Tag Archives: rock music

The Making of This Summer’s Rock & Roll Novel

Many have asked how my new novel, Voices came to be, and why it flashes back to the #SummerOfLove (which is celebrating 50 years with events nationwide this summer and fall). I’d love to tell you I wrote it quickly, fueled by my lifelong love of rock, folk and blues music, particularly classic rock. Truth is, because of that lifelong love, and the ever-changing face of the music world, Voices went through several phases, a dozen rewrites, and painstaking edits in the 15 years it took off-and-on to bring the idea into finished book form.

The 2001 Haight Street Fair poster — they’ve been colorful for all 40 years of this fair. Created by KA Hempel.

The book’s genesis is a walk that Rock & Roll Hall of Famer Marty Balin and I took down Haight Street in June, 2001. As we walked toward the converted flatbed truck stage where Marty and his Jefferson Starship bandmates were about to headline the Haight Street Fair, Marty alternately greeted fans and talked with me about his memoir, Full Flight, on which we were working.

As we continued walking, I decided to spring an idea on him: “What do you think about a novel involving a rock legend, his daughters and a reunion tour?”

“Sounds good… what’s the deal with the musician and his daughters?” Marty asked.

“Well, he’s tight with one and not so much with the other… creates the emotional tension,” I said.

“You know, some musicians lost contact with their children when they were young, you know, touring, breakups, that sort of thing.”

Marty Balin performs the Jefferson Airplane classic “She Has Funny Cars” at the 2001 Haight Street Fair. (Photo: Robert Yehling)

Interesting. Talk about emotional tension. How about gut-wrenching? “How did that impact their music?” I asked.

“The ones who cared about their kids and were able to carry on? A lot. It made their music sadder, deeper, bluesy. More touching. More real. Great lyrics, too.”

I’d never thought of it that way.

We walked by several Haight Street novelty and head shops, three of which had something familiar in the window — my fairly recent cover story on Marty for a prominent magazine. As one who missed the age curve on the Summer of Love, the epochal period from 1965 through 1967 in which psychedelic rock, free love, expanded consciousness, yoga, political activism and creative expression resonated from San Francisco like a shock wave, I was blown away. I was walking down Haight Street with the man who coined “psychedelic rock” in a 1965 interview with a Dallas newspaper; whose nightclub, The Matrix, was the first in San Francisco to openly welcome electric instruments; whose band, Jefferson Airplane, launched both the San Francisco scene and psychedelic rock nationally; and whose vocal prowess as a high tenor and lyrical powers as a balladeer knew few peers. It felt surreal. Don’t wake me up when this dream is over.

Some of the 50,000 people that packed Haight Street in 2001 — and will once again pack it on June 11, for the 40th annual fair. (Photo: Robert Yehling)

I thought more about Marty’s comments. “Well, I’ve been wanting to write a rock-and-roll novel,” I said. “I’ve seen so many things in music, been part of so many things. What do you think?”

“I think if you do something with the ‘lost daughter’ thing, and put your musicians on a major tour, you’ve got a book.”

With that, I went to work, but not before promising Marty one thing: Our walk would be memorialized in the novel (a fictional version is the lead chapter of Part 2). So is something he did in concert that afternoon, the nicest thing I’ve seen a rock musician do live: Grab a roadie’s cell phone, and personally serenade the roadie’s wife with Marty’s mega-hit “Miracles” while also singing to 50,000 screaming fans on the street.

Our walk became the launching pad for Voices. While the story has taken several twists and turns since, the essential storyline is much as we left it that day: A father-daughter-lost daughter relationship story set against a summer reunion tour by a legendary band, recalling 50 years of American pop, blues, folk and rock music along the way. It’s out for the 50th anniversary of the Summer of Love —where the protagonist, Tom Timoreaux, and his bandmates first gathered.

