouring writers such as Honore de Balzac, Emile Zola, Charles Dickens, Mark Twain, Lev Tolstoy, Anton Chekhov, Giovanni Boccaccio, Jane Austen, Ralph Waldo Emerson, and F. Scott Fitzgerald, to name a few. These authors and readings shaped my literary tastes and taught me how to write. I learned how to use description, write dialogue, and build solid characters from them. I also learned the type of emotional and cognitive experience a book is supposed to create for the reader, that essential element that stands the test of time. Although I never wanted to be like these authors, I always aimed at giving my best in my writing. We can all do that by being authentic and passionate about what we do.

WJ:   When did you start considering working with self-published authors? What need did you perceive?

A.G.: In 2015, at the London Book Fair. It seems like this event changes my life every three years — I wonder what’s going to happen in 2018! I attended as a journalist (I was a contributor to the Romanian edition of Playboy). I was already following podcasts on self-publishing and wanted to know more about it. The free talks and panels proved to be of great help. The success stories of self-published authors such as Mark Dawson and C.J. Lyons, making six-figure incomes on their books, gave me an A-HA! moment. I realized that the publishing game was changing and self-publishing opened a global market for authors, provided they had the necessary skills. Since I have an entrepreneurial mind, I seized the opportunity, not only for myself, but also for my fellow authors. I realized that they needed support with branding and marketing their books. They would needed resources, information, and education. “Why not use my passion for journalism to serve these people?” I asked myself.

Early in 2016, just about the same time I self-published I Choose Love, Self-Publishing Mastery was born.

WJ:   Let’s go back to your creative love – writing books. First, tell us about I Choose Love – certainly a timely read in this day and age.

A.G.: I never thought I would write a non-fiction book, but a lot went on in 2015 — terror attacks, natural disasters. The world was (and still is) governed by fear. The only way out was choosing love, again and again, every second of our life. At that point, I Choose Love came to me as what some would call a “download”. It took about a month to complete. It was easy for me, because it stemmed from my heart. I also had a clear structure from the beginning, and a thorough knowledge of the topic based on seven years of spiritual practice and personal experiences. It offers practical tools for overcoming fear and attracting love into one’s life.

WJ: Can’t think of a subject more purposeful! You also mentioned you shelved your teenage love of fiction writing until 2012. Typically, when we leave our story writing youth, we rarely find that thread again, but you did. Tell us about Four Doors and Other Stories.

A.G.: This book shows what can happen when we are in the flow. It marked my return to writing fiction, and it brought me a contract with a U.K. publisher.

I created this short stories collection about love, because love represents the foundation of who I am and everything I do, including helping other authors become successful. My vision was to portray love as our true essence, which can be expressed in so many different ways. Once I had this concept clear in my mind, I just allowed the inspiration to flow in.

WJ: What is your vision with SelfPublishingMastery.com? What are the features? How do you, and the platform, assist writers in their journeys?

A.G. My original concept for Self Publishing Mastery was to be the Billboard magazine for the global self-publishing industry. My vision was to support and empower indie authors from around the world to self-publish, and help them master the publishing process.

We began by (and are still) covering book marketing, the writing craft, the right mindset for success, writers’ conferences, success stories, writers Facebook groups, podcasts, and book blogs. After the past year of getting a chance to talk to authors, we decided to add an educational component. Now we will also have workshops, online courses, books, and an online academy. We’ve just further expanded the range of our services for authors through the full-service portfolio, twenty years’ standing, that Word Journeys is bringing in. We have evergreen content, constantly refreshing. We’ve also got some goodies for those who subscribe to our newsletter such as “The top 20 Amazon book reviewers list” and “The successful book launch checklist.” Authors can and will find all that they need for successful self-publishing on our site. Please stop by!

(NEXT: A.G. Billig breaks down SelfPublishingMastery.com, and the particular challenge self-published authors face with branding, distribution, and lifting their work above the growing mass of titles and voices — and how to reach their world of awaiting readers in the process.)

 

 

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Book Lovers: The L.A. Times Festival of Books is Here!

One of the most enjoyable parts of being an author is participating in book signings — and few are better than the L.A. Times Festival of Books.

