While clearing off a busy desk … Am starting to prepare my presentations for the Southern California Writers Conference, which will bring editors, agents, publishers and authors together Feb. 15-18 at the Crowne Plaza Hanalei in San Diego. This is one of my favorite writer’s conferences, full of very current writing, promotion and marketing tips. Not to mention the read & critiques, where peers and faculty members offer up constructive feedback to help work get published.
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Had a moment this week that made me take pause — and remind myself to keep in touch with people I’ve befriended and deeply respect. About 10 years ago, I attended a New Year’s Eve party in Twin Falls, Idaho like no other. The party was hosted by revered Idaho poet Bill Studebaker, whose poems of passion and place are known worldwide. His “On The Bank of Love Creek” is one of the finest love poems I’ve ever read.
During the festive night, Bill played Gene Autry recordings from 1915, showed us photos of he and his son kayaking in glacial melt in Greenland (imagine if you roll the kayak!) and engaged in a midnight Amazon blow dart fight across a crowded room with his friend, archaeologist Jim Woods. (Fortunately, the blow darts were not tipped with poison!) Finally, he tried to talk me into kayaking with him the next morning, New Year’s Day, on the icy Snake River in Twin Falls — right beneath where Evel Knievel made his failed attempt to soar across the canyon on a motorcycle in 1976. “What will the air temperature be?” I asked.
“It’s supposed to get up to five above.”
“Uhhh … no thanks.”
After that bash, Bill and I stayed in touch, exchanged poetry and shared a lot of laughs. His sense of humor knew no bounds. Nor did his sense of adventure with his kayak, or his 30 years of dedication to his writing students. He was an expert kayaker, sometimes careening down 40- and 50-foot waterfalls. As I got going with Voices, my novel that will be out later this year, I decided to memorialize the New Year’s Eve party, and Bill, by re-enacting it with my main characters. (See Chapter 23 when the novel comes out.)
This week, I decided to get in touch with Bill after some years of being out of touch, to let him know that the infamous party, and his graciousness, were coming back through my novel. Also, I wanted to see what new poems he was writing, and share a few of my own. Sadly, I learned he died a few years ago in a kayaking accident on the Salmon River.
Regrets? Right now, I sure have a few.
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for Barnes & Noble. Those who have known me for awhile know I am an unabashed Kerouac fan. I’m also a huge proponent of the spontaneous prose technique he mastered – right down to effusive 1,200-word sentences in novels like “The Subterraneans.” While I was teaching at Ananda College last year, I even designed a course on Beat writing, starring Kerouac, for my senior creative writing class. With “On The Road” just released as a movie co-starring Kristen Stewart, Kerouac books are once again flying off bookshelves. It’s quite impressive: he wrote these books 55 to 60 years ago.
The Companion piece took on many shapes and forms. It’s far more interesting than the Cliff Notes we used as crutches for countless novels in our school days. The point was to show the contributing factors to “The Dharma Bums”, how it was put together, its philosophy and narrative style, and discuss the central characters. For me, this last part was particularly enjoyable — and personal. Pulitzer Prize-winning poet Gary Snyder, the last surviving person Kerouac used to build his characters in the autobiographical novel, gave me some invaluable assistance. Snyder was the model for Japhy Ryder, the hero of the book. Over the years, as we’ve talked to each other, Gary has shared fond memories of Kerouac, with whom he hung out extensively in 1955-56 – and which is chronicled, though fictionalized in many places, in “The Dharma Bums.”
So, for everyone who wants to know Kerouac’s secrets, here are the 30 essentials of spontaneous prose — as presented by Kerouac himself, in a 1953 article entitled “Belief and Technique for Modern Prose”. If you want to write with abandon, or need to break yourself out from writing too conservatively, cut loose with a few of these:
- Scribbled secret notebooks, and wild typewritten pages, for yr own joy
- Submissive to everything, open, listening
- Try never to get drunk outside yr own house
- Be in love with yr life
- Something that you feel will find its own form
- Be crazy dumbsaint of the mind
- Blow as deep as you want to blow
- Write what you want bottomless from bottom of the mind
- The unspeakable visions of the individual
- No time for poetry but exactly what is
- Visionary ties shivering in the chest
- In tranced fixation dreaming upon object before you
- Remove literary, grammatical and syntactical inhibition
- Like Proust be an old teahead of time
- Telling the true story of the world in interior monologue
- The jewel center of interest is the eye within the eye
- Write in recollection and amazement for yourself
- Work from pithy middle eye out, swimming in language sea
- Accept loss forever
- Believe in the holy contour of life
- Struggle to sketch the flow that already exists intact in mind
- Don’t think of words when you stop but to see picture better
- Keep track of every day the date emblazoned in yr morning
- No fear or shame in the dignity of yr experience, language & knowledge
- Write for the world to read and see yr exact pictures of it
- Bookmovie is the movie in words, the visual American form
- In praise of Character in the Bleak inhuman Loneliness
- Composing wild, undisciplined, pure, coming in from under, crazier the better
- You’re a Genius all the time
- Writer-Director of Earthly movies Sponsored & Angeled in Heaven