The way it was during The Summer of Love … the origin point for “Voices”

Voices is seeded with more than 70 accounts of actual musical events and moments — though I’ve taken care to fictionalize and wrap them around the characters. Marty’s cell phone serenade is one, the walk down Haight Street another. The reason? Rock and roll is full of countless moments that you just can’t make up… and we all love a good rock and roll story.

Hope you enjoy Voices, and post a quick review on Amazon or Goodreads if you have the chance. It’s available at all online booksellers in print and e-book form, and through bookstores nationwide. An audiobook is in the works, to be released later in 2017 or early 2018.

Marty Balin, firing away on his masterful ballad “Comin’ Back To Me,” 2001 (Photo: Robert Yehling

 

 

 

NEXT IN THE WORD JOURNEYS BLOG: The Word Journeys Beach Read Showcase, a three-blog review of books well worth taking to the beach, including a word from their authors.

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50 Yrs Ago Today: When Paul Visited Haight-Ashbury to Preview Sgt. Pepper’s

Hard to believe that it’s been 50 years to the day since The Beatles released Sergeant Pepper’s Lonely Hearts Club Band. Today’s debut of The Beatles Channel on Sirius XM radio is part of a summer long salute to the band — and album.

One of two albums that defined the “Summer of Love” over all others: Jefferson Airplane’s “Surrealistic Pillow”. Marty Balin is back row right.

Besides its revolutionary use of the studio and the musical virtuosity of John, Paul, George and Ringo, the album symbolized a time of freedom, expression, consciousness, music, and the hopes of a new generation like no other. It, along with Jefferson Airplane’s Surrealistic Pillow, also served as the musical symbols of the #SummerofLove in San Francisco.

Interestingly, it was a visit Paul McCartney made to San Francisco in April, 1967, and the story Jefferson Airplane vocalist-songwriter-mastermind and Rock & Roll Hall of Famer Marty Balin told me about the visit, that sparked the beginnings of my new novel, Voices. 

Debuting 50 years ago today, “Sergeant Pepper’s Lonely Hearts Club Band”

Published by Open Books Press, Voices is a father-daughter-lost daughter story that celebrates the Summer of Love as the launching point for both story and main character, rock legend Tom Timoreaux. It’s also the music novel I’ve wanted to write after covering bands, albums, concerts and events the past 40 years, currently as editor of the Billboard Music Awards and American Music Awards publications and co-author of Stevie Salas’ memoir, When We Were The Boys.

Voices traces the beginnings of Tom and his band, The Fever, in 1967 San Francisco, with the Summer of Love and its enormous impact on music, culture and lives fully recounted through the characters. With festivities cranking up now in San Francisco, it’s a fun time to have a book that roots itself in that amazing short-lived scene.

Back to Paul’s visit, as recounted by Marty from his Haight Ashbury home when I was working with him for his memoir, Full Flight, back in 2001. Bear in mind: When Paul visited, Jefferson Airplane was the psychedelic rock band, thanks to Surrealistic Pillow, which was bulleting to the top of the charts. The Beatles were coming off Rubber Soul and Revolver, with no one yet knowing of Sergeant Pepper’s Lonely Hearts Club Band:

Marty Balin, now and then

“We were rehearsing in The Fillmore on an early April day. We were sitting below the stage, in this big room, playing by ourselves,” Marty said. “Suddenly, a big guy comes in wearing a suit and tie – it was Beatles road manager Mal Evans. He booms out in his thick British accent, ‘Master Paul McCartney’d like to visit.’

“What? ‘Well, then send him in,’ I said.

“In comes Paul. Man, we freaked out. I mean, any commercial success we were enjoying was due to The Beatles coming to America in the first place. So we sat around and talked about The Beatles, about the Airplane, about music in general.

“We broke up our rehearsal and went back to the apartment Jack and I shared, in this old Victorian off Haight and Fell. Jack and Paul got into a discussion about bass playing; the British musicians were learning what we already knew, that Jack was brilliant. Jorma and Jack kept trying to get Paul to jam with them; they were noodling all the time on their guitars. Jack took Paul back to his hotel room that night, so I’m sure they talked a lot more about music. There’s a story that Paul tried to play, but couldn’t, because he’s left-handed and Jack had a right-handed bass. I don’t know.