Desiree Duffy of Black Chateau Enterprises and yours truly at the 2017 LA Times Festival of Books.

For the third straight year, I will be signing books at the USC Campus on Sunday, April 22, from 3-5 p.m. It also happens to be my sister Karin’s 50th birthday, so getting from USC crosstown to Encino for the birthday dinner afterward will be interesting, but the afternoon is all about books, and my sister understands… I think…

I digress. On Sunday, I will be signing Voices, Backroad Melodies, Writes of Life, When We Were The Boys and Just Add Water at the Black Chateau Booth #912 in the Black Zone. I will be part of a two-day author collective put together by my publicist and fellow author in the 3-5 slot, Desiree Duffy, the owner of Black Chateau Enterprises.

            The L.A. Times Festival of Books is huge, and awesome. Up to 150,000 people come for the two days to see a collection of bestselling authors, new authors, and entertainment ranging from panel discussions to live bands and very lively public question-and-answer sessions. The festival is the third largest of its kind in the U.S. It’s a book buyer’s and reader’s dream – and, for authors, a rare chance to talk with so many readers.

“I find that consumers like choices, so having several authors and books for them to chose from at a book fair, means that you are more likely to have something they’ll like,” Desiree says. “Book fairs can be exhausting. Authors signings can be draining. Doing an hour or two signing is much easier than committing to running a booth for an entire fest. It gives authors time to walk the fest, check out panels, and network.”

Since Desiree walks the delicate creative and time management tightrope between being a publicist and author (she’ll appear under her nom de plume, Vanta M. Black, to sign her novel Oubliette: A Forgotten Little Place on Sunday afternoon), she also understands the dual existence we writers lead. Often, we prefer to tuck ourselves into our offices and write, not connecting so much publicly — but books don’t sell if we don’t go public. Contrary to the beliefs of many, online presence alone does not beget success. The group signing helps even the shiest authors interact with their audiences.

“We are social beings. When we connect in person, that bond is stronger than it could ever be online,” she explains. “Being an author means being a brand. You are connected to your writing and being able to talk to people, share stories, learn about them as readers, and make connections helps strengthen your brand.

“Plus, what you do in the real world needs to translate to the online world. As an author at an event, being able to promote and post online about it gives you valuable content. Whether it is social media, your author newsletter, your blog or website, your book fest experience should be featured online. Online and offline exposure leverage one another, making each stronger.”

I’d like to introduce you to the other authors at the Black Chateau Booth (once again, #912, in the Black Zone), the works they’ll be signing, and their signing times:

Saturday, April 21:

11 a.m. to 1 p.m.

Susanne Bellefeuille, author of Path of Lucas: The Journey He Endured

Autumn Doerr, author of Baker’s Dozen: A Lexi Fagan Mystery

1 p.m. to 3 p.m.

Christina Cigala, author of XXvXY: The Final World War

Bobby Goldstein, creator of XXvXY: The Final World War; and the TV show Cheaters

3 p.m. to 5 p.m.

Mark J. Rose, author of Matt Miller in the Colonies Series

Lon Varnadore, author of Mostly Human: A 4Pollack Novel

Sunday, April 22:

11 a.m. to 1 p.m.

Sean Patrick Traver, author of Wraith Ladies Who Lunch

Raye Mitchell, Esq, author of How Women Negotiate from a Position of Strength

1 p.m. to 3 p.m.

Michael Priv, author of The Fifth Battalion

Laurie Finkelstein, author of Next Therapist Please

3 p.m. to 5 p.m.

Robert Yehling, author of Voices and Just Add Water

Vanta M. Black, author of Oubliette: A Forgotten Little Place

The booth will also feature books from Nanishka Torres, author of Fenrir Chronicles: The Prince; and Magda Ayuk, author of Blue Bird.

Each appearance at the L.A. Times Festival of Books has been a thrill: discussing pro surfer Clay Marzo’s life with autism in Just Add Water in 2016; and launching Voices to the world in 2017. This time, I’ll also be previewing Crawl of Fame, the memoir of Ironman triathlon legend Julie Moss, which officially releases on October 2.

As for Desiree? She well remembers the thrill of her first L.A. Times Festival of Books signing gig. It’s like runners feel about the Boston Marathon; I know I never get tired of that feeling when we arrive on the scene! “I had a booth the year I released Oubliette—A Forgotten Little Place. It was my dream to be there, and seeing it happen, was amazing,” she recalls. “I checked off an item on my bucket list. I think a lot of authors feel that way. There is something special about the L.A. Times Festival of Books. It is iconic. A must-attend.”

On that note, we’ll see you at Booth 912, Black Zone this weekend!

 

 

 

 

 

           

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LA’s Epic Rock & Roll, Fashion & Art Party: Interview with Author Nora Novak

VIEW THE LOS FELIZ CONFIDENTIAL BOOK TRAILER

Whenever she’s asked why so many Millennials and Generation Z men, women and teens continue flocking to the music and style of the 1960s and 1970s, Los Feliz Confidential author Nora Novak has a ready answer: “I think Millennials are recognizing a sense of excitement and freewheeling attitude of that era by listening to classic rock, and streaming movies and documentaries that portray the ‘good times’ they find appealing in a way not found in today’s device-dependent, stressful and more violent world,” she says. “I think the boomers, the internet and the media have had a hand in this, unlike previous generations.”

Nora, who grew up in and currently lives in Newport Beach, is the author of one of the finest scenester memoirs in years, and winner of a 2017 Southern California Book Festival Award. Los Feliz Confidential takes us right inside the classic home in the Los Angeles neighborhood of Los Feliz where Nora and her boyfriend hosted some of LA’s wildest parties of the 1970s and early 1980s. But their wildness was classed up by the fetching, willowy blonde hostess, whose elegance, glamour, style and love of music turned these parties into something extravagant. With her visual descriptions and deeply honest portrayal of her own feelings, goals and hopes, Nora lures us into a narrative so rhythmic and rich that you can practically hear the songs of the period spinning on her turntable — and the lyrics weaving in and out of the narrator’s heart. If you can’t remember the titles of these memory markers, no worries: she lists them in a back, a clever piece of “soundtracking” the book.

But Los Feliz Confidential is much more than a musical all-nighter put to words. Nora takes us through her rich, complex world that she creates on the fly, as a trendsetting scenester and traveler completely in touch with her native Flemish roots. The fact she was born in Belgium, grew up in the U.S. with her Old World parents but never lost her connection to Flemish culture (but rather dove into and celebrated it), adds to both the perspective and depth of the book. She takes us around the world on her fascinating (and sometimes wild) adventures, one of which she shares in the interview. She also takes us into the crazy all-hours fun of 1970s Los Angeles, and into the glam rock, punk rock, hard rock and early New Wave worlds that she made part of her own. We meet her friends, and again throw ourselves on Sunset Boulevard and into the clubs and scenes that many look back on with deep reverence, while younger generations seek to know more about this time period where freedom, platform shoes, liberation, shoulder pads, creativity, long hair, imagination, art, style, and great music prevailed.

Los Feliz Confidential and Art Damaged Author Nora Novak.

Turning all these experiences and elements into a treasure trove of a memoir was no easy task, but Novak has the chops to pull it off. She’s a fine artist, designer of her fashion line (Noraluxe Loungewear), art gallerist, actress, model, and also the author of the novel Art Damaged. She comes from a very talented family as well. Her mother, Emma Albertina Bogaerts, a lifelong storyteller, is the 105-year-old (not kidding!) newly published author of Emmy: Memoir of a Flemish Immigrant, now available in English and being shopped to publishers in Europe. Nora’s brother, Mark Leysen, is an award-winning art director and fine artist, as well as the author of Klown, his third novel (Traveling Shoes Press) about a late-night talk show host who runs for President. It definitely echoes the present state of the world.

We caught up with Nora recently. To get your Black Friday book shopping chops going, here is what she says about life, L.A., making scenes, and Los Feliz Confidential.

Word Journeys: Los Feliz Confidential is an epic scenester read – the incredible LA music-fashion-art scene and how you and others showcased and helped define it in your travels and daily lives. Could you talk about the amazing chemistry that exists between music, fashion and art, and why it was so definitive of a generation? And still is?