A typical day during the Summer of Love — music, hanging out, self-discovery

“I do know Paul just wanted to relax. He was mainly interested in shooting home movies of the Haight-Ashbury scene. I told Paul about some of the things happening in the Haight, and gave him some places to shoot. Ever since the early days of The Beatles, he’d taken the little home movie camera around and filmed the places and excitement surrounding them. He liked to film the scenes, gallery openings, people in their element; he wasn’t reclusive like John. Paul was always going out, socializing, meeting people.

“Later, I went into my room to get away from the crowd that was in the main part of the house. Paul came in, and we talked a little more about music. ‘What’s new with The Beatles?’ I asked. ‘What’s next?’

Paul smiled. “Oh, I happen to have a little tape here.”

He pulled a tape out and we put it on. It was the song “A Day In The Life.” (“I read the news today, oh boy…”) I just about lost it; I could not believe what I was hearing. Up until then, The Beatles had been like Gods to us. Anything they did was amazing, and in 1964 and 1965, it seemed that every two weeks, they had a new single. They were fantastic, and an inspiration to just about everybody in the rock music world.

“So he played this song. I just did not have the words to describe it. ‘Man, that’s the most amazing thing I’ve ever heard,’ I said.

This is one of many classic rock & roll experiences that weaves its way through Voices, which I will be sharing throughout the summer as the book makes its way into bookstores and online booksellers — and my signing appearances. I share it first because Marty Balin inspired me to write the book, with stories like this, and with his cool, quiet, understated way of using his magical tenor chops to become “The Voice” — literally, that was his nickname among his peers and early fans, and hence, inspiration for the book title. He and I also brainstormed  off my original story line while walking a very crowded Haight Street prior to the 2001 Haight Street Festival (as reimagined in Chapter 18 of Voices). That basic story line is very close to the final version.

Many more stories behind the writing of Voices are coming. Most of all, on this 50th anniversary of the Summer of Love, it’s my salute to what rock, pop, folk and blues music have meant, how they’ve informed my generation, and it also shows the beauty of music to bring us together in a spirit of joy and companionship, no matter our beliefs or world views.

Voices is now available through bookstores nationwide, on all online booksellers, and of course, on Amazon.com. Hope you enjoy it, and please post a quick review on Amazon or Goodreads — 50 words will do (and a few stars!).

 

 

 

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Sweet, Sweet Loving Music: This Writer’s Dream

As some of you know, I’ve been quite busy writing about music. There is a certain depth and lushness to words that describe great pieces of music, and the singers, songwriters and musicians who bring them to our ears.

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My music writing days go back to the beginning, when I was the second teenaged journalist allowed backstage at San Diego Sports Arena (or whatever it’s called now) to interview bands. Cameron Crowe was the first, two years before me. Cameron had had a nice career arc, writing for Rolling Stone at 14, then writing Fast Times at Ridgemont High, Jerry Maguire, and one of my favorites Almost Famous. If anything put a lump in my throat, it was Almost Famous — especially the scene of the young writer William Miller trying to get backstage in San Diego. That same backstage door has opened for me… and it has closed, too.

salas cover low resThe music writing has really picked up. Two years ago, my old North San Diego County friend, Stevie Salas, contacted me to help him with a memoir about his year touring with Rod Stewart. When We Were The Boys became a fine, fun, edgy memoir, a real add to music literature. It was also my most intense collaborative memoir — we wrote it in seven weeks. It’s done well since its release in September 2014… and is a great choice as you rev up for summer festival season. BTW, Stevie is playing Lollapalooza in Chicago at the end of July…

More recently,  I finished my novel, Voices, a father-daughter-daughter story set against a reunion tour by a legendary rock band. This took seemingly forever to write, mainly because I loved soaking into the musical atmosphere so much, and tinkering with the 50 songs I wrote in the personae of my protagonists (Tom and Christine Timoreaux). I couldn’t let it go — something I do not advise my clients to do. When you hold onto it too long, what looked good turns into an automatic rewrite. We’ve grown as people and authors, and we see things a bit differently — no matter how long the manuscript has been in the drawer.