NN: Because that generation (talkin about my ge- generation) experienced an explosive time of cultural change, social mores, pop art and particularly British rock that spawned new looks in fashion as a lifestyle. There was an innovative and artistic energy that changed the way people dressed. The 70’s rock-infused fashion had an element of sensuality and glamour with an edge that I certainly favored and is still being recycled today. Innovative new artists, designers, bands and clubs emerged in L.A. and provided a more artistic expression in fashion. It all played out with the music creating a dazzling decade that many look back on for inspiration today.

A good example is Stephen Spouse collaborating with Debbie Harry in the 80’s and Jeff Koons collaborating with the new Louis Vuitton line today. Music blasts at every fashion collection. I think music, fashion and art have always had an evolving synergy.

WJ: Take us through your writing process for Los Feliz. How did you pare down your countless experiences into a tightly written 200-page book? What themes and points did you emphasize? And tell us about your decision to basically “soundtrack” the book, with songs listed for each chapter.

NN: First of all, I wrote what I could remember! I could have added many more stories, but I chose to keep it moving like the fast pace I was living at the time. I wanted to emphasize the difference of how immigrating here made me feel and my fearless sense of adventure. I tried to be give my stories a visual sense of the fashion and look of things, the easiness of life at that time. Everything I wrote about had music running through my mind, reflecting the time, so I naturally made many musical references. When I finished I was compelled to write a Playlist for each chapter, which I really enjoyed doing.

WJ: What are three of your favorite tales that you share in the book? And the funniest?

NN: Well (spoiler alert!), I do share an interesting story about my relationship with a Jordanian arms dealer and his Ambassador brother. There’s a tale about my first skiing experience – which also proved to be my last – and a humorous girl/girl story. I think the story about an ENT treatment given by my boyfriend’s surgeon dad is hilarious but for me it all seems humorous now. I’m still laughing!

Nora Novak’s fine collage work includes “The Girl from Antwerp”

Cinema Verite at Cannes? It’s red carpet time.

WJ: You are the daughter of a very take-charge, dominant father and a warm, artistic mother. How did that parent combination shape you as both a person and an artist?

NN: My father, although a stern and unpleasant man, instilled a strong sense of discipline and a somewhat sardonic outlook. However, he was responsible for my love of art and photography, for which I am grateful. My mother, on the other hand, emanated femininity, graciousness, a pleasant demeanor and sense of humor. The combination definitely shaped me as an individual and shows up in my work as an artist, as I generally incorporate female photographic images in my glossy mixed-media collages.

WJ: What struck me about your journey is how you took part in the lifestyle and excesses of the day, yet you always seemed to have a sense of who you were and what you wanted. How did you maintain that compass, if you will, of how to go forward?

NN: I readily enjoyed the excess and decadence of the times; it was a Bacchanalian era for rock ’n’ roll. Everything seemed so glamorous and indulgent, and was completely accepted in the L.A. that I knew. I did have goals though, like a working schedule and a sense of enough discipline that probably prevented me from becoming another Hollywood fatality. Many didn’t make it.

WJ: You write of your affinity for Bryan Ferry and Roxy Music. What was it about his voice, music, lyrics, and presence that captivated you? What do you feel musicians today can learn from their predecessors in terms of delivering from heart and soul vs. making a hit?

NN: Bryan Ferry evoked a sultry, seductive kind of singing unique from other rock stars. Not to mention his suave, good looks, elegant style, sophistication and harmonica playing that simply resonated in a big way for me. I thought his music and lyrics quite beautiful and loved his sexy album covers. It seems like everyone can sing today with a huge range and big powerhouse voices, but at the end of the day, it’s generally the more unique voice with soul and a great tune that becomes the hit. The late Amy Winehouse comes to mind.

WJ: You’ve also been creating works of art. Tell us about those.

Nora Novak’s “Nico”, honoring the late New York scenester and Velvet Underground singer. Part of her Femme Fatale collection.

NN: I started a new series, my “Femme Fatale” collection. I just finished three mixed-media collages, that can be seen on my website noranovak.com and will be exhibited soon. I’m thinking about starting another book next year, possibly a sequel to Los Feliz Confidential, picking up where it left off moving into the crazy 80’s.

WJ: Lightning Round: Who are your five favorite authors? Musicians or bands? Artists? Fashion designers?

NN: My favorite authors? When I was young, I would say John Steinbeck and Jack Kerouac. I that progressed to Hunter S. Thompson and Charles Bukowski, and more recently Irvine Welsh and Edward St. Aubyn. Musicians: It’s still Bryan Ferry, Iggy and the Stones and Amy Winehouse, miss her. Artists: Jan Van Eyck, Kees Van Dongen, Mark Rothko, Andy Warhol and Julian Schnabel to name a few. As for designers, Dries Van Noten, Roberto Cavalli, Dolce and Gabbana, love the vintage Halston — and my own Noraluxe Loungewear line, of course!

WJ: Final question: If a musician came up to you and said, “Hey girl, I want to play you one song that speaks to who you are,” what would that song be? And who would be playing it?

NN: Well, I would love it if that musician was Bryan Ferry. I’d request his cover version of Dylan’s “Just Like Tom Thumb’s Blues”, but wait; can I get one with Iggy on vocals, Mick on harmonica and Keith on guitar, and they can play whatever they want?

WJ: Let us cue it up! Thanks so much, Nora, for a fun and enlightening look into an era so wonderfully captured in Los Feliz Confidential.

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A World Beyond ADHD: Interview with Author Jeff Emmerson

(Part 2 of a 2-Part Series)

(EDITOR’S NOTE: Beyond ADHD, the highly anticipated book by Jeff Emmerson and Robert Yehling, will release worldwide from Rowman-Littlefield Publishers on August 16. Pre-ordering is available now.)

Happiness and excitement filled our hearts as we drove across the 401 highway in Ontario, Canada, destined for the U.S. border. Our happiness was borne by the anticipation of the answers I might receive at our destination, answers that would explain and perhaps present new directions in a life I’d had such a hard time understanding, right down to my ADHD diagnosis five years before

— From Beyond ADHD, by Jeff Emmerson and Robert Yehling

Jeff Emmerson’s revolutionary look at the ADHD diagnosing and prescribing epidemic, Beyond ADHD, breaks down into two parts: the current environment and pressures that are causing so much diagnosing and prescribing; and looking ahead into much more helpful, progressive, and successful ways of working with those dealing with attention issues.

In this segment of our interview, Jeff gives us a peek into Part II, and how things might look if we utilized fitness, diet, further education, behavioral therapy and other approaches — approaches that, frankly, feed the whole person — rather than the current prescribe-first mentality.

Word Journeys: One of your biggest supporters of this book is Dr. Allen Frances, the former chair of John Hopkins Medical School and esteemed chair of the DSM-IV committee, which sets diagnosis and prescription guidelines for more than 300 defined mental health issues. What did Dr. Frances tell you that further inspired you to address these issues?

Emmerson: When I discovered his stance on ADHD, current diagnosing standards and his beliefs about the big-picture of what it is to be “normal” these days, I was immediately refreshed (if surprised at the same time). He confirmed my fears early on when he spoke about true ADHD diagnosis prevalence being around 4 percent in American children. Considering he was the Chair of the DSM-IV task force, this was very, very believable. After all, it would be only too easy for him (of all people) to “toe the party line,” but no – he told the truth, even when it wasn’t convenient. He also speaks adamantly about the current opioid crisis and many other topics in healthcare that are severely lacking, ones we need to address with courage, honesty and the desire to get ahead of them before epidemics come forth any more then the opioid one already has, frankly. ADHD may well be on the same path in its own way.

Word Journeys: Another big supporter of alternative approaches, and Beyond ADHD, is Dr. Marianne Kuzujanakis, director of the SENG Institute for Gifted Children. Can you speak to how focusing on a child’s or adult’s gifts, and their natural hunter-gatherer minds, actually takes us beyond the ADHD mindset?

Emmerson: It’s funny what we can achieve when three key things (are allowed to) happen:

  • Our natural abilities are uncovered, focused on and supported;
  • We’re taught to have a “growth-mindset” that teaches self-resilience and focusing on lessons to be learned from every “failure or mistake;” and
  • Different learners or personalities from the “norm” are empowered in environments that focus on strengths and don’t force them to learn in areas that they may have zero interest in (those not needed for day to day life).