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Marty Balin (left) playing in April 2015 with Jefferson Airplane bandmates Jack Casady (center) and Jorma Kaukonen. Jefferson Airplane’s first concert was August 13, 1965.

To give you an idea, I first came up with this idea in 2001, when Jefferson Airplane founder and Rock & Roll Hall of Famer Marty Balin and I were walking down Haight Street in San Francisco, talking about his memoir. I told him I wanted to write a novel called “The Voice” — his nickname when psychedelic rock launched in San Francisco 50 years ago. He gave me some great ideas, not to mention stories to repurpose. Fourteen years later, it’s going to see the light of day. Look for it soon.

Speaking of Marty, I’m preparing to reconfigure and expand his memoir we wrote in 2002 into a full-fledged biography. When you peel away the claims of people who say they launched psychedelic rock, one name stands above all: Marty (also, a nod to the band The Charlatans). He was the catalyst for psychedelic rock and the Summer of Love. He was the first to use the term “psychedelic rock” publicly. His band, Jefferson Airplane, was the flagship group of 1965-67, #2 among all rock bands in album sales, topped only by The Beatles. The Airplane was the first San Francisco psychedelic band to get a major album deal. In fact, they were the official headliners at Woodstock! Marty also owned The Matrix, which in 1965 was one of few places to allow electric instruments. It also was the first SF stop for many bands, including The Doors, Steve Miller, Love, and many more. Behind it all was this quiet man with a high tenor voice implanted by the angels. His ballads, particularly “Coming Back to Me”, “Count on Me” and “Miracles”, are on more than 50 film soundtracks. Now, Marty is going to finally get the credit he’s deserved for 50 years, though he’s far too humble to claim it himself.matrix-jademuse

Then there’s a real labor of love, helping my longtime friend Robert Munger on his music-oriented screenplay. Can’t go into detail right now, but we’re wrapping the first draft of the script, and then polishing it.

Finally, my new client Lory Jones presented me with an awesome novel to edit, and I mean awesome. It’s centered on a famous 18th-19th century composer, but you’ll have to guess which of the Big Five since I’m not at liberty to discuss. I love classical music almost as much as rock, especially the way it takes us on journeys one minute, and into full appreciation of the grandiosity of the musicianship the next. The Big Five were the rock stars of their era — Bach, Mozart, Beethoven, Schubert and Haydn (or Liszt, Vivaldi, or Handel; take your choice).

Why do I love music writing so much? For starters, music is my hobby, poetry is my passion, and music ties them together. I love all parts of it —composition, instrumentation, delivery, shaping of performances, emotion it engenders, and of course, the lyrics. Whenever I write about music, I’m mindful of the dual origin of lyric and music in the west, through the magical pen of Sappho, the 7th Century BCE Greek genius. She wrote in lyrics, poems and short prose, and her successors took her example into both writing and music.

Most of all, I love the personalities and stories behind songs and bands, and we all know that great stories make great reading. Music, like surfing, baseball and art, cranks out endless great stories. When you put these together, the story can resonate with millions — because we all like music. It is the world’s most universal language, and I like using my writing to prompt that deeper, unspoken form of communication we all instinctively and intuitively understand.

 

As you start figuring out your summer reading choices, I invite you to pick up When We Were The Boys this year, and look for chapter excerpts from Voices and the Marty Balin biography on wordjourneys.com and Scribd.com as we close in on publishing dates that are ideal for any music book — tied to the Golden Anniversary of psychedelic rock and, in 2017, the Summer of Love.