Self-worth, confidence, positive morale toward society, and inspiration toward imagination and self-growth need to be taught and nurtured in education systems more than ever. A new day has arrived. We need to buy into the medical model for being “different” and focus instead upon the unique abilities and passions that each of us have within. This cookie-cutter approach to education (at the cost of any alternatives for many millions of us) simply doesn’t cut it, and it’s showing in a number of ways in a profoundly “sick” society.

Word Journeys: What role has Big Pharma played in the increase in ADHD diagnoses?

Jeff Emmerson: An immense one, more than many of us might realize. From suggestive advertising to Americans and those in New Zealand via television to funding healthcare providers, offering incentives to drug reps and physicians to advertising in more subtle ways through online media outlets, and through heavily influencing research findings, they pretty much have their hands in everything, not to mention the U.S. government, in a huge way. While medications definitely help some live better lives, there are billions of dollars changing hands, so following the money to understand its potential influence is of crucial importance.

Word Journeys: A growing number of people think ADHD is a catch-basin, not really an affliction, but more a convenient label for what could be a hundred different things. What is your opinion of that?

Emmerson: I get where they’re coming from! Let’s use some common sense for a moment. I believe that the diagnosis does help some in a wonderful way; I know it does, in fact. I’ve been told tons of stories from others, and I’m all for whatever empowers and helps people learn more about themselves and tools toward self-worth, resilience and most of all, self-awareness. However, the pendulum has swung way too far in favor of rushed, ill-informed ADHD diagnoses to put a band-aid on issues we simply aren’t equipped to address at their deeper cores.

Once I discovered how easily I was wrongly diagnosed with ADHD, my world was never the same again. I saw the elephant in the room where ADHD is concerned: What it is; how to diagnose it (as a diagnosis of exclusion since nearly one hundred other true root causes mimic it); and how to treat it/see it in society. I could NOT, in good conscience, let this newfound awareness go. My soul screamed to bring it to the world through building the largest online community I humanly could.

Word Journeys: You combined your personal stories with the pressing issues in Beyond ADHD. What did you learn about your own journey while weaving your stories into the material?

Emmerson: First of all, I quickly realized that I’m far from alone in living with these symptoms. Beyond that, I’m both humbled and fiercely driven from all the learning I’ve done over the last four years or so. I now have three or four additional book topics in mind for future projects (based in mental health and current society) that I know are needed desperately by millions of people going through challenges in this realm (including those who care for them in any number of capacities).

I also learned (and confirmed to myself) that even if life seems lost, even if the conventional road to what society calls success doesn’t work and we make mistakes that seem insurmountable (with the shame that often comes with them), we CAN completely turn things around with the right support, shift in mindset and faith/resilience. Man, that’s the most humbling part of it all for me – that and seeing others who have been somehow touched by my efforts. I now want others to feel the way I do. I’m more at peace than I’ve ever been. Everything from here on in is icing on the cake.

Word Journeys: If you could envision a society beyond the current ADHD protocols, what would it look like?    

Emmerson: We’d re-evaluate current education, healthcare, food, water, industry, parenting and other social support structures/initiatives in society. Then, I’d look beyond labeling in psychiatry/psychology and look at ways to evolve through a strengths-based approach, entrenched in a solid foundation from as young as possible. From there, massive investment into the collective well-being of society would be made in forms we deem most important from both macro and micro perspectives while ensuring minimal waste of said investments to ensure well-targeted and efficient service to society. It would be tracked and watched to constantly be improved upon as time passes and the world evolves/encounters challenges. That would be a good start.

As we know, it’s much easier to raise a healthy, equipped child by investing in their upbringing than it is to try and mend a distressed or “damaged” adult human being. We should always be mindful of that — from the moment we become parents, educators or healthcare providers.

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The Making of This Summer’s Rock & Roll Novel

Many have asked how my new novel, Voices came to be, and why it flashes back to the #SummerOfLove (which is celebrating 50 years with events nationwide this summer and fall). I’d love to tell you I wrote it quickly, fueled by my lifelong love of rock, folk and blues music, particularly classic rock. Truth is, because of that lifelong love, and the ever-changing face of the music world, Voices went through several phases, a dozen rewrites, and painstaking edits in the 15 years it took off-and-on to bring the idea into finished book form.

The 2001 Haight Street Fair poster — they’ve been colorful for all 40 years of this fair. Created by KA Hempel.

The book’s genesis is a walk that Rock & Roll Hall of Famer Marty Balin and I took down Haight Street in June, 2001. As we walked toward the converted flatbed truck stage where Marty and his Jefferson Starship bandmates were about to headline the Haight Street Fair, Marty alternately greeted fans and talked with me about his memoir, Full Flight, on which we were working.

As we continued walking, I decided to spring an idea on him: “What do you think about a novel involving a rock legend, his daughters and a reunion tour?”

“Sounds good… what’s the deal with the musician and his daughters?” Marty asked.

“Well, he’s tight with one and not so much with the other… creates the emotional tension,” I said.

“You know, some musicians lost contact with their children when they were young, you know, touring, breakups, that sort of thing.”

Marty Balin performs the Jefferson Airplane classic “She Has Funny Cars” at the 2001 Haight Street Fair. (Photo: Robert Yehling)

Interesting. Talk about emotional tension. How about gut-wrenching? “How did that impact their music?” I asked.

“The ones who cared about their kids and were able to carry on? A lot. It made their music sadder, deeper, bluesy. More touching. More real. Great lyrics, too.”

I’d never thought of it that way.

We walked by several Haight Street novelty and head shops, three of which had something familiar in the window — my fairly recent cover story on Marty for a prominent magazine. As one who missed the age curve on the Summer of Love, the epochal period from 1965 through 1967 in which psychedelic rock, free love, expanded consciousness, yoga, political activism and creative expression resonated from San Francisco like a shock wave, I was blown away. I was walking down Haight Street with the man who coined “psychedelic rock” in a 1965 interview with a Dallas newspaper; whose nightclub, The Matrix, was the first in San Francisco to openly welcome electric instruments; whose band, Jefferson Airplane, launched both the San Francisco scene and psychedelic rock nationally; and whose vocal prowess as a high tenor and lyrical powers as a balladeer knew few peers. It felt surreal. Don’t wake me up when this dream is over.

Some of the 50,000 people that packed Haight Street in 2001 — and will once again pack it on June 11, for the 40th annual fair. (Photo: Robert Yehling)

I thought more about Marty’s comments. “Well, I’ve been wanting to write a rock-and-roll novel,” I said. “I’ve seen so many things in music, been part of so many things. What do you think?”

“I think if you do something with the ‘lost daughter’ thing, and put your musicians on a major tour, you’ve got a book.”

With that, I went to work, but not before promising Marty one thing: Our walk would be memorialized in the novel (a fictional version is the lead chapter of Part 2). So is something he did in concert that afternoon, the nicest thing I’ve seen a rock musician do live: Grab a roadie’s cell phone, and personally serenade the roadie’s wife with Marty’s mega-hit “Miracles” while also singing to 50,000 screaming fans on the street.

Our walk became the launching pad for Voices. While the story has taken several twists and turns since, the essential storyline is much as we left it that day: A father-daughter-lost daughter relationship story set against a summer reunion tour by a legendary band, recalling 50 years of American pop, blues, folk and rock music along the way. It’s out for the 50th anniversary of the Summer of Love —where the protagonist, Tom Timoreaux, and his bandmates first gathered.

The way it was during The Summer of Love … the origin point for “Voices”

Voices is seeded with more than 70 accounts of actual musical events and moments — though I’ve taken care to fictionalize and wrap them around the characters. Marty’s cell phone serenade is one, the walk down Haight Street another. The reason? Rock and roll is full of countless moments that you just can’t make up… and we all love a good rock and roll story.

Hope you enjoy Voices, and post a quick review on Amazon or Goodreads if you have the chance. It’s available at all online booksellers in print and e-book form, and through bookstores nationwide. An audiobook is in the works, to be released later in 2017 or early 2018.

Marty Balin, firing away on his masterful ballad “Comin’ Back To Me,” 2001 (Photo: Robert Yehling

 

 

 

NEXT IN THE WORD JOURNEYS BLOG: The Word Journeys Beach Read Showcase, a three-blog review of books well worth taking to the beach, including a word from their authors.

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