 

 

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Two Crazy Weeks of Publishing Bliss

It’s been quite a two-week period on the writing front, and just goes to show what happens sometimes when you throw enough seeds in the garden. So, this blog is going to feel like a combination of a newsletter and announcements.

PrintLast week, two books came out on Amazon.com with which I was involved: The Hummingbird Review Spring 2013 “Hollywood & Literature” edition, which I edited and also contributed a couple of pieces; and Brian Wilkes’ book Stroking the Media, for which I contributed a chapter on the four essentials of generating good publicity – Timing, Opportunity, Newsworthiness and Perception. Will get into these in a future blog. Never had two Amazon listings in the same week, but there they are! Please order a copy – and one for a friend!

This week kept up the pace. I wrapped proposals for two people I have admired for many years: former Surfer Magazine publisher-editor Jim Kempton, who is now shopping his fantastic book of exotic recipes coupled with great surf travel and cultural stories, The Surfing Chef; and Stevie Salas, the Contemporary Music Advisor to the Smithsonian Institution (and great guitarist from Carlsbad), with whom I’m working on his memoir (more details forthcoming). Add to that the chapters I’ve either cranked out or edited for a number of other clients, and it’s been productive.

That’s not all: On Tuesday, Houghton Mifflin announced the acquisition and forthcoming publication of Just Add Water, my biography of surfing great Clay Marzo, who does it all with Asperger Syndrome. For this book, which is truly a joy to write (as those familiar with my long background as former promoter of the ASP World Tour and writing for the surf mags know), I owe a special shout-out to my longtime friend Mitch Varnes, who is Clay’s manager and who suggested I take a shot at writing this book when we had dinner a few months ago.

Mitch and I have history in turning ideas into great books; 20 years ago, Mitch helped me button down my concept and connect me with astronauts and NASA officials for one of the greatest projects of my career, One Giant Leap for Mankind. It was the 25th anniversary publication for the Apollo 11 moon mission, one edition of which NASA later picked up.

Oh yes, one more bit of news: on Thursday, the popular online magazine Indie Writer Net picked up the first of my two blogs on last weekend’s Los Angeles Times Festival of Books (the second blog will be right here on Saturday).

So, to cap it all off, I’m headed up to Orange County later this morning to appear as the guest on the Write NOW! TV show, with hosts Judy Saxon and Charles Redner. We’ll be talking about, well, writing, but also the benefits of writing about something different every day, and reading on a wide variety of subjects with the curiosity and precociousness of a child.

A quick advisory note on that, to take into the weekend: When you spread out your writing subjects – and forms of writing, from letters to journals to essays and short fiction, and everything in between – you develop the diversity to tackle anything and everything. When you read widely, your brain comes along for the ride and makes connections and observations you never thought you had.

Enjoy your writing and reading this weekend!

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Previewing a Book for National Poetry Month … and A Book for Life

Closing out a month that I will forever remember as the Month of Voluminous Editing. Never have I worked on so many great books simultaneously – novels, memoirs, travel narratives, my own projects. It just goes to show that, in this age where traditional publishing, self-publishing and e-publishing all offer viable paths of publishing success, good writing will rule out in the end. There will never be any shortage of well-written, well-conceived books. In fact, from where I sit, it seems that we’re back on an upward curve when it comes to overall quality of writing. Let’s keep it up.

Now we come to April: . I want to profile a couple of books that are on their way to bookstores and online Print

The first is The Hummingbird Review, the literary journal for which I’ve been editor for three years (except for the Spring 2012 issue, when I was teaching at Ananda College). Publisher, poet and author Charles Redner, who always keeps part of his heart attached to his dramatic arts past, decided to paint a Hollywood theme this time – combining movies and literature. For his part, Charlie wrote a short piece on those dramatic arts days … and a fine actor who emerged from his class. (I’m not telling you: you’ll have to read The Hummingbird Review).

The result is the Spring 2013 issue, our annual National Poetry Month issue, which features Hollywood-themed poetry and essays by our esteemed cast of new and established authors, including Dances With Wolves author Michael Blake, extraordinary poet Martin Espada, screenwriters Adam Rodman and David Milton, and a special lyrics package from my friend and client Stevie Salas, who scored Bill & Ted’s Excellent Adventurein the late 1980s as his musical career was beginning to take off. Now Stevie is producing a documentary film on Native Americans in rock and pop music. We also have stirring lyrics from the solo work of legendary X frontman, lyricist and poet John Doe, who has appeared in more than 30 films and TV shows and series. (We did ask John to furnish the lyrics to one of X’s greatest songs, “The Haves and Have Nots”, which also appears).

We also pay tribute to an old friend of mine, the late Idaho Poet Laureate Emeritus Bill Studebaker, a man whose outrageous humor and sense of adventurism (especially white water kayaking) was matched by two things: his love of family, and his poetry writing. He was a fantastic poet whose works will live on for a long, long time. We present a half-dozen of his poems in a special tribute. Bill died in 2008 in a kayaking accident.

In addition, the spring issue features three dozen fine poems from new and regular contributors from throughout the country. It opens with one of the more memorable conversation-interviews I’ve conducted, with former Poet Laureate of the United States Billy Collins. The interview features plenty of Billy’s trademark humor, while also touching on subjects near and dear to his heart – such as bringing contemporary poetry into the schools through his Poetry 180 project.

The Hummingbird Review will be available through bookstores, on Amazon.com and on the website at www.thehummingbirdreview.com in mid-April, which is National Poetry Month.

• • •

51wvY-lQbaLAbout 18 months ago, the person who would later become my literary agent, Dana Newman, asked if I would be interested in editing a very special memoir that she was representing. I took a look at the manuscript, and knew it was a book I would never forget.

Now, here it comes. Cracked … Not Broken is the story of Kevin Hines, a young man from San Francisco, diagnosed with bi-polar disorder, who attempted to end his life at age 19 by jumping off the Golden Gate Bridge. He survived. Halfway through his plunge, he realized he wanted to live, and by the grace of God, his body turned in such a way that he survived impact.

From there, Kevin started embracing life. It was tough, and painful, but now, he is a dynamic, nationally recognized speaker and advocate for suicide prevention, a man whose story has inspired countless thousands. Maybe millions. This memoir is a testament to the will to live, and to learning to fall in love with life – after nearly ending it. There’s no sugar coating in this book: it is tough, gritty, emotionally raw, and leaves nothing to chance or speculation. Which makes it a great book.

Cracked … Not Broken is available on pre-order from Amazon.com.

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Dropping into The Next Best Thing Blog Tour with Author August McLaughlin

THE NEXT BIG THING BLOG HOP

Welcome to TNBT blog hop!

What is a blog hop? Basically, it’s a way that readers can discover new authors, because with bookstores closing and publishers not promoting new authors as much, we need to find a way to introduce readers to authors they may not see in their local bookstore.

Here, you’ll have the chance to find many new authors. Here you’ll find information about August McLaughlin and her psychological thriller, IN HER SHADOW, David Freed, Pulitzer Prize-winning journalist and author of the Cordell Logan mystery series, calls: “A dark, crackingly good psychological thriller that grabs you by the throat on page one and never lets up.”

Also, see links below to five other authors you might like to check out.

I’d like to thank fellow author August McLaughlin for tagging me to participate.

Click the links below to find out about August’s novel.

Website: http://www.augustmclaughlin.com

Blog: http:augustmclaughlin.wordpress.com

GoodReads: http://www.goodreads.com/book/show/16138453-in-her-shadow

In this particular hop, I and my fellow authors, in their respective blogs, have answered 10 questions where you get to learn about our current work in progress as well as some insights into our process, from characters and inspirations to plotting and cover decisions. I hope you enjoy it!

Please feel free to comment and share your thoughts and questions.

1: What is the working title of your book? 

Voice Lessons

2: Where did the idea come from for the book?

I first got the idea while working with Rock & Roll Hall of Fame member, Jefferson Airplane/Starship lead vocalist Marty Balin, on his memoir, “Full Flight,” about 10 years ago. When Jefferson Airplane formed, he was known in San Francisco as “The Voice” because of his beautiful high tenor. Knowing his story, I imagined, ‘What would happen if a legendary band completely sat it out for 20 years — no recording, no performing — and came back to play one encore tour in today’s musical scene?’ I added some spice to that question, and here we are.

3: What genre does your book come under?

Commercial fiction, with a distinctly musical twist.

4: Which actors would you choose to play your characters in a movie rendition?

Tom Timoreaux –   Jeff  Bridges or Kurt Russell

Megan Timoreaux – Joan Allen

Christine Timoreaux – Dakota Fanning or Evan Rachel Wood

Chester Craven – Sam Elliott

Analisa – Sonia Braga

5: What is the one-sentence synopsis of your book?

A touring novel of music, superstardom, father-daughter relationship and redemption, about a music superstar who reluctantly leads his band on a one-off reunion tour after 20 years of retirement, only to watch his new backup singer, his daughter, emerge as a superstar in her own right as their strained relationship mends — and to receive his long-lost love child back into his life after he’d thought her dead or missing for over 40 years, and after she’d seen a webcast of his first reunion concert.

6: Is your book self-published, published by an independent publisher, or represented by an agency?

Currently in the process of being marketed through an agency.

7: How long did it take you to write the first draft of your manuscript?

One year. One year of writing prose that weaves through the past 60 years of popular music in America, the roots that made it happen, and the cities and states where you will find the fans of great music.

8: What other books would you compare this story to within your genre?

“Never Mind Nirvana,” “Anything Goes”

9: Who or what inspired you to write this book?

I spent seven years writing album and concert reviews for newspapers and magazines, during which I interviewed many bands. I have also worked with several musicians on their books. Coupled with a lifelong love of rock, classical, folk and the blues, as well as a fascination of the history of American popular music, I thought it was time to write a really good, character-based story with music at its core. What is more exciting than touring with a big-time rock and roll band? Not much. I toured with the reformed Jefferson Starship for awhile in 2000, and it’s the best. Then I thought about how difficult, fluid and emotionally taxing — and enriching and deeply loving — relationships are between fathers and strong-minded daughters, and wanted to write about that. So I put the two together, put The Fever on the road … and the book wrote itself from there.

10: What else about your book might pique the reader’s interest?

Rather than borrow from hits of other bands (and deal with the rights clearances and fees), I wrote 80 songs in the protagonists’ persona and voices — 40 for Tom Timoreaux, and 40 for Christine Timoreaux. These serve to create the band’s set list for its massive one-off tour; the lyrics are both in the book and the website that will soon go up, http://www.voicecentral.com. Also, I wove the recent history of American music into every bit of this book, so you will find more than 150 anecdotes and band or song references throughout … like a “Where’s Waldo?” for die-hard music fans. What a lot of people don’t realize about the older rock stars (especially Robert Plant, Tom Petty, Bob Dylan, Keith Richards and Paul McCartney) is that they all carry encyclopedic knowledge of and deep reverence towards the history of blues, folk and rock — not to mention making a few contributions of their own. I celebrate that, especially through the character of Chester Craven, the lead guitarist.

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On the Creative Process, Jimmy Page, Champion’s Way & Music

A Midsummer’s interlude between writing, editing, coaching and counting down the hours until the Summer Olympics begin …

The other day, while watching It Might Get Loud, a tremendous 2008 documentary on the process of making music, starring Jimmy Page, The Edge and Jack White, I was struck by a comment Page made concerning the creative process. “Whether you’re writing written word or music,” the legendary Led Zeppelin guitarist said, “the creative process is a very spontaneous thing. It’s the whole reason for being here, really.”

These poignant words concern the art of moving forward, of putting pen or brush to paper or canvas and letting it happen. I find this to be both the most appealing part of writing and also the hardest to initiate. One thing is certain: once we enter the realm of a new story, song, poem or painting, we enter an entirely new world.  For some, this prospect can be so scary that they never proceed to write the story, novel, memoir or song burning to be expressed.

To me, the creative process is almost as important as breathing. I think that, if we embrace it in our daily lives, and teach our children and grandchildren to do the same, we will find vast and rapid improvements in society, education, sense of self-esteem, concentration and attentiveness, and business. Creativity, innovation and vision have never been more important to embrace, because the “tried and true” way is crumbling around us – in business, finance, education, the environment, the weather, entertainment and most other aspects of our society and culture.

I feel a lot of this backwards slide comes down to one thing: Beginning in schools, extending through television and film and continuing through the way business is conducted, we have lost what it means to be creative, spontaneous, and daring. Even the saying “outside the box” is tired and, well, inside this box of limitation into which learning and growth have been placed. This is dangerous, because creativity is nothing less than the outward expression of our hearts, souls and imaginations – the very aspects that animate life, give it meaning and purpose.

It’s time to break out. Create something new today. Just go for it. Let it happen, and follow it along, as though someone is leading you by the hand on a new journey. Chances are, that’s what you will experience: a new journey, a new adventure. Ignite your creative passion, and see in what ways it expands and fulfills your life, and presents new possibilities. It’s the whole reason for being here, really.

• • •

It’s been an interesting summer, working at different stages of two books on which I’ve spent years. Next week, the book I co-wrote with former US Ski Team conditioning coach Dr. Steve Victorson, The Champion’s Way, releases nationally – just in time to accompany the London Summer Olympics. Which is appropriate, because Steve interviewed dozens of Olympic and World Cup gold medalists for the book. I added thirty years of comments and experiences from the many champions, in sports and other pursuits, I have been privileged to interview or work with. Some of those featured include ski legends Franz Klammer, Phil and Steve Mahre, Rosi Mittermaier and Ingemar Stenmark, 11-time world surfing champion Kelly Slater, late PGA Tour champion Payne Stewart, two-time Olympic 400 meter hurdle gold medalist Edwin Moses, marathon legend Bill Rodgers, and former American Idol winner and country music superstar Carrie Underwood.

At the same time, I’ve been polishing up Voice Lessons, the novel I first wrote in draft in 2004 and have since revised – and shelved – several times. In many ways, this is my personal, 110,000-word tribute to the music of my lifetime, wrapped around a touching, lively and often intense father-daughter-daughter story line.  The polishing act is one of my favorite parts of writing, whether I’m polishing my own books or those of clients. I think of polishing from a sculptor’s perspective: if the process of writing the story is akin to drawing the desired from from raw material, then polishing is like applying the final touches to draw out a sculpture’s finest features.

For this book, which includes a concert tour, fifty original songs and a panoramic view of the building blocks of one of my generation’s great contributions to entertainment — rock music — the polishing act has been a wonderful exercise in refining what it means to be creative, to write a song, to feel how performance impacts those in the audience.  It also distills the experiences of the 40-plus years I have spent listening to music, hundreds of concerts attended, dozens of musicians I’ve met and known, and the specific types of music that originate from all corners of the country. If you like music and a good story …

What has struck me throughout this phase, interestingly enough, is that the process of perfecting a novel is the same as perfecting a sports, business or life skill that we covered in The Champion’s Way: Every word and sentence need to resonate with the energy of one’s very best effort. That’s what it takes. When that happens, readers put their busy lives on hold, sail away on the opening pages, and immerse on a journey that will entertain, enthrall, enlighten and/or change them in some way.

Voice Lessons will be published in 2013. Soon, we will activate its official website, which will be a vast multimedia experience of its own.